Fig. 492.—Rose slipped and leaved.
Though the heraldic rose is seldom, if ever, otherwise depicted, it should be described as "barbed vert" and "seeded or" (or "barbed and seeded proper") when the centre seeds and the small intervening green leaves (the calyx) between the petals are represented in their natural colours. In the reign of the later Tudor sovereigns the conventionality of earlier heraldic art was slowly beginning to give way to the pure naturalism towards which heraldic art thereafter steadily degenerated, and we find that the rose then begins (both as a Royal badge and elsewhere) to be met with "slipped and leaved" (Fig. 492). The Royal fleurs-de-lis are turned into natural lilies in the grant of arms to Eton College, and in the grant to William Cope, Cofferer to Henry VII., the roses are slipped ["Argent, on a chevron azure, between three roses gules, slipped and leaved vert, as many fleurs-de-lis or. Crest: out of a fleur-de-lis or, a dragon's head gules">[. A rose when "slipped" theoretically has only a stalk added, but in practice it will always have at least one leaf added to the slip, and a rose "slipped and leaved" would
have a leaf on either side. A rose "stalked and leaved" is not so limited, and will usually be found with a slightly longer stalk and several leaves; but these technical refinements of blazon, which are really unnecessary, are not greatly observed or taken into account. The arms of the Burgh of Montrose afford an example of a single rose as the only charge, although other instances will be met with in the arms of Boscawen, Viscount Falmouth ["Ermine, a rose gules, barbed and seeded proper">[, and of Nightingale, Bart. ["Per pale ermine and gules, a rose counterchanged">[.
Amongst the scores of English arms in which the rose figures, it will be found in the original heraldic form in the case of the arms of Southampton (Plate VII.); and either stalked or slipped in the arms of Brodribb and White-Thomson. A curious instance of the use of the rose will be found in the crest of Bewley, and the "cultivated" rose was depicted in the emblazonment of the crest of Inverarity, which is a rose-bush proper.
Fig. 493.—Thistle.
Heraldry, with its roses, has accomplished what horticulture has not. There is an old legend that when Henry VII. succeeded to the English throne some enterprising individual produced a natural parti-coloured rose which answered to the conjoined heraldic rose of gules and argent. Our roses "or" may really find their natural counterpart in the primrose, but the arms of Rochefort ["Quarterly or and azure, four roses counterchanged">[ give us the blue rose, the arms of Berendon ["Argent, three roses sable">[ give us the black rose, and the coat of Smallshaw ["Argent, a rose vert, between three shakeforks sable">[ is the long-desired green rose.
The Thistle (Fig. 493) ranks next to the rose in British heraldic importance. Like the rose, the reason of its assumption as a national badge remains largely a matter of mystery, though it is of nothing like so ancient an origin. Of course one knows the time-honoured and wholly impossible legend that its adoption as a national symbol dates from the battle of Largs, when one of the Danish invaders gave away an attempted surprise by his cry of agony caused by stepping barefooted upon a thistle.
The fact, however, remains that its earliest appearance is on the silver coinage of 1474, in the reign of James III., but during that reign there can be no doubt that it was accepted either as a national badge or else as the personal badge of the sovereign. The period in question was that in which badges were so largely used, and it is not unlikely that, desiring to vie with his brother of England, and fired by the