[741]. Woltmann, 226. Reproduced by Davies, p. 132; Knackfuss, fig. 102; Ganz, Holbein, p. 73.
[742]. It appears to have been at one time in the Arundel Collection, and is entered in the inventory of 1655 as “Ritratto d’un Mathematico.” As all the other portraits just mentioned were also in the Earl’s possession, it is natural to suppose that they were obtained by him directly from De Loo.
[743]. Wornum, p. 222.
[744]. According to Walpole, the Kratzer which was at Holland House “till the death of the Countess of Warwick, wife of Mr. Addison,” was a second version; perhaps the one now belonging to Viscount Galway. This version, according to the same authority, appears to have been in the possession of Sir Walter Cope before passing into the Holland House collection.
[745]. Walpole, Anecdotes, &c., ed. Wornum, i. 79.
[746]. See chap, xxi., vol. ii. p. 152.
[747]. C. L. P., iii. pt. i. 1018, 1019. It was during this same visit to Antwerp that Dürer drew Kratzer’s portrait.
[748]. C. L. P., iv. pt. ii. 3540 (28).
[749]. C. L. P., v., Privy Purse Expenses.
[750]. Ed. Howes, p. 570.