The Silent Bullet

by Arthur B. Reeve

We did not stop to examine the first floor, which doubtless was innocent enough, but turned quickly up a flight of steps. At the foot of the broad staircase Kennedy paused to examine some rich carvings, and I felt him nudge me. I turned. It was an enclosed staircase, with walls that looked to be of re-enforced concrete. Swung back on hinges concealed like those of a modern burglar-proof safe was the famous steel door.

We did not wish to appear to be too interested, yet a certain amount of curiosity was only proper.

My friend paused on the steps, turned, and came back.

“You're perfectly safe,” he smiled, tapping the door with his cane with a sort of affectionate respect. “It would take the police ages to get past that barrier, which would be swung shut and bolted the moment the lookout gave the alarm. But there has never been any trouble. The police know that it is so far, no farther. Besides,” he added with a wink to me, “you know, Senator Danfield wouldn't like this pretty little door even scratched. Come up, I think I hear DeLong's voice up-stairs. You've heard of him, monsieur? It's said his luck has changed I'm anxious to find out.”

Quickly he led the way up the handsome staircase and into a large, lofty, richly furnished room. Everywhere there were thick, heavy carpets on the floors, into which your feet sank with an air of satisfying luxury.

The room into which we entered was indeed absolutely windowless. It was a room built within the original room of the old house. Thus the windows overlooking the street from the second floor in reality bore no relation to it. For light it depended on a complete oval of lights overhead so arranged as to be themselves invisible, but shining through richly stained glass and conveying the illusion of a slightly clouded noonday. The absence of windows was made up for, as I learned later, by a ventilating device so perfect that, although everyone was smoking, a most fastidious person could scarcely have been offended by the odour of tobacco.

Of course I did not notice all this at first. What I did notice, however, was a faro-layout and a hazard-board, but as no one was playing at either, my eye quickly travelled to a roulette-table which stretched along the middle of the room. Some ten or a dozen men in evening clothes were gathered watching with intent faces the spinning wheel. There was no money on the table, nothing but piles of chips of various denominations. Another thing that surprised me as I looked was that the tense look on the faces of the players was anything but the feverish, haggard gaze I had expected. In fact, they were sleek, well-fed, typical prosperous New-Yorkers rather inclined to the noticeable in dress and carrying their avoirdupois as if life was an easy game with them. Most of them evidently belonged to the financial and society classes. There were no tragedies; the tragedies were elsewhere—in their offices, homes, in the courts, anywhere, but not here at the club. Here all was life, light, and laughter.

For the benefit of those not acquainted with the roulette-wheel—and I may as well confess that most of my own knowledge was gained in that one crowded evening—I may say that it consists, briefly, of a wooden disc very nicely balanced and turning in the centre of a cavity set into a table like a circular wash-basin, with an outer rim turned slightly inward. The “croupier” revolves the wheel to the right. With a quick motion of his middle finger he flicks a marble, usually of ivory, to the left. At the Vesper Club, always up-to-date, the ball was of platinum, not of ivory. The disc with its sloping sides is provided with a number of brass rods, some perpendicular, some horizontal. As the ball and the wheel lose momentum the ball strikes against the rods and finally is deflected into one of the many little pockets or stalls facing the rim of the wheel.

There are thirty-eight of these pockets; two are marked “0” and “00,” the others numbered from one to thirty-six in an irregular and confusing order and painted alternately red and black. At each end of the table are thirty-six large squares correspondingly numbered and coloured. The “0” and “00” are of a neutral colour. Whenever the ball falls in the “0” or “00” the bank takes the stakes, or sweeps the the board. The Monte Carlo wheel has only one “0,” while the typical American has two, and the Chinese has four.

To one like myself who had read of the Continental gambling-houses with the clink of gold pieces on the table, and the croupier with his wooden rake noisily raking in the winnings of the bank, the comparative silence of the American game comes as a surprise.