[491]. Woltmann, i. 316.
[492]. Woltmann, 143. Reproduced by Knackfuss, fig. 89; Ganz, Holbein, p. 65; and elsewhere.
[493]. Dr. Ganz points out the resemblance between this picture and Mantegna’s “Madonna of Victory” in the Louvre. In the latter the kneeling suppliants are also protected by the Virgin’s cloak, and the movement of her hand, outstretched in benediction over Gonzaga’s head, is just the same as that of the Infant Christ in the Meyer votive picture (Holbein, p. xxviii.).
[494]. Woltmann, 40-42.
[495]. Reproduced by Davies, p. 90; Knackfuss, fig. 86.
[496]. Reproduced by Ganz, Hdz. von H. H. dem Jüng., Pl. 18 (in colour); Davies, p. 92; Knackfuss, fig. 87.
[497]. Reproduced by Ganz, Hdz. Schwz. Mstr., iii. 56; Davies, p. 94; Knackfuss, fig. 88.
[498]. Reproduced by Davies, p. 88; Knackfuss, fig. 90; Ganz, Holbein, p. 209.
[499]. See Wornum, p. 166; Woltmann, i. pp. 300-14.
[500]. December 1871, iv., 2nd period, pp. 516-19.