Moffett studios, Chicago
EMERSON HOUGH
MAXIMILLIAN FOSTER
Besides all these there are Joseph C. Lincoln and Cyrus Townsend Brady, the first one in high favor for his breezy stories of Cape Cod life and character, redolent of the salt sea air, the latter for his many entertaining tales of plain and desert; and Sewell Ford, who created the slangy but very human “Shorty McCabe” and “Torchy”; and those two pungent writers of Western episodes, Peter Kyne and Charles E. Van Loan. Emerson Hough has given us rousing tales of the Middle and Far West, of the Kentucky mountains and Alaska. Holman Day’s excellent stories breathe of the Maine woods, and Roy Norton has rendered tribute to the sea. Harris Dickson, a son of Mississippi, has woven into story form some throbbing incidents of Southern history, and has depicted numerous sunny corners of every-day existence below the Mason and Dixon line. James Branch Cabell is a spinner of charming romances; some of the best have a medieval French flavor. Harold Bell Wright is well known as the author of “Barbara Worth” and several other books whose sales have climbed into the hundreds of thousands. Richard Washburn Child is a young American who wields a vigorous pen in the portrayal of national character, and James Oppenheim, not to be confused with the Englishman, E. Phillips Oppenheim, represents vital phases of present-day city life. Joseph Hergesheimer has won a place among writers by reason of his picturesque style and original invention. A comprehensive list of American-born novelists must also include the names of Leroy Scott, Henry B. Fuller, Frank H. Spearman, Earl Derr Biggers and Arthur Reeve, all of whom have within late years produced popular successes.
The roll of the makers of modern American fiction is a long one, yet none can gainsay that the average of achievement is high.
SUPPLEMENTARY READING
THE MEN WHO MAKE OUR NOVELS.
By Burton Rascoe, Literary Editor, Chicago Tribune.