In the profound nocturnal silence broken only by the man's slow, regular breathing, she heard a sudden ring. It was the front-door bell ringing in the kitchen. The bell rang again and again obstinately. G.J.'s party was over, then, and he had arrived to make inquiries. She smiled, and did not move. After a few moments she could hear Marthe stirring. She sprang up, and then, cunningly considerate, slipped from under the bed-clothes as noiselessly and as smoothly as a snake, so that the man should not be disturbed. The two women met in the little hall, Christine in the immodesty of a lacy and diaphanous garment, and Marthe in a coarse cotton nightgown covered with a shawl. The bell rang once more, loudly, close to their ears.
"Are you mad?" Christine whispered with fierceness. "Go back to bed. Let him ring."
Chapter 26
THE RETURN
It was afternoon in April, 1916. G.J. rang the right bell at the entrance of the London home of the Lechfords. Lechford House, designed about 1840 by an Englishman of genius who in this rare instance had found a patron with the wit to let him alone, was one of the finest examples of domestic architecture in the West End. Inspired by the formidable palaces of Rome and Florence, the artist had conceived a building in the style of the Italian renaissance, but modified, softened, chastened, civilised, to express the bland and yet haughty sobriety of the English climate and the English peerage. People without an eye for the perfect would have correctly described it as a large plain house in grey stone, of three storeys, with a width of four windows on either side of its black front door, a jutting cornice, and rather elaborate chimneys. It was, however, a masterpiece for the connoisseur, and foreign architects sometimes came with cards of admission to pry into it professionally. The blinds of its principal windows were down—not because of the war; they were often down, for at least four other houses disputed with Lechford House the honour of sheltering the Marquis and his wife and their sole surviving [177] child. Above the roof a wire platform for the catching of bombs had given the mansion a somewhat ridiculous appearance, but otherwise Lechford House managed to look as though it had never heard of the European War.
One half of the black entrance swung open, and a middle-aged gentleman dressed like Lord Lechford's stockbroker, but who was in reality his butler, said in answer to G.J.'s enquiry:
"Lady Queenie is not at home, sir."