[381]. F. M. Nichols, Proceedings of the Society of Antiquaries, second series, xvii. No. I., pp. 132-145.
[382]. Woltmann, 214. Reproduced by Davies, frontispiece; Sir Claude Phillips, Art Journal, 1897, p. 102; Earl of Radnor’s Catalogue, No. 81; Ganz, Holbein, p. 37; Machiels, Gaz. des Beaux-Arts, Nov. 1911, p. 357. Exhibited Royal Academy Winter Exhib., 1873, No. 178.
[383]. In Jahrbücher des Vereins von Alterthumsfreunden im Rheinlande, 1868, p. 269, quoted by Woltmann, i. p. 288. For other readings by Grimm, &c., see W. Barclay Squire in Lord Radnor’s Catalogue, note to 81.
[384]. See Sir Claude Phillips, Art Journal, 1897, p. 103. Also Waagen, Galleries and Cabinets, 1857, p. 356, who says that it is “alone worth a pilgrimage to Longford Castle.”
[385]. Woltmann, 232. Reproduced by Davies, p. 110; Ganz, Holbein, p. xxiii.
[386]. Woltmann, 231. Reproduced by Davies, p. 110; Ganz, Hdz. von H. H. dem Jüng., Pl. 16.
[387]. It is possibly the portrait noted by Evelyn in his Diary, August 10, 1655—“I went to Alburie to visit Mr. Howard.... He shew’d me many rare pictures, particularly ... Erasmus as big as the life, by Holbein.” This could hardly refer to the small Greystoke portrait.
[388]. Reproduced by Ganz, Holbein, p. 206. Mr. Barclay Squire notes copies of Mr. Gay’s version in the Bodleian Library, Oxford, presented by Sir James Thornhill in 1728, and one in Archbishop Tenison’s School, Leicester Square (note to No. 81, Lord Radnor’s Catalogue).
[389]. See Colvin, Burlington Magazine, vol. xvi. Nov. 1909, p. 71.
[390]. Woltmann, 224. Reproduced by Davies, p. 108; Knackfuss, fig. 52; Sir C. Phillips, “Picture Gallery of Charles I,” Portfolio Monograph, 1896, p. 23; Ganz, Holbein, p. 39.