Hans Holbein the Younger, Volume 1 (of 2)

by Arthur B. Chamberlain

[411]. The much inferior version in the Besançon Museum (reproduced by Ganz, Holbein, p. 215) is an almost exact replica of the Parma picture.

[412]. See M. Curtze, Beiblatt der Zeitschrift für bildende Kunst, 1874, ix. 537 ff.; Woltmann, vol. ii. p. 15; and Colvin, Burlington Magazine, vol. xvi. p. 68.

[413]. Woltmann, 13. Reproduced by Davies, p. 112; Knackfuss, fig. 114; Ganz, Holbein, p. 90.

[414]. Woltmann, 23.

[415]. Reproduced by Ganz, Holbein, p. 214; the hands and body follow the Longford picture, while the head is like the Parma version.

[416]. Woltmann, 250. Reproduced by André Machiels, Gaz. des Beaux-Arts, November 1911, p. 359, who regards it as an original work by Holbein.

[417]. Woltmann, 171.

[418]. Woltmann, 207. Reproduced by Knackfuss, fig. 51.

[419]. Woltmann, 206. Reproduced by Woltmann, i. 357, fig. 63; Knackfuss, fig. 112; Machiels, Gaz. des Beaux-Arts, November 1911, p. 358; and elsewhere.

[420]. Reproduced by Law, Holbein’s Pictures in Windsor Castle, viii. p. 27, and in Royal Gallery of Hampton Court, p. 220; Sir C. Phillips, “The Picture Gallery of Charles I,” Portfolio Monograph, 1896, p. 111; Davies, p. 28; Ganz, Holbein, p. 207.