The Thread of Gold

by Arthur Christopher Benson

The place is all permeated with the thought of him, his deep and tranquil worship of natural beauty, his love of the kindly earth.

I do not think that Wordsworth is one whose memory evokes a deep personal attachment. I doubt if any figures of bygone days do that, unless there is a certain wistful pathos about them; unless something of compassion, some wish to proffer sympathy or consolation, mingles with one's reverence. I have often, for instance, stayed at a house where Shelley spent a few half-rapturous, half-miserable months. There, meditating about him, striving to reconstruct the picture of his life, one felt that he suffered much and needlessly; one would have wished to shelter, to protect him if it had been possible, or at least to have proffered sympathy to that inconsolable spirit. One's heart goes out to those who suffered long years ago, whose love of the earth, of life, of beauty, was perpetually overshadowed by the pain that comes from realising transitoriness and decay.

But Wordsworth is touched by no such pathos. He was extraordinarily prosperous and equable; he was undeniably self-sufficient. Even the sorrows and bereavements that he had to bear were borne gently and philosophically. He knew exactly what he wanted to do, and did it. Those sturdy, useful legs of his bore him many a pleasant mile. He always had exactly as much money as he needed, in order to live his life as he desired. He chose precisely the abode he preferred; his fame grew slowly and solidly. He became a great personage; he was treated with immense deference and respect. He neither claimed nor desired sympathy; he was as strong and self-reliant as the old yeomen of the hills, of whom he indeed was one; his vocation was poetry, just as their vocation was agriculture; and this vocation he pursued in as business-like and intent a spirit as they pursued their farming.

Wordsworth, indeed, was armed at all points by a strong and simple pride, too strong to be vanity, too simple to be egotism. He is one of the few supremely fortunate men in the history of literature, because he had none of the sensitiveness or indecision that are so often the curse of the artistic temperament. He never had the least misgivings about the usefulness of his life; he wrote because he enjoyed it; he ate and drank, he strolled and talked, with the same enjoyment. He had a perfect balance of physical health. His dreams never left him cold; his exaltations never plunged him into depression. He felt the mysteries of the world with a solemn awe, but he had no uneasy questionings, no remorse, no bewilderment, no fruitless melancholy.

He bore himself with the same homely dignity in all companies alike; he was never particularly interested in any one; he never had any fear of being thought ridiculous or pompous. His favourite reading was his own poetry; he wished every one to be interested in his work, because he was conscious of its supreme importance. He probably made the mistake of thinking that it was his sense of poetry and beauty that made him simple and tranquil. As a matter of fact, it was the simplicity and tranquillity of his temperament that gave him the power of enjoyment in so large a measure. There is no growth or expansion about his life; he did not learn his serene and impassioned attitude through failures and mistakes: it was his all along.

And yet what a fine, pure, noble, gentle life it was! The very thought of him, faring quietly about among his hills and lakes, murmuring his calm verse, in a sober and temperate joy, looking everywhere for the same grave qualities among quiet homekeeping folk, brings with it a high inspiration. But we tend to think of Wordsworth as a father and a priest, rather than as a brother and a friend. He is a leader and a guide, not a comrade. We must learn that, though he can perhaps turn our heart the right way, towards the right things, we cannot necessarily acquire that pure peace, that solemn serenity, by obeying his precepts, unless we too have something of the same strong calmness of soul. In some moods, far from sustaining and encouraging us, the thought of his equable, impassioned life may only fill us with unutterable envy. But still to have sat in his homely rooms, to have paced his little terraces, does bring a certain imagined peace into the mind, a noble shame for all that is sordid or mean, a hatred for the conventional aims, the pitiful ambitions of the world.

Alas, that the only sound from the little hill-platform, the embowered walks, should be the dull rolling of wheels—motors, coaches, omnibuses—in the road below! That is the shadow of his greatness. It is a pitiable thought that one of the fruits of his genius is that it has made his holy retreat fashionable. The villas rise in rows along the edges of the clear lakes, under the craggy fell-sides, where the feathery ashes root among the mimic precipices. A stream of chattering, vacuous, indifferent tourists pours listlessly along the road from table-d'hôte to table-d'hôte. The turbid outflow of the vulgar world seems a profanation of these august haunts. One hopes despairingly that something of the spirit of lonely beauty speaks to these trivial heads and hearts. But is there consolation in this? What would the poet himself have felt if he could have foreseen it all?

I descended the hill-road and crossed the valley highway; it was full of dust; the vehicles rolled along, crowded with men smoking cigars and reading newspapers, tired women, children whose idea of pleasure had been to fill their hands with ferns and flowers torn from cranny and covert. I climbed the little hill opposite the great Scar; its green towering head, with its feet buried in wood, the hardy trees straggling up the front wherever they could get a hold among the grey crags, rose in sweet grandeur opposite to me. I threaded tracks of shimmering fern, out of which the buzzing flies rose round me; I went by silent, solitary places where the springs soak out of the moorland, while I pondered over the bewildering ways of the world. The life, the ideals of the great poet, set in the splendid framework of the great hills, seemed so majestic and admirable a thing. But the visible results—the humming of silly strangers round his sacred solitudes, the contaminating influence of commercial exploitation—made one fruitlessly and hopelessly melancholy.

But even so the hills were silent; the sun went down in a great glory of golden haze among the shadowy ridges. The valleys lay out at my feet, the rolling woodland, the dark fells. There fell a mood of strange yearning upon me, a yearning for the peaceful secret that, as the orange sunset slowly waned, the great hills seemed to guard and hold. What was it that was going on there, what solemn pageant, what sweet mystery, that I could only desire to behold and apprehend? I know not! I only know that if I could discern it, if I could tell it, the world would stand to listen; its littleness, its meanness, would fade in that august light; the peace of God would go swiftly and secretly abroad.