As they neared Victoria the officer said:

"My kit-bag! It's at the hotel. Shall I have time to pay my bill and get it? The Grosvenor's next to the station, you know."

She answered unhesitatingly: "You will go direct to the train. I will try the hotel."

"Drive round to the Grosvenor entrance like hell," he instructed the driver when the taxi stopped in the station yard.

In the hotel she would never have got the bag, owing to her difficulties in explaining the situation in English to a haughty reception-clerk, had not a French-Swiss waiter been standing by. She flung imploring French sentences at the waiter like a stream from a hydrant. The bill was produced in less than half a minute. She put down money of her own to pay for it, for she had refused to wait at the station while the officer fished in the obscurities of his purse. The bag, into which a menial had crammed a kit probably scattered about the bedroom, arrived unfastened. Once more at the station, she gave the cabman all the change which she had received at the hotel counter. By a miracle she made a porter understand what was needed and how urgently it was needed. He said the train was just going, and ran. She ran after him. The ticket-collector at the platform gate allowed the porter to pass, but [145] raised an implacable arm to prevent her from following. She had no platform ticket, and she could not possibly be travelling by the train. Then she descried her officer standing at an open carriage door in conversation with another officer and tapping his leggings with his cane. How aristocratic and disdainful and self-absorbed the pair looked! They existed in a world utterly different from hers. They were the triumphant and negligent males. She endeavoured to direct the porter with her pointing hand, and then, hysterical again, she screamed out the one identifying word she knew: "Edgar!"

It was lost in the resounding echoes of the immense vault. Edgar certainly did not hear it. But he caught the great black initials, "E.W." on the kit-bag as the porter staggered along, and stopped the aimless man, and the kit-bag was thrown into the apartment. Doors were now banging. Christine saw Edgar take out his purse and fumble at it. But Edgar's companion pushed Edgar into the train and himself gave a tip which caused the porter to salute extravagantly. The porter, at any rate, had been rewarded. Christine began to cry, not from chagrin, but with relief. Women on the platform waved absurd little white handkerchiefs. Heads and khaki shoulders stuck out of the carriage windows of the shut train. A small green flag waved; arms waved like semaphores. The train ought to have been gliding away, but something delayed it, and it was held as if spellbound under the high, dim semicircle of black glass, amid the noises of steam, the hissing of electric globes, the horrible rattle of luggage [146] trucks, the patter of feet, and the vast, murmuring gloom. Christine saw Edgar leaning from a window and gazing anxiously about. The little handkerchiefs were still courageously waving, and she, too, waved a little wisp. But he did not see her; he was not looking in the right place for her.

She thought: Why did he not stay near the gate for me? But she thought again: Because he feared to miss the train. It was necessary that he should be close to his compartment. He knows he is not quite sober.

She wondered whether he had any relatives, or any relations with another woman. He seemed to be as solitary as she was.

On the same side of the platform-gate as herself a very tall, slim, dandy of an officer was bending over a smartly-dressed girl, smiling at her and whispering. Suddenly the girl turned from him with a disdainful toss of the head and said in a loud, clear Cockney voice:

"You can't tell the tale to me, young man. This is my second time on earth."