The Treasure-Train

by Arthur B. Reeve

As for Karatoff's exhibition, it was all truly remarkable, whether in his therapeutics the man was a faker or not.

Karatoff seemed to realize that he had made a hit. Without giving any one a chance to question him, he reached down quickly and picked up another of the papers, repeating the process through which he had gone before.

"Mr. Errol," he summoned, placing the second folded paper on the table with the first.

Errol rose and went forward and Karatoff placed him in the chair as he had Mrs. Gaines. There seemed to be no hesitation, at least on the part of Karatoff's followers, to being hypnotized.

Whatever it was written on the paper, the writer had evidently not trusted to chance, as I had, but had told specifically what to do.

At the mute bidding of Karatoff Errol rose. We watched breathlessly. Deliberately he walked across the room to the table, and, to the astonishment of all save one, picked up a rubber dagger, one of those with which children play, which was lying in the miscellaneous pile on the table. I had not noticed it, but some one's keen eye had, and evidently it had suggested a melodramatic request.

Quickly Errol turned. If he had been a motion-picture actor, he could not have portrayed better the similitude of hate that was written on his face. A few strides and he had advanced toward our little audience, now keyed up to the highest pitch of excitement by the extraordinary exhibition.

"Of course," remarked Karatoff, as at a word Errol paused, still poising the dagger, "you know that under hypnotism in the psychological laboratory a patient has often struck at his 'enemy' with a rubber dagger, going through all the motions of real passion. Now!"

No word was said by Karatoff to indicate to Errol what it was that he was to do. But a gasp went up from some one as he took another step and it was evident that it was Marchant whom he had singled out. For just a moment Errol poised the rubber dagger over his "victim," as if gloating. It was dramatic, realistic. As Errol paused, Marchant smiled at the rest of us, a sickly smile, I thought, as though he would have said that the play was being carried too far.

Never for a moment did Errol take from him the menacing look. It was only a moment in the play, yet it was so unexpected that it seemed ages. Then, swiftly, down came the dagger on Marchant's left side just over the breast, the rubber point bending pliantly as it descended.