They seemed to have an unlimited capacity for dancing, freak foods, joy rides, and clothes. Clothes were to them what a jimmy is to a burglar. Their English coats were so tight that one wondered how they bent and swayed without bursting. Smart clothes and smart manners such as they affected were very fascinating to some women.

"Who are they all, do you suppose?" I queried.

"All sorts and conditions," returned Kennedy. "Wall Street fellows whose pocketbooks have been thinned by dull times on the Exchange; actors out of engagements, law clerks, some of them even college students. They seem to be a new class. I don't think of any other way they could pick up a living more easily than by this polite parasitism. None of them have any money. They don't get anything from the owner of the cabaret, of course, except perhaps the right to sign checks for a limited amount in the hope that they may attract new business. It's grafting, pure and simple. The women are their dupes; they pay the bills—and even now and then something for 'private lessons' in dancing in a 'studio.'"

Franconi was dividing his attention between what Kennedy was saying and watching Gloria and her partner, who seemed to be a leader of the type I have just described, tall and spare as must be the successful dancing men of today.

"There's a fellow named Du Mond," he put in.

"Who is he?" asked Craig, as though we had never heard of him.

"To borrow one of your Americanisms," returned Franconi, "I think he's the man who puts the 'tang' in tango. From what I hear, though, I think he borrows the 'fox' from fox-trot and plucks the feathers from the 'lame duck.'"

Kennedy smiled, but immediately became interested in a tall blonde girl who had been talking to Du Mond just before the dancing began. I noticed that she was not dancing, but stood in the background most of the time giving a subtle look of appraisal to the men who sat at tables and the girls who also sat alone. Now and then she would move from one table to another with that easy, graceful glide which showed she had been a dancer from girlhood. Always after such an excursion we saw other couples who had been watching in lonely wistfulness, now made happy by a chance to join the throng.

"Who is that woman?" I asked.

"I believe her name is Bernice Bentley," replied Franconi. "She's the—well, they call her the official hostess—a sort of introducer. That's the reason why, as you observed, there is no lack of friendliness and partners. She just arranges introductions, very tactfully, of course, for she's experienced."