And still another very striking memory of Boston—indeed, perhaps, the paramount impression!—is that it contains the loveliest modern thing I saw in America—namely, the Puvis de Chavannes wall-paintings on the grand staircase of the Public Library. The Library itself is a beautiful building, but it holds something more beautiful. Never shall I forget my agitation on beholding these unsurpassed works of art, which alone would suffice to make Boston a place of pilgrimage.
When afterward I went back to Paris, the painters' first question was: "Et les Puvis à Boston—vous les avez vus? Qu'est-ce que vous en dites?"
It was very un-English on the part of Boston to commission these austere and classical works. England would never have done it. The nationality of the greatest decorative painter of modern times would have offended her sense of fitness. What—a French painter officially employed on an English public building? Unthinkable! England would have insisted on an English painter—or, at worst, an American. It is strange that a community which had the wit to honor itself by employing Puvis de Chavannes should be equally enthusiastic about the frigid theatricalities of an E.A. Abbey or the forbidding and opaque intricate dexterity of a John Sargent in the same building. Or, rather, it is not strange, for these contradictions are discoverable everywhere in the patronage of the arts.
It was from the Public Library that some friends and I set out on a little tour of Boston. Whether we went north, south, east, or west I cannot tell, for this was one of the few occasions when the extreme variousness of a city has deprived me definitely of a sense of direction; but I know that we drove many miles through magnificent fenny parks, whose roads were reserved to pleasure, and that at length, after glimpsing famous houses and much of the less centralized wealth and ease of Boston, we came out upon the shores of the old harbor, and went into a yacht-club-house with a glorious prospect. Boston has more book-shops to the acre than any city within my knowledge except Aberdeen (not North Carolina, but Scotland). Its book-shops, however, are as naught to its yacht clubs. And for one yacht club I personally would sacrifice many book-shops. It was an exciting moment in my life when, after further wandering on and off coast roads, and through curving, cobbled, rackety streets, and between thunderous tram-cars and under deafening elevated lines, I was permitted to enter the celestial and calm precincts of the Boston Yacht Club itself, which overlooks another harbor. The acute and splendid nauticality of this club, all fashioned out of an old warehouse, stamps Boston as a city which has comprehended the sea. I saw there the very wheel of the Spray, the cockboat in which the regretted Slocum wafted himself round the world! I sat in an arm-chair which would have suited Falstaff, and whose tabular arms would have held all Falstaff's tankards, and gazed through a magnified port-hole at a six-masted schooner as it crossed the field of vision! And I had never even dreamed that a six-masted schooner existed! It was with difficulty that I left the Boston Yacht Club. Indeed, I would only leave it in order to go and see the frigate Constitution, the ship which was never defeated, and which assuredly, after over a hundred and ten years of buoyant life, remains the most truly English thing in Boston. The afternoon teas of Boston are far less English than that grim and majestic craft.
THE PROMENADE—CITY POINT, BOSTON
We passed into the romantic part of Boston, skirting vast wool-warehouses and other enormous establishments bearing such Oriental signs as "Coffee and Spices." And so into a bewildering congeries of crowded streets, where every name on the walls seemed to be Italian, and where every corner was dangerous with vegetable-barrows, tram-cars, and perambulators; through this quarter the legend of Paul Revere seemed to float like a long wisp of vapor. And then I saw the Christopher Wren spire of Paul Revere's signal-church, closed now—but whether because the congregation had dwindled to six or for some more recondite reason I am not clear. And then I beheld the delightful, elegant fabric of the old State House, with the memories of massacre round about it, and the singular spectacle of the Lion and the Unicorn on its roof. Too proudly negligent had Boston been to remove those symbols!
And finally we rolled into the central and most circular shopping quarter, as different from the Italian quarter as the Italian quarter was different from Copley Square; and its heart was occupied by a graveyard. And here I had to rest.
The second portion of the itinerary began with the domed State Capitol, an impressive sight, despite its strange coloring, and despite its curious habit of illuminating itself at dark, as if in competition with such establishments as the "Bijou Dream," on the opposite side of the Common. Here I first set eyes on Beacon Street, familiar—indeed, classic—to the European student of American literature. Commonwealth Avenue, I have to confess, I had never heard of till I saw it. These interminable and gorgeous thoroughfares, where each massive abode is a costly and ceremonial organization of the most polished and civilized existence, leave the simple European speechless—especially when he remembers the swampy origin of the main part of the ground.... The inscrutable, the unknowable Back Bay!