Danger! and Other Stories

by Arthur Conan Doyle

It was at the stroke of nine that night when Sir Charles, throwing his reins to the groom, descended from his high yellow phaeton, which forthwith turned to take its place in the long line of fashionable carriages waiting for their owners. As he entered the gate of the Gardens, the centre at that time of the dissipation and revelry of London, he turned up the collar of his driving-cape and drew his hat over his eyes, for he had no desire to be personally associated with what might well prove to be a public scandal. In spite of his attempted disguise, however, there was that in his walk and his carriage which caused many an eye to be turned after him as he passed and many a hand to be raised in salute. Sir Charles walked on, and, seating himself upon the rustic bench in front of the famous statue, which was in the very middle of the Gardens, he waited in amused suspense to see the next act in this comedy.

From the pavilion, whence the paths radiated, there came the strains of the band of the Foot Guards, and by the many-coloured lamps twinkling from every tree Sir Charles could see the confused whirl of the dancers. Suddenly the music stopped. The quadrilles were at an end.

An instant afterwards the central path by

which he sat was thronged by the revellers. In a many-coloured crowd, stocked and cravated with all the bravery of buff and plum-colour and blue, the bucks of the town passed and repassed with their high-waisted, straight-skirted, be-bonneted ladies upon their arms.

It was not a decorous assembly. Many of the men, flushed and noisy, had come straight from their potations. The women, too, were loud and aggressive. Now and then, with a rush and a swirl, amid a chorus of screams from the girls and good-humoured laughter from their escorts, some band of high-blooded, noisy youths would break their way across the moving throng. It was no place for the prim or demure, and there was a spirit of good-nature and merriment among the crowd which condoned the wildest liberty.

And yet there were some limits to what could be tolerated even by so Bohemian an assembly. A murmur of anger followed in the wake of two roisterers who were making their way down the path. It would, perhaps, be fairer to say one roisterer; for of the two it was only the first who carried himself with such insolence, although it was the second who ensured that he could do it with impunity.

The leader was a very tall, hatchet-faced man, dressed in the very height of fashion, whose evil, handsome features were flushed

with wine and arrogance. He shouldered his way roughly through the crowd, peering with an abominable smile into the faces of the women, and occasionally, where the weakness of the escort invited an insult, stretching out his hand and caressing the cheek or neck of some passing girl, laughing loudly as she winced away from his touch.

Close at his heels walked his hired attendant, whom, out of insolent caprice and with a desire to show his contempt for the prejudices of others, he had dressed as a rough country clergyman. This fellow slouched along with frowning brows and surly, challenging eyes, like some faithful, hideous human bulldog, his knotted hands protruding from his rusty cassock, his great underhung jaw turning slowly from right to left as he menaced the crowd with his sinister gaze. Already a close observer might have marked upon his face a heaviness and looseness of feature, the first signs of that physical decay which in a very few years was to stretch him, a helpless wreck, too weak to utter his own name, upon the causeway of the London streets. At present, however, he was still an unbeaten man, the terror of the Ring, and as his ill-omened face was seen behind his infamous master many a half-raised cane was lowered and many a hot word was checked, while the whisper of “Hooper! ’Ware Bully

Hooper!” warned all who were aggrieved that it might be best to pocket their injuries lest some even worse thing should befall them. Many a maimed and disfigured man had carried away from Vauxhall the handiwork of the Tinman and his patron.