“Of course, a materialisation séance is a little different to any other—more impressive, in a way. You’ll find it very instructive, Malone, as bearing upon psychic photography and other matters. By the way, you should try for a psychic picture. The famous Hope works upstairs.”
“I always thought that that at least was fraud.”
“On the contrary, I should say it was the best established of all phenomena, the one which leaves the most permanent proof. I’ve been a dozen times under every possible test condition. The real trouble is, not that it lends itself to fraud, but that it lends itself to exploitation by that villainous journalism which cares only for a sensation. Do you know anyone here?”
“No, we don’t.”
“The tall, handsome lady is the Duchess of Rossland. Then, there are Lord and Lady Montnoir, the middle-aged couple near the fire. Real good folk and among the very few of the aristocracy who have shown earnestness and moral courage in this matter. The talkative lady is Miss Badley, who lives for séances, a jaded Society woman in search of new sensations—always visible, always audible and always empty. I don’t know the two men. I heard someone say they were researchers from the University. The stout man with the lady in black is Sir James Smith—they lost two boys in the war. The tall, dark person is a weird man named Barclay, who lives, I understand, in one room and seldom comes out save for a séance.”
“And the man with the horn glasses?”
“That is a pompous ass named Weatherby. He is one of those who wander about on the obscure edges of Masonry, talking with whispers and reverence of mysteries where no mystery is. Spiritualism, with its very real and awful mysteries, is, to him, a vulgar thing because it brought consolation to common folk, but he loves to read papers on the Palladian Cultus, ancient and accepted Scottish rites, and Baphometic figures. Eliphas Levi is his prophet.”
“It sounds very learned,” said Enid.
“Or very absurd. But, hullo! Here are mutual friends.”