Louis Fores was late at his grand-aunt's because he had by a certain preoccupation, during a period of about an hour, been rendered oblivious of the passage of time. The real origin of the affair went back nearly sixty years, to an indecorous episode in the history of the Maldon family.
At that date—before Mrs. Maldon had even met Austin Maldon, her future husband—Austin's elder brother Athelstan, who was well established as an earthenware broker in London, had a conjugal misfortune, which reached its climax in the Matrimonial Court, and left the injured and stately Athelstan with an incomplete household, a spoiled home, and the sole care of two children, a boy and a girl. These children were, almost of necessity, clumsily brought up. The girl married the half-brother of a Lieutenant-General Fores, and Louis Fores was their son. The boy married an American girl, and had issue, Julian Maldon and some daughters.
At the age of eighteen, Louis Fores, amiable, personable, and an orphan, was looking for a career. He had lived in the London suburb of Barnes, and under the influence of a father whose career had chiefly been to be the stepbrother of Lieutenant-General Fores. He was in full possession of the conventionally snobbish ideals of the suburb, reinforced by more than a tincture of the stupendous and unsurpassed snobbishness of the British Army. He had no money, and therefore the liberal professions and the higher division of the Civil Service were closed to him. He had the choice of two activities: he might tout for wine, motor-cars, or mineral-waters on commission (like his father), or he might enter a bank; his friends were agreed that nothing else was conceivable. He chose the living grave. It is not easy to enter the living grave, but, august influences aiding, he entered it with éclat at a salary of seventy pounds a year, and it closed over him. He would have been secure till his second death had he not defiled the bier. The day of judgment occurred, the grave opened, and he was thrown out with ignominy, but ignominy unpublished. The august influences, by simple cash, and for their own sakes, had saved him from exposure and a jury.
In order to get rid of him his protectors spoke well of him, emphasizing his many good qualities, and he was deported to the Five Towns (properly enough, since his grandfather had come thence) and there joined the staff of Batchgrew & Sons, thanks to the kind intervention of Mrs. Maldon. At the end of a year John Batchgrew told him to go, and told Mrs. Maldon that her grand-nephew had a fault. Mrs. Maldon was very sorry. At this juncture Louis Fores, without intending to do so, would certainly have turned Mrs. Maldon's last years into a tragedy, had he not in the very nick of time inherited about a thousand pounds. He was rehabilitated. He "had money" now. He had a fortune; he had ten thousand pounds; he had any sum you like, according to the caprice of rumour. He lived on his means for a little time, frequenting the Municipal School of Art at the Wedgwood Institution at Bursley, and then old Batchgrew had casually suggested to Mrs. Maldon that there ought to be an opening for him with Jim Horrocleave, who was understood to be succeeding with his patent special processes for earthenware manufacture. Mr. Horrocleave, a man with a chin, would not accept him for a partner, having no desire to share profits with anybody; but on the faith of his artistic tendency and Mrs. Maldon's correct yet highly misleading catalogue of his virtues, he took him at a salary, in return for which Louis was to be the confidential employee who could and would do anything, including design.
And now Louis was the step-nephew of a Lieutenant-General, a man of private means and of talent, and a trusted employee with a fine wage—all under one skin! He shone in Bursley, and no wonder! He was very active at Horrocleave's. He not only designed shapes for vases, and talked intimately with Jim Horrocleave about fresh projects, but he controlled the petty cash. The expenditure of petty cash grew, as was natural in a growing business. Mr. Horrocleave soon got accustomed to that, and apparently gave it no thought, signing cheques instantly upon request. But on the very day of Mrs. Maldon's party, after signing a cheque and before handing it to Louis, he had somewhat lengthily consulted his private cash-book, and, as he handed over the cheque, had said: "Let's have a squint at the petty-cash book to-morrow morning, Louis." He said it gruffly, but he was a gruff man. He left early. He might have meant anything or nothing. Louis could not decide which; or rather, from five o'clock to seven he had come to alternating decisions every five minutes.
II
It was just about at the time when Louis ought to have been removing his paper cuff-shields in order to start for Mrs. Maldon's that he discovered the full extent of his debt to the petty-cash box. He sat alone at a rough and dirty desk in the inner room of the works "office," surrounded by dust-covered sample vases and other vessels of all shapes, sizes, and tints—specimens of Horrocleave's "Art Lustre Ware," a melancholy array of ingenious ugliness that nevertheless filled with pride its creators. He looked through a dirt-obscured window and with unseeing gaze surveyed a muddy, littered quadrangle whose twilight was reddened by gleams from the engine-house. In this yard lay flat a sign that had been blown down from the façade of the manufactory six months before: "Horrocleave. Art Lustre Ware." Within the room was another sign, itself fashioned in lustre-ware: "Horrocleave. Art Lustre Ware." And the envelopes and paper and bill-heads on the desk all bore the same legend: "Horrocleave. Art Lustre Ware."
He owed seventy-three pounds to the petty-cash box, and he was startled and shocked. He was startled because for weeks past he had refrained from adding up the columns of the cash-book—partly from idleness and partly from a desire to remain in ignorance of his own doings. He had hoped for the best. He had faintly hoped that the deficit would not exceed ten pounds, or twelve; he had been prepared for a deficit of twenty-five, or even thirty. But seventy-three really shocked. Nay, it staggered. It meant that in addition to his salary, some thirty shillings a week had been mysteriously trickling through the incurable hole in his pocket. Not to mention other debts! He well knew that to Shillitoe alone (his admirable tailor) he owed eighteen pounds.
It may be asked how a young bachelor, with private means and a fine salary, living in a district where prices are low and social conventions not costly, could have come to such a pass. The answer is that Louis had no private means, and that his salary was not fine. The thousand pounds had gradually vanished, as a thousand pounds will, in the refinements of material existence and in the pursuit of happiness. His bank-account had long been in abeyance. His salary was three pounds a week. Many a member of the liberal professions—many a solicitor, for example—brings up a family on three pounds a week in the provinces. But for a Lieutenant-General's nephew, who had once had a thousand pounds in one lump, three pounds a week was inadequate. As a fact, Louis conceived himself "Art Director" of Horrocleave's, and sincerely thought that as such he was ill-paid. Herein was one of his private excuses for eccentricity with the petty cash. It may also be asked what Louis had to show for his superb expenditure. The answer is, nothing.
With the seventy-three pounds desolatingly clear in his mind, he quitted his desk in order to reconnoitre the outer and larger portion of the counting-house. He went as far as the archway, and saw black smoke being blown downwards from heaven into Friendly Street. A policeman was placidly regarding the smoke as he strolled by. And Louis, though absolutely sure that the officer would not carry out his plain duty of summoning Horrocleave's for committing a smoke-nuisance, did not care for the spectacle of the policeman. He returned to the inner office, and locked the door. The "staff" and the "hands" had all gone, save one or two piece-workers in the painting-shop across the yard.