CHAPTER VI.
FORGERY.
Before leaving London, Rupert, at Despard's suggestion, had applied for an order to go over the convict prisons at Princetown. It arrived the morning following the interview with Sir Reginald Crichton.
Perhaps because he had lived under the shadow of the prisons all his life, the idea of visiting them (as strangers and tourists from the cities often did) never occurred to him. The great granite building standing on the top of the hill above the West Dart, ugly, ominous, a blot on nature, man's menace to mankind, had never interested him or caused him to think for a moment of the unfortunate beings who were incarcerated there. It was just a landmark, almost part of the life of the moorlands. He knew that originally, in the days long past, French prisoners of war had been kept there, the men against whom his ancestors had fought. It was some time after the war was over and peace declared that it had been rebuilt and turned into a penal establishment.
Despard wanted to go over it for reasons Rupert could not understand; but he agreed to take him with just the same tolerance with which Despard himself might have shown the Tower of London or Madame Tussaud's to his sister Marjorie.
As a matter of fact, now that the order had come and Despard was anxious to make use of it at once, Rupert felt grateful. It served as an excuse to spend the day away from the farm—and the Crichton family. They made him feel, if not exactly guilty, at least ashamed of himself. He had passed a sleepless night, and during the long, silent hours he had examined his conscience and not found it as clean as it had been the last time he slept in that little room overlooking the valley of the Dart.
Life in London was complex: by his own actions he had made it more complicated, and by his ignorance of men and women and the ways of the world. It seemed as if he had never had time in the city to examine himself or to consider his actions, scarcely time to think.
The only rest for the worker in London is excitement. Down here on the moorlands it was good to be alone—if one had eyes to see, ears to hear, and a soul to understand nature.
In London loneliness was a terrible thing: loneliness of streets that had no end, of walls that could not be scaled, of windows through which one might gaze and find no perspective.
A lonely man in London was very like a convict in Dartmoor prison. For so many hours of the day he was let out to work; for the remainder he could eat or sleep or gaze at the great walls of his prison and listen to the footsteps of those who passed along the apparently unending corridors—the streets of his city.