He further asked me exactly what I was writing. It happened to be some essays on literary subjects. He mentioned a few books, and told me it would do very well to start with. He was very kind and fatherly in his manner, and when I rose to go, he put his arm through mine and said: "Come, it will be strange if we can't hit it off together. I like your presence and talk, and am glad to think you are in the house. Don't be anxious! The difficulty with you is that you will foresee all your troubles beforehand, and try to bolt them in a lump, instead of swallowing them one by one as they come. Live for the day!" There was something magnetic about him, for by these few words he established a little special relation with me which was never broken.
When he dismissed me, I went and changed my things, and then came down. I found that it was the custom for the men to go down to the hall about eight. Father Payne said that it was a great mistake to work to the last minute, and then to rush in to dinner. He said it made people nervous and dyspeptic. He generally strolled in himself a few minutes before, and sate silent by the fire.
Just as it struck eight, and the hum of the clock in the hall died away, a little tune in harmony, like a gavotte, was played by softly-tingling tiny bells. I could not tell where the music came from; it seemed to me like the Ariel music in The Tempest, between earth and heaven, or the "chiming shower of rare device" in The Beryl Stone.
Father Payne smiled at the little gesture I involuntarily made. "You're right!" he said, when it was over. "How can people talk through that? It's the clock in the gallery that does it—they say it belonged to George III. I hope, if so, that it gave him a few happier moments! It is an ingenious little thing, with silver bells and hammers; I'll show it you some day. It rings every four hours."
"I think I had rather not see the machinery," I said. "I never heard anything so delicious."
"You're right again," said Father Payne;
"'The isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.'
Let it stay at that!"
I little thought how much I should grow to connect that fairy gavotte with Aveley. It always seemed to me like a choir of spirits. I would awake sometimes on summer nights and hear it chiming in the silent house, or at noon it would come faintly through the passages. That, and the songs of the birds in the shrubberies, always flash into my mind when I think of the place; because it was essentially a silent house, more noiseless than any I have ever lived in; and I love the thought of its silence; and of its fragrance—for that was another note of the place. In the hall stood great china jars with pierced covers, which were always full of pot-pourri; there was another in the library, and another in Father Payne's study, and two more in the passage above which looked out by the little gallery upon the hall. Silence and fragrance always, in the background of all we did; and outlining itself upon the stillness, the little melody, jetting out like a fountain of silver sound.