They climbed a broad, curving, carpeted staircase.
“We’re here,” said Audrey to Miss Ingate after scores of stairs.
Miss Ingate, breathless, could only smile.
And Audrey profoundly felt that she was in Paris. The mere shape of the doorknob by the side of a brass plate lettered “Madame Dubois” told her that she was in an exotic land.
And in the interior of Madame Dubois’s establishment Tommy and Nick together drew apart the curtains, opened the windows, and opened the shutters of a pleasantly stuffy sitting-room. Everybody leaned out, and they saw the superb thoroughfare, straight and interminable, and the moving roofs of the tram-cars, and dwarfs on the pavements. The night was mild and languorous.
“You see that!” Nick pointed to a blaze of electricity to the left on the opposite side of the road. “That’s where we shall take you to dine, after you’ve spruced yourselves up. You needn’t bother about fancy dress. Monsieur Dauphin always has stacks of kimonos—for his models, you know.”
While the travellers spruced themselves up in different bedrooms, Tommy chattered through one pair of double doors ajar, and Nick through the other, and Musa strummed with many mistakes on an antique Pleyel piano. And as Audrey listened to the talk of these acquaintances, Tommy and Nick, who in half an hour had put on the hue of her lifelong friends, and as she heard the piano, and felt the vibration of cars far beneath, she decided that she was still growing happier and happier, and that life and the world were marvellous.
A little later they passed into the café-restaurant through a throng of seated sippers who were spread around its portals like a defence. The interior, low, and stretching backwards, apparently endless, into the bowels of the building, was swimming in the brightest light. At a raised semicircular counter in the centre two women were enthroned, plump, sedate, darkly dressed, and of middle age. To these priestesses came a constant succession of waiters, in the classic garb of waiters, bearing trays which they offered to the gaze of the women, and afterwards throwing down coins that rang on the marble of the counter. One of the women wrote swiftly in a great tome. Both of them, while performing their duties, glanced continually into every part of the establishment, watching especially each departure and each arrival.
At scores of tables were the most heterogeneous collection of people that Audrey had ever seen; men and women, girls and old men, even a few children with their mothers. Liquids were of every colour, ices chromatic, and the scarlet of lobster made a luscious contrast with the shaded tints of salads. In the extreme background men were playing billiards at three tables. Though nearly everybody was talking, no one talked loudly, so that the resulting monotone of conversation was a gentle drone, out of which shot up at intervals the crash of crockery or a hoarse command. And this drone combined itself with the glittering light, and with the mild warmth that floated in waves through the open windows, and with the red plush of the seats, and with the rosiness of painted nymphs on the blue walls, and with the complexions of women’s faces, and their hats and frocks, and with the hues of the liquids—to produce a totality of impression that made Audrey dizzy with ecstasy. This was not the Paris set forth by Madame Piriac, but it was a wondrous Paris, and in Audrey’s esteem not far removed from heaven.
Miss Ingate, magnificently pale, followed Tommy and Nick with ironic delight up the long passage between the tables. Her eyes seemed to be saying: “I am overpowered, and yet there is something in me that is not overpowered, and by virtue of my kind-hearted derision I, from Essex, am superior to you all!” Audrey, with glance downcast, followed Miss Ingate, and Musa came last, sinuously. Nobody looked up at them more than casually, but at intervals during the passage Tommy and Nick nodded and smiled: “How d’ye do? How d’ye do?” “Bon soir,“ and answers were given in American or French voices.