So it proved, and we were in the position that with four wickets in hand they had only fifteen runs to make with two batsmen well set. I had not bowled during the tour, for as we were a scratch team, mostly from the schoolmaster class, we did not know each other’s capacity. Seeing, however, that things were getting desperate, I went the length of asking our skipper to give me a chance.

I had observed that the batsmen had been very well taught by their English professional, and that they all played in most orthodox fashion with a perfectly straight bat. That was why I thought I might get them out. I brought every fielder round to the off, for I felt that they would not think it correct to pull, and I tossed up good length balls about a foot on the off side. It came off exactly as I expected. The pro. had not told them what to do with that particular sort of tosh, and the four men were all caught for as many runs by mid-off or cover. The team in their exultation proceeded to carry me into the pavilion, but whether it was my sixteen stone or the heat of the weather, they tired of the job midway and let me down with a crash which shook the breath out of me—so Holland was avenged. I played against them again when they came to England, and made sixty-seven, but got no wickets, for they had mastered the off-side theory.

Some of my quaintest cricket reminiscences are in connection with J. M. Barrie’s team—the “Allah-Akbarries,” or “Lord help us” as we were called. We played in the old style, caring little about the game and a good deal about a jolly time and pleasant scenery. Broadway, the country home of Mr. Navarro and his wife, formerly Mary Anderson, the famous actress, was one of our favourite haunts, and for several years in succession we played the Artists there. Bernard Partridge, Barrie, A. E. W. Mason, Abbey the Academician, Blomfield the architect, Marriott Watson, Charles Whibley, and others of note took part, and there were many whimsical happenings, which were good fun if they were not good cricket. I thought all record of our games had faded from human ken, but lately a controversy was raised over Mr. Armstrong, the Australian captain, bowling the same man from opposite ends on consecutive overs. This led to the following paragraph in a Birmingham paper, which, I may say, entirely exaggerates my powers but is otherwise correct.

“Barrie and Armstrong.

“I am not surprised that in the matter of Mr. Armstrong’s conduct in bowling two consecutive overs from different ends, no reference has been made to the important precedent which on a similar occasion Sir James Barrie failed to establish (writes a correspondent of the “Nation”). The occasion was his captaincy (at Broadway, in Worcestershire) of an eleven of writers against a strong team of alleged artists. The circumstances were these. One side had compiled seventy-two runs, chiefly, if not wholly, contributed by Sir Arthur Conan Doyle.

“The sun-worshippers had thereupon responded with an equal number of runs for the loss of all but their last wicket. The ninth wicket had fallen to the last ball of Sir Arthur’s over, the other eight having succumbed to the same performer, then in his prime. Actuated, apparently, by the belief that Sir Arthur was the only bowler of his side capable of taking or reaching a wicket, even in Worcestershire, Sir James thereupon put him on at the opposite end.

“Before, however, he could take a practice ball, a shout was heard from the artists’ pavilion, and the nine unengaged players were seen issuing from it to contest our captain’s decision. After an exciting contest, it was ultimately given in their favour, with the result that the first ball of the new bowler was hit for two, assisted by overthrows, and the innings and match were won by the artists.”

Of Barrie’s team I remember that it was printed at the bottom of our cards that the practice ground was in the “National Observer” office. Mr. Abbey, the famous artist, usually captained against Barrie, and it was part of the agreement that each should have a full pitch to leg just to start his score. I remember my horror when by mistake I bowled a straight first ball to Abbey, and so broke the unwritten law as well as the wicket. Abbey knew nothing of the game, but Barrie was no novice. He bowled an insidious left-hand good length ball coming from leg which was always likely to get a wicket.

Talking of bowling, I have twice performed the rare feat of getting all ten wickets. Once it was against a London Club, and once I ran through the side of a Dragoon Regiment at Norwich. My best performance at Lords was seven wickets for fifty-one against Cambridgeshire in 1904.

Of fencing my experience has been limited, and yet I have seen enough to realize what a splendid toughening exercise it is. I nearly had an ugly mishap when practising it. I had visited a medical man in Southsea who was an expert with the foils, and at his invitation had a bout with him. I had put on the mask and glove, but was loath to have the trouble of fastening on the heavy chest plastron. He insisted, however, and his insistence saved me from an awkward wound, for, coming in heavily upon a thrust, his foil broke a few inches from the end, and the sharp point thus created went deeply into the pad which covered me. I learned a lesson that day.