The screen glowed again. And as it did so Louis gave a start.
"By Jove!" he said, "I've left my stick somewhere. It must have been at Heath's. Yes, it was. I put it on the counter while I opened this net thing. Don't you remember? You were taking some money out of your purse." Louis had a very distinct vision of his Rachel's agreeably gloved fingers primly unfastening the purse and choosing a shilling from it.
"How annoying!" murmured Rachel feelingly.
"I wouldn't lose that stick for a five-pound note." (He had a marvellous way of saying "five-pound note.") "Would you mind very much if I just slip over and get it, before he shuts? It's only across the road, you know."
There was something in the politeness of the phrase "mind very much" that was irresistible to Rachel. It caused her to imagine splendid drawing-rooms far beyond her modest level, and the superlative deportment therein of the well-born.
"Not at all!" she replied, with her best affability. "But will they let you come in again without paying?"
"Oh, I'll risk that," he whispered, smiling superiorly.
Then he went, leaving the reticule, and she was alone.
She rearranged the reticule on the seat by her side. The reticule being already perfectly secure, there was no need for her to touch it, but some nervous movement was necessary to her. Yet she was less self-conscious than she had been with Louis at her elbow. She felt, however, a very slight sense of peril—of the unreality of the plush fauteuil on which she sat, and those rows of vaguely discerned faces on her right; and the reality of distant phenomena such as Mrs. Maldon in bed. Notwithstanding her strange and ecstatic experiences with Louis Fores that night in the dark, romantic town, the problem of the lost money remained, or ought to have remained, as disturbing as ever. To ignore it was not to destroy it. She sat rather tight in her place, increasing her primness, and trying to show by her carriage that she was an adult in full control of all her wise faculties. She set her lips to judge the film with the cold impartiality of middle age, but they persisted in being the fresh, responsive, mobile lips of a young girl. They were saying noiselessly: "He will be back in a moment. And he will find me sitting here just as he left me. When I hear him coming I shan't turn my head to look. It will be better not."
The film showed a forest with a wooden house in the middle of it. Out of this house came a most adorable young woman, who leaped on to a glossy horse and galloped at a terrific rate, plunging down ravines, and then trotting fast over the crests of clearings. She came to a man who was boiling a kettle over a camp-fire, and slipped lithely from the horse, and the man, with a start of surprise, seized her pretty waist and kissed her passionately, in the midst of the immense forest whose every leaf was moving. And she returned his kiss without restraint. For they were betrothed. And Rachel imagined the free life of distant forests, where love was, and where slim girls rode mettlesome horses more easily than the girls of the Five Towns rode bicycles. She could not even ride a bicycle, had never had the opportunity to learn. The vision of emotional pleasures that in her narrow existence she had not dreamed of filled her with mild, delightful sorrow. She could conceive nothing more heavenly than to embrace one's true love in the recesses of a forest.... Then came crouching Indians.... And then she heard Louis Fores behind her. She had not meant to turn round, but when a hand was put heavily on her shoulder she turned quickly, resenting the contact.