The spirits of Cho-sen are very sensitive, and insist on being taken into notice. Through astrologers, sorcerers and sorceresses they convey messages and threats to this person and to that—generally the richer people—whose errors may always be rectified or atoned for by paying a round sum down to these go-betweens, who are quite ready to assume the responsibility of guaranteeing a peaceful settlement of matters. There are regular establishments kept by these sorcerers and sorceresses—as a rule, outside the city walls—where witchcraft is practised with impunity in all its forms. These establishments are much patronised both by the poor and by the man of noble rank; and amidst the most excruciating howling, clapping of hands, violent beating of drums and other exorcisms, illnesses are got rid of, pains and troubles softened, calamities prevented and children procured for sterile people. The Government itself does not consider these houses as forming part of the religious gang, and one or two of them may be found even in Seoul within the wall. One, an extremely noisy house and mostly patronised by women, is situated not far from the West Gate along the wall. There are also one or two on the slope of Mount Nanzam.
The exorcisms, with the exception of a few particular ones, are, for the most part, performed in the open air, on a level space in front of the house. A circle is formed by the various claimants, in the centre of which a woman, apparently in a trance, squats on her heels. The more money that is paid in, the greater the noise that takes place, and the longer does the performance last. Every now and then the woman in the centre will get up, and, rushing to some other female in the circle, will tap her furiously on her back and shake her, saying that she has an evil spirit in her which refuses to come out. She will also hint that possibly by paying an extra sum, and by means of special exorcisms, it may be induced to leave. What with the shaking, the tapping, the clapping, the drums and the howls, the wretched "spotted" woman really begins to feel that she has something in her, and, possessed—not by the spirits—but by the most awful fright, she disburses the extra money required, after which the spirit ultimately departs.
These witches and sorceresses are even more numerous than their male equivalents. They are recruited from the riff-raff of the towns, and are generally people well-informed on the state, condition, and doings of everybody. Acting on this previous knowledge, they can often tell your past to perfection, and in many cases they predict future events—which their judgment informs them are not unlikely to occur. When ignorant, they work pretty much on the same lines as the Oracle of Delphi; they give an answer that may be taken as you please. Then, if things do not occur in the way they predicted, they simply make it an excuse for extorting more money out of their victim under the plea that he has incurred the displeasure of the spirits, and that serious evil will come upon him if he does not comply with their request. The money obtained is generally spent in orgies during the night. These sorceresses and male magicians are usually unscrupulous and immoral, and are often implicated, not only in the intrigues of the noblest families, but also in murders and other hideous crimes.
Outside the towns, again, there are, only a grade higher than these, the Buddhist monasteries and nunneries. Within a few miles of Seoul, several of these are to be found. One thing that may be said for these institutions is that they are invariably built on lovely spots. Generally on the top, or high on the slopes of a mountain, they form not only homes for the religious, but fortified and impregnable castles. The monasteries are seldom very large, and, as a general rule, hold respectively only about two dozen monks.
There is a small temple on a platform, with a figure of Pul or Buddha in the centre, two brass candlesticks by his side, and a small incense burner at his feet.
THE INTERIOR OF A TEMPLE
"Joss sticks" are constantly burned before him and fill the temple with scent and haze. Buddha, as found in Corea, has generally a sitting and cross-legged posture; the feet are twisted with the soles upwards, and, while the right arm hangs down, the left is folded, the forearm projecting, and the hand holding a bronze ball. By his side, generally on the left, is a small tablet in a frame of elaborate wood-carving. At the foot of the statue is a large collection box for the donations of the worshippers. The background is usually plain, or painted with innumerable figures of the minor gods, some with young white faces and good-natured expressions, probably the gods of confidence; others with rugged old faces and shaggy white eyebrows, moustache and hair, undoubtedly the various forms of the deity of wisdom. Then there is one with squinting ferocious eyes, black eyebrows and beard, dressed in a helmet and fighting robe, who, needless to remark, is the god of war. Others are the gods of justice, deference, and affection; the last being impersonated by two female figures who usually stand on each side of the Buddha. One curious thing about the Buddha is that the head is generally very large in proportion to the body, and that the ears are enormous for the size of the head. In the East it is considered lucky to possess large ears, but these Buddhas are often represented with their organs of hearing as long as the whole height of the head. In Europe such a thing would hardly be considered a compliment! The hair of the Buddha is carefully plastered down on his forehead, and is adorned with a jewel in the centre. The eyes are almost straight, like the eyes of Europeans, instead of being slanting, like those of the Mongolians, while the eyebrows, finely painted with a small brush, describe a beautiful semi-circular arch. The expression of the face, as one looks at it, is in most cases that of nobility and sleepiness.
Out of the West Gate, and a good way past the Pekin Pass, a very interesting day can be spent in visiting a monastery which is to be found there among the hills. Previous to reaching it, a small tomb, that, namely, of the King's mother, is passed. On each flank is a stone figure, while on three sides a wall shuts in the mound of earth under which the body lies. On the right is a tablet to the memory of the deceased, and in front of the mound is placed a well-polished stone, also a small urn.
High up, after following a zig-zag mountain path, we come to the monastery.