So it has all been written in spaces of hard-driven work, when the day never seemed long enough for all I had to do, between interruptions and interviews and teaching and meetings. But the sight and scent that I shall always connect with it, is that of a great lilac-bush which stands just outside my study window, and which day by day in this bright and chilly spring has held up its purple clusters, overtopping the dense, rich, pale foliage, against a blue and cloudless sky; and when the wind has been in the North, as it has often been, has filled my room with the scent of breaking buds. How often, as I wrote, have I cast a sidelong look at the lilac-bush! How often has it appeared to beckon me away from my papers to a freer and more fragrant air outside! But it seemed to me that I was perhaps obeying the call of the lilac best—though how far away from its freshness and sweetness!—if I tried to make my own busy life, which I do not pretend not to enjoy, break into such flower as it could, and give out what the old books call its 'spicery,' such as it is.
Because the bloom, the colour, the scent, are all there, if I could but express them. That is the truth! I do not claim to make them, to cause them, to create them, any more than the lilac could engender the scent of roses or of violets. Nor do I profess to do faithfully all that I say in my book that it is well to do. That is the worst, and yet perhaps it is the best, of books, that one presents in them one's hopes, dreams, desires, visions; more than one's dull and mean performances. 'Als ich kann!' That is the best one can do and say.
It is our own fault, and not the fault of our visions, that we cannot always say what we think in talk, even to our best friends. We begin to do so, perhaps, and we see a shadow gather. Either the friend does not understand, or he does not care, or he thinks it all unreal and affected; and then there falls on us a foolish shyness, and we become not what we are, but what we think the friend would like to think us; and so he 'gets to know' as he calls it, not what is really there, but what he chooses should be there.
But with pen in hand, and the blessed white paper before one, there is no need to be anything in the world but what one is. Our dignity must look after itself, and the dignity that we claim is worth nothing, especially if it is falsely claimed. But even the meanest flower that blows may claim to blossom as it can, and as indeed it must. In the democracy of flowers, even the dandelion has a right to a place, if it can find one, and to a vote, if it can get one; and even if it cannot, the wind is kind to it, and floats its arrowy down far afield, by wood and meadow, and into the unclaimed waste at last.
CONTENTS
| CHAPTER | PAGE | |
| I. | JOYOUS GARD, PRELUDE | [1] |
| II. | IDEAS | [7] |
| III. | POETRY | [10] |
| IV. | POETRY AND LIFE | [15] |
| V. | ART | [22] |
| VI. | ART AND MORALITY | [35] |
| VII. | INTERPRETATION | [46] |
| VIII. | EDUCATION | [54] |
| IX. | KNOWLEDGE | [59] |
| X. | GROWTH | [69] |
| XI. | EMOTION | [77] |
| XII. | MEMORY | [86] |
| XIII. | RETROSPECT | [98] |
| XIV. | HUMOUR | [107] |
| XV. | VISIONS | [119] |
| XVI. | THOUGHT | [126] |
| XVII. | ACCESSIBILITY | [136] |
| XVIII. | SYMPATHY | [148] |
| XIX. | SCIENCE | [157] |
| XX. | WORK | [166] |
| XXI. | HOPE | [173] |
| XXII. | EXPERIENCE | [184] |
| XXIII. | FAITH | [193] |
| XXIV. | PROGRESS | [204] |
| XXV. | THE SENSE OF BEAUTY | [212] |
| XXVI. | THE PRINCIPLE OF BEAUTY | [220] |
| XXVII. | LIFE | [228] |