“It is the merest toy—a complex plaything, nothing more. Allow me to explain. I have a line of very large greenhouses which extends from one end of my smoking-room. These different houses are kept at varying degrees of heat and humidity so as to reproduce the exact climates of Egypt, China, and the rest. You see, our crystal chamber is a tramway running with a minimum of friction along a steel rod. By pulling this or that handle I regulate how far it shall go, and it travels, as you have seen, with amazing speed. The effect of my hot-houses is heightened by the roofs being invariably concealed by skies, which are really very admirably painted, and by the introduction of birds and other creatures, which seem to flourish quite as well in artificial as in natural heat. This explains the South American effect.”
“But not the Egyptian.”
“No. It is certainly rather clever. I had the best man in France, at least the best at those large effects, to paint in that circular background. You understand, the palms, cacti, obelisk, and so on, are perfectly genuine, and so is the sand for fifty yards or so, and I defy the keenest-eyed man in England to tell where the deception commences. It is the familiar and perhaps rather meretricious effect of a circular panorama, but carried out in the most complete manner. Was there any other point?”
“The crystal box? Why was it?”
“To preserve my guests from the effects of the changes of temperature. It would be a poor kindness to bring them back to my smoking-room drenched through, and with the seeds of a violent cold. The crystal has to be kept warm, too, otherwise vapour would deposit, and you would have your view spoiled. But must you really go? Then here we are back in the smoking-room. I hope that it will not be your last visit by many a one. And if I may come down to Elmdene I should be very glad to do so. This is the way through the museum.”
As Robert McIntyre emerged from the balmy aromatic atmosphere of the great house, into the harsh, raw, biting air of an English winter evening, he felt as though he had been away for a long visit in some foreign country. Time is measured by impressions, and so vivid and novel had been his feelings, that weeks and weeks might have elapsed since his chat with the smoke-grimed stranger in the road. He walked along with his head in a whirl, his whole mind possessed and intoxicated by the one idea of the boundless wealth and the immense power of this extraordinary stranger. Small and sordid and mean seemed his own Elmdene as he approached it, and he passed over its threshold full of restless discontent against himself and his surroundings.
CHAPTER V. LAURA'S REQUEST.
That night after supper Robert McIntyre poured forth all that he had seen to his father and to his sister. So full was he of the one subject that it was a relief to him to share his knowledge with others. Rather for his own sake, then, than for theirs he depicted vividly all the marvels which he had seen; the profusion of wealth, the regal treasure-house of gems, the gold, the marble, the extraordinary devices, the absolute lavishness and complete disregard for money which was shown in every detail. For an hour he pictured with glowing words all the wonders which had been shown him, and ended with some pride by describing the request which Mr. Raffles Haw had made, and the complete confidence which he had placed in him.
His words had a very different effect upon his two listeners. Old McIntyre leaned back in his chair with a bitter smile upon his lips, his thin face crinkled into a thousand puckers, and his small eyes shining with envy and greed. His lean yellow hand upon the table was clenched until the knuckles gleamed white in the lamplight. Laura, on the other hand, leaned forward, her lips parted, drinking in her brother's words with a glow of colour upon either cheek. It seemed to Robert, as he glanced from one to the other of them, that he had never seen his father look so evil, or his sister so beautiful.