"The Debatable Land": A Novel

by Arthur Colton

They came to the corner of Charles Street, and parted at Mrs. Mavering's door.

To obtain a small measure of happiness as a commission for managing another person's estate in the same kind of property! She wondered if Thaddeus were not really a wise man, who made a pretext of frivolity. He seemed to have definite theories of things. It might be his rapid and light manner was part of his wisdom and his theory, as if he had found it the part of wisdom not to look gravely and long at any phase of human life. Who knows what might be disclosed, for all depths are black and threatening. One should touch surfaces and slip away before the depths boil up. If Thaddeus had really attained skill and success, it was something to admire. For herself, she seemed to have failed. She had stirred the depths and had not found them on the whole pleasant.

Thaddeus's house was four-square, of a yellowish stucco, with a raised entrance and a windowed cupola. They built so, and so decorated within, when they endeavored to build decoratively, a half century or more ago; they impressed a generation following with a hunted, persistent sense that in some manner a marble mantel, a plaster ornament on the ceiling, an ormolu clock, a flowered carpet, and china figurines with neat stockings, were the types and accepted symbols of earthly splendor. Plush upholstery was a proper thing in Thaddeus's day, and Thaddeus had it. He desired the presence of that which was fit, accepted, not provocative of dispute.

And so his little dinner of five passed fitly. He manipulated Gard to the piano, Helen near by, Morgan in position to observe her, and Mrs. Mavering in position to observe all. He drew his chair near Mrs. Mavering and smiled a wrinkled smile of content. He felt creative with respect to the situation, a strategist who had securely arranged how the enemy should act.

"He will growl," he said to Mrs. Mavering, softly; "the bristles will rise on his spine. My dear Mrs. Mavering, a primary egotist is an impossible person out of the jungle."

Mrs. Mavering thought she could see why Morgan suggested to Thaddeus such terms as "primitive," "aboriginal." There was something rugged and rough-hewn evident in the first place, a massiveness of antediluvian bone, such as they dig from the clay banks of rivers. "We are all egotists," was Thaddeus's theory, "but the primary won't do." He is savage and solitary, too direct, too elemental. He jumps to his aim. He does not care, so he gets it, what happens in between. He does not care for minor points. But civilization is a system of minor points. He has no sympathy, cannot move from his footing an inch to take another point of view. Doubtless he will lie and betray, for they are minor points of method, and faith and truth are social products. At least, he will not notice what he may happen incidentally to step on, or what becomes of an opposition after it is sufficiently smashed. "Why," he asked, primitively, "why should I?"

But Mrs. Mavering thought all this seemed an airy structure, built on a theory which was very likely a prejudice.

Gard was playing something martial, with the shrilling of fifes, the mutter of drums in it, and the measured tramp of feet. He was looking at Helen to see if she knew what he meant, because one liked to look at her, no doubt; it seemed to justify itself; but more particularly because he had fancied of late that her face was a kind of magic mirror, such as enchanters used to raise upon by incantation their pictured prophecies, and that he was become able to summon to it the shadows and counterparts of his moods, and watch the brightening and darkening of himself in reflection.

When he would come from the organ-loft, find her with Mrs. Mavering in the dark under the gallery by the stone pillar, and the three go out across the yard to Mrs. Mavering's house, he always found that Helen's interpretations, however wide they might be from his own in point of verbal symbols and form of allegory, followed the mood with accurate detail. Only the mirror tended to add moral judgments, or to substitute the terms, right and wrong, for beautiful and ugly, for harmony and discord, and in that respect appeared to be inaccurate. Still, it enabled him to realize himself with curious vividness.