We spent some time examining the portraits. Miss Northcott’s father and mother were apparently ordinary mortals enough, and I could not detect in either of them any traces of the character which showed itself in their daughter’s face. There was one old daguerreotype, however, which arrested my attention. It represented a man of about the age of forty, and strikingly handsome. He was clean shaven, and extraordinary power was expressed upon his prominent lower jaw and firm, straight mouth. His eyes were somewhat deeply set in his head, however, and there was a snake-like flattening at the upper part of his forehead, which detracted from his appearance. I almost involuntarily, when I saw the head, pointed to it, and exclaimed—
“There is your prototype in your family, Miss Northcott.”
“Do you think so?” she said. “I am afraid you are paying me a very bad compliment. Uncle Anthony was always considered the black sheep of the family.”
“Indeed,” I answered; “my remark was an unfortunate one, then.”
“Oh, don’t mind that,” she said; “I always thought myself that he was worth all of them put together. He was an officer in the Forty-first Regiment, and he was killed in action during the Persian War—so he died nobly, at any rate.”
“That’s the sort of death I should like to die,” said Cowles, his dark eyes flashing, as they would when he was excited; “I often wish I had taken to my father’s profession instead of this vile pill-compounding drudgery.”
“Come, Jack, you are not going to die any sort of death yet,” she said, tenderly taking his hand in hers.
I could not understand the woman. There was such an extraordinary mixture of masculine decision and womanly tenderness about her, with the consciousness of something all her own in the background, that she fairly puzzled me. I hardly knew, therefore, how to answer Cowles when, as we walked down the street together, he asked the comprehensive question—
“Well, what do you think of her?”
“I think she is wonderfully beautiful,” I answered guardedly.