Then the æsthetic Idealism which dominated him made for melancholy, as it invariably does. The Worshipper at the shrine of Beauty is always conscious that
“. . . . In the very temple of Delight
Veiled Melancholy has her sovran shrine.”
He realizes the tragic ineffectuality of his aspiration—
“The desire of the moth for the star,”
as Shelley expresses it, and in this line of poetry the mood finds imperishable expression.
But the melancholy that visits the Idealist—the Worshipper of Beauty—is not by any means a mood of despair. The moth may not attain the star, but it feels there is a star to be attained. In other words, an intimate sense of the beauty of the world carries within it, however faintly, however overlaid with sick longing, a secret hope that some day things will shape themselves all right.
And thus it is that every Idealist, bleak and wintry as his mood may be, is conscious of the latency of spring. Every Idealist, like the man in the immortal allegory of Bunyan, has a key in his bosom called Promise. This it is that keeps from madness. And so while Jefferies will exclaim:—
“The whole and the worst the pessimist can say is far beneath the least particle of the truth, so immense is the misery of man.” He will also declare, “There lives on in me an impenetrable belief, thought burning like the sun, that there is yet something to be found, something real, something to give each separate personality sunshine and flowers in its own existence now.”
It is a mistake to attach much importance to Jefferies’ attempts to systematize his views on life. He lacked the power of co-ordinating his impressions, and is at his best when giving free play to the instinctive life within him. No Vagabond writer can excel him in the expression of feeling; and yet perhaps no writer is less able than he to account for, to give a rational explanation of his feelings. He is rarely satisfactory when he begins to explain. Thoreau’s lines about himself seem to me peculiarly applicable to Jefferies:—
“I am a parcel of vain strivings tied
By a chance bond together,
Dangling this way and that, their links
Were made so loose and wide
Methinks
For milder weather.“A bunch of violets without their roots
And sorrel intermixed,
Encircled by a wisp of straw
Once coiled about their shoots,
The law
By which I’m fixed.“Some tender buds were left upon my stem
In mimicry of life,
But ah, the children will not know
Till Time has withered them,
The woe
With which they’re rife.”