I
A ROMAN QUEST
"If one might only have a guide to the truth."—Seneca.
On Scopus, the high mountain north of Jerusalem, the Roman camp was pitched, that last autumn in the ministry of Jesus of Nazareth. A few years further on, if the warriors of the Emperor Tiberius could then have foreseen the future, Titus was to quarter his famous legions on that vantage point; and from its elevation he was to hurl himself as a resistless battering ram against the Holy City. But, on this autumn day, when these chronicles begin, no blare of trumpets was summoning the Roman soldiery to arms; only the feet of the camp sentinels, as they walked their appointed rounds, broke the quiet of the sunlit afternoon.
That lithesome, cultivated, serious-minded young knight, Quintus Cornelius Benignus, is standing on the height which overlooks the great metropolis. He is the son of Marcus Cornelius Magnus, that Roman noble who is the intimate associate of the reigning Caesar, and who has been a luxurious resident on the Palatine Hill since his distinguished proconsulship in Africa.
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NOTE.—It is not from any time-marked Hebrew roll that this story of Quintus is now taken. He was of Roman blood, and his record is, rather, to be found in the Latin literature of his time. Well it is when some new leaf is discovered among the musty folios, reciting the saintly character and the triumphs of those who lived when Christianity was new. This record shows the worth of consecrated life and service in the days when the luxurious Roman state most needed a Christian citizenship. But the lesson is none the less for these last days, when the hope of the world is in the creed of Quintus.
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By the side of Quintus is his fellow soldier Aulus. They had spent their boyhood together among the scenes of Rome; now they are companions still, on this last Roman expedition to the district of Judaea. While the common soldiery are throwing their dice in the camp thoroughfare, these are speaking of more serious things. The picture on which they look from lofty Scopus includes the shining roofs of Jerusalem, the wooded Mount of Olives, and the far landscape to the south and west; its undulations and brilliant colorings no Roman artist might put upon the canvas.
With the autumn haze covering the extended panorama, Quintus says first to his comrade: