This is no chance passage, no casual thought. Again and again Jefferies returns to the richness and plenty of the Earth. And his style, suiting itself to the man’s temperament, is rich and overflowing, splendidly diffuse,
riotously exulting, until at times there is the very incoherence of passion about it.
Thus, in looking at the man’s artistic work, its form of expression, its characteristic notes, something of the man’s way of thinking has impressed itself upon us.
V
It may be well to gather up the scattered impressions, and to look at the thought that underlies his fervid utterances. Beginning as merely an interested observer of Nature, his attitude becomes more enthusiastic, as knowledge grows of her ways, and what began in observation ends in aspiration. The old cry, “Return to Nature,” started by Rousseau, caught by the poets of the “Romantic Revival” in England, and echoed by the essayists of New England, fell into silence about the middle of last century. It had inspired a splendid group of Nature poets; and for a time it was felt some new gospel was needed. Scientific and philosophical problems took possession of men’s minds; the intellectual and emotional life of the nation centred more and more round the life of the city. For a time this was, perhaps, inevitable. For a time Nature regarded through the eyes of fresh scientific thought had lost her charm. Even the poets who once had been content to worship, now began to criticize. Tennyson qualified his homage with reproachings. Arnold carried his books of philosophy into her presence. But at last men tired of this questioning attitude. America produced
a Whitman; and in England William Morris and Richard Jefferies—among others—cried out for a simpler, freer, more childlike attitude.
“All things seem possible,” declared Jefferies, “in the open air.” To live according to Nature was, he assured his countrymen, no poet’s fancy, but a creed of life. He spoke from his own experience; life in the open, tasting the wild sweetness of the Earth, had brought him his deepest happiness; and he cried aloud in his exultation, bidding others do likewise. “If you wish your children,” says he, “to think deep things, to know the holiest emotions, take them to the woods and hills, and give them the freedom of the meadows.” On the futility of bookish learning, the ugliness and sordidness of town life, he is always discoursing. His themes were not fresh ones; every reformer, every prophet of the age had preached from the same text. And none had put the case for Nature more forcibly than Wordsworth when he lamented—
“The world is too much with us.”
But the plea for saner ways of living cannot be urged too often, and if Jefferies in his enthusiasm exaggerates the other side of the picture, pins his faith over much on solitudes and in self-communion, too little on the gregarious instincts of humankind, yet no reformer can make any impression on his fellows save by a splendid one-sidedness.
The defect of his Nature creed which calls for the most serious criticism is not the personal isolation on which he seems to insist. We herd together so much—