A long, long tramp through beechy Buckinghamshire one day revealed at every step beauties that filled the eye—and filled the heart. No pen could do them justice; and, among painters, only the brush of a Corot could attempt their depicture without depriving them of their exquisite, their almost evanescent, softness. A great mist lay over the land; a gentle, noiseless mist that hid from you the horizon and the outer world; that shut you in from the outer world; lured you into that mood of quiet reverence in the presence of quiet, wonder-working Nature; and revealed to you ... I cannot tell all that was revealed. I can only point to this and that beautiful little thing or vision, themselves but emblems of a Beauty and a Mystery invisible.

Again I saw the little ivies in the ditches. Again I saw unnumbered little leaves and stalks and tendrils in the hedges; all, of shape and texture and colour actually and positively divine. The hedges, a tangle of twigs thick with a hundred growths, were mighty marvels that no human clipping and pruning and trimming could diminish. And at every few paces rose out of these hedges, on either hand, old majestic elms, great in girth, tall of stature, interlacing their branches high overhead and making for pygmy me, who walked that winding lane, a wondrous fane in which to worship.—It was not exactly what one saw with one's bodily eye that roused worship in that fane. What was it?...

As morning grew towards noon, and the sun gained power, that gentle mist—so noiseless, like an angel's hand laid soothingly on me and on all that hemmed me in—the mist mysteriously withdrew itself. But only to show fresh loveliness. On either hand were meadows, still lush with grass; or brown and furrowed fields, shot through with the myriad tips of growing corn; and here and there in scattered heaps lay the rich leaves of the oak and the elm and the beech, brilliant in their orange and russet, and here and there lit up, like burnished gold, by glints of sunshine from between the clouds.

For miles, quiet little scenes like this filled the eye and the heart—entrancing, exalting, humbling.

Wherein lay the secret of their appeal? Why is it that field and hedgerow, winding lane and interlacing boughs, strike upon the emotions of man?

IX
Spirituality of Nature

§ 10

One thing at least is certain. Of this human race, of which each of us frail and wailing mortals is a fragment, this kindly or unkindly thing we call "external Nature" is at once the mother, the cradle, and the home: out of it we came; in it we play; from it we delve our livelihood; and—to it we go. For it is also our grave. But, unlike the mournful mounds, so pitilessly ranged in regular rows—as if, 'fore God, to accentuate the fact that in Death this impotent thing called sapient man meets at last a uniforming and levelling foe—unlike those mournful mounds we see in cemeteries, external Nature is a grave out of which there is a perpetual and unceasing resurrection. Nature is at once the tomb and the womb of life. What was once soil and rain and sunshine becomes grass—then hay—then beef or mutton or milk—and, in time, the very bone and muscle, the very laughter and tears of the child that plays in those fields. And when bone and muscle lay down that subtle thing called Life, give up the spirit and lie inert, they enter once again into the tomb and womb of Nature, and the mighty cycle begins afresh.

§ 11

And this "spirit" is not a thing apart, a thing outside Nature; breathed into man at his birth, and wafted to some mythical heaven—or hell—at his death. Actually and actively in great Nature, manifesting itself as soil and herb and sunshine, is immanent that which, when metamorphosed into so-called human Life, manifests itself as feeling, imagination, emotion, faith. There cannot be anything in esse in Man that was not aforetime in posse in Nature.