Torii Kiyomasa was the son of Kiyonaga. His work, produced between 1810 and 1825, is without special distinction.
Among the minor pupils may be named Kiyotsugi, Kiyohisa, Kiyokatsu, Kiyotei, Kiyotoki, Kiyoyuki, Kiyohide II, Kiyotsune II.
Every artist of the day was influenced by Kiyonaga; among those difficult to classify otherwise may be named the following men:—
Sanchō, who worked in the neighbourhood of 1780, produced prints somewhat in the manner of Shuncho. Delicacy rather than strength distinguished him in the few examples of his work I have seen.
Harumitsu is an artist whose work is known to me only by one pillar-print in my collection. Fenollosa, who once owned the print, noted on the margin of it: "A rare man. Name may be also read Shunkō, but not the same as the pupil of Shunsho. A follower of Kiyonaga." And this is all the information I have been able to obtain about him. It is possible that he is the same as Shunko II.
SHUNCHO: GROUP AT A TEMPLE GATE.
A diptych. Each sheet size 15 × 10. Signed Shuncho ga. Mansfield Collection.
Plate 31.