[171]. See p. 40.
[172]. According to Dr. Ganz, the architectural motives are derived from the loggia of the Cathedral of Como. See Holbein, p. 236.
[173]. See chapter vii.
[174]. Ganz, Hdz. Schwz. Mstr., notes to ii. 3, 51, iii. 9, 35; Holbein, pp. xvi.-xviii.
[175]. Woltmann, 83, who calls the figure St. Pantalus. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 35.
[176]. For further proofs, see Appendix (B).
[177]. Gauthiez, Holbein, p. 52, and the same writer’s “Holbein sur la route d’Italie,” in Gazette des Beaux-Arts, Dec. 1897, Feb. 1898.
[178]. One is to be seen in the “Fountain of Youth” decoration for the Hertenstein house.
[179]. Woltmann, 29. Reproduced by Ganz, Hdz. Schwz. Mstr., i. 53.
[180]. Woltmann, 107. Reproduced by Knackfuss, fig. 34.