The Christ Myth

by Arthur Drews

IV

THE SUFFERINGS OF THE MESSIAH

In the most different religions the belief in a divine Saviour and Redeemer is found bound up with the conception of a suffering and dying God, and this idea of a suffering and dying Messiah was by no means unknown to the Jews. It may be of no importance that in the Apocalypse of Esdras[1] the death of Christ is spoken of, since in the opinion of many this work only appeared in the first century after Christ; but Deutero-Isaiah too, during the Exile, describes the chosen one and messenger of God as the “suffering servant of God,” as one who had already appeared, although he had remained unknown and despised, had died shamefully and been buried, but as one also who would rise up again in order to fulfil the splendour of the divine promise.[2] This brings to mind the suffering, death, and resurrection of the Gods of Babylon and of the whole of Nearer Asia; for example, Tammuz, Mithras, Attis, Melkart, and Adonis, Dionysus, the Cretan Zeus, and the Egyptian Osiris. The prophet Zechariah, moreover, speaks of the secret murder of a God over which the inhabitants of Jerusalem would raise their lament, “as in the case of Hadad-rimmon (Rammân) in the valley of Megiddon,” that is, as at the death of Adonis, one of the chief figures among the Gods believed in by the Syrians.[3] Ezekiel also describes the women of Jerusalem, sitting before the north gate of the city and weeping over Tammuz.[4] The ancient Israelites, too, were already well acquainted with the suffering and dying Gods of the neighbouring peoples. Now, indeed, it is customary for Isaiah’s “servant of God” to be held to refer to the present sufferings and future glory of the Jewish people, and there is no doubt that the prophet understood the image in that sense. At the same time Gunkel rightly maintains that in the passage of Isaiah referred to, the figure of a God who dies and rises again stands in the background, and the reference to Israel signifies nothing more than a new symbolical explanation of the actual fate of a God.[5]

Every year the forces of nature die away to reawaken to a new life only after a long period. The minds of all peoples used to be deeply moved by this occurrence—the death whether of nature as a whole beneath the influence of the cold of winter, or of vegetable growth under the parching rays of the summer sun. Men looked upon it as the fate of a fair young God whose death they deeply lamented and whose rebirth or resurrection they greeted with unrestrained rejoicing. On this account from earliest antiquity there was bound up with the celebration of this God an imitative mystery under the form of a ritualistic representation of his death and resurrection. In the primitive stages of worship, when the boundaries between spirit and nature remained almost entirely indistinct, and man still felt himself inwardly in a sympathetic correspondence with surrounding nature, it was believed that one could even exercise an influence upon nature or help it in its interchange between life and death, and turn the course of events to one’s own interest. For this purpose man was obliged to imitate it. “Nowhere,” says Frazer, to whom we are indebted for a searching inquiry into all ideas and ritualistic customs in this connection, “were these efforts more strictly and systematically carried out than in Western Asia. As far as names go they differed in different places, in essence they were everywhere alike. A man, whom the unrestrained phantasy of his adorers clothed with the garments and attributes of a God, used to give his life for the life of the world. After he had poured from his own body into the stagnating veins of nature a fresh stream of vital energy, he was himself delivered over to death before his own sinking strength should have brought about a general ruin of the forces of nature, and his place was then taken by another, who, like all his forerunners, played the ever-recurring drama of the divine resurrection and death.”[6] Even in historic times this was frequently carried out with living persons. These had formerly been the kings of the country or the priests of the God in question, but their place was now taken by criminals. In other cases the sacrifice of the deified man took place only symbolically, as with the Egyptian Osiris, the Persian Mithras, the Phrygian Attis, the Syrian Adonis, and the Tarsic (Cilician) Sandan (Sandes). In these cases a picture of the God, an effigy, or a sacred tree-trunk took the place of the “God man.” Sufficient signs, however, still show that in such cases it was only a question of a substitute under milder forms of ritual for the former human victim. Thus, for example, the name of the High Priest of Attis, being also Attis, that is, “father,” the sacrificial self-inflicted wound on the occasion of the great feast of the God (March 22nd to 27th), and the sprinkling with his blood of the picture of the God that then took place, makes us recognise still more plainly a later softening of an earlier custom of self-immolation.[7] With the idea of revivifying dying nature by the sacrifice of a man was associated that of the “scapegoat.” The victim did not only represent to the people their God, but at the same time stood for the people before God and had to expiate by his death the misdeeds committed by them during the year.[8] As regards the manner of death, however, this varied in different places between death by his own sword or that of the priest, by the pyre or the gibbet (gallows).

In this way we understand the 53rd chapter of Isaiah: “Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed. All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on him the iniquity of us all. He was oppressed, yet he humbled himself, and opened not his mouth; as a lamb that is led to the slaughter, and as a sheep that before her shearers is dumb; yea, he opened not his mouth. He was cut off out of the land of the living; for the transgression of my people was he stricken. And they made his grave with the wicked and with the rich in his death; although he had done no violence, neither was any deceit in his mouth. When thou shalt make his soul an offering for sin, he shall see his seed, he shall prolong his days, and the pleasure of the Lord shall prosper in his hand. He shall see of the travail of his soul [? sufferings], and shall be satisfied: by his knowledge shall my righteous servant justify many, and he shall bear their iniquities. Therefore will I divide him a portion with the great, and he shall divide the spoil with the strong; because he poured out his soul unto death, and was numbered with the transgressors; yet he bare the sin of many, and made intercession for the transgressors.” Here we obviously have to do with a man who dies as an expiatory sacrifice for the sins of his people, and by his death benefiting the lives of the others is on that account raised to be a God. Indeed, the picture of the just man suffering, all innocent as he is, itself varies between a human and a divine being.

And now let us enter into the condition of the soul of such an unhappy one, who as “God man” suffers death upon the gibbet, and we understand the words of the 22nd Psalm: “My God, my God, why hast thou forsaken me? Why art thou so far from helping me, and from the words of my roaring? O my God, I cry in the day time, but thou answereth not; and in the night season, and am not silent. But thou art holy, O thou that inhabitest the praises of Israel. Our fathers trusted in thee; they trusted, and thou didst deliver them. They cried unto thee, and were delivered; they trusted in Thee, and were not ashamed. But I am a worm, and no man; a reproach of men, and despised of the people. All they that see me laugh me to scorn: they shoot out the lip, they shake the lip, saying, Commit thyself unto the Lord, let him deliver him: let him deliver him, seeing he delighteth in him.... Many bulls have compassed me: strong bulls of Bashan have beset me round. They gape upon me with their mouth, as a ravening and a roaring lion. I am poured out like water. And all my bones are out of joint: my heart is like wax: it is melted in the midst of my bowels.... They pierced my hands and my feet. I may tell all my bones. They look and stare upon me: they part my garments among them, and upon my vesture do they cast lots. But be not thou far off, O Lord: O Thou, my succour, haste Thee to help me.... Save me from the lion’s mouth, yea, from the horns of the wild oxen....”

When the poet of the psalms wished to describe helplessness in its direst extremity, before his eyes there came the picture of a man, who, hanging upon the gibbet, calls upon God’s aid, while round about him the people gloat over his sufferings, which are to save them; and the attendants who had taken part in the sacrifice divide among themselves the costly garments with which the God-king had been adorned.

The employment of such a picture presupposes that the occurrence depicted was not unknown to the poet and his public, whether it came before their eyes from acquaintance with the religious ideas of their neighbours or because they were accustomed to see it in their own native usages. As a matter of fact in ancient Israel human sacrifices were by no means unusual. This appears from numberless passages of the Old Testament, and has been already exhaustively set forth by Ghillany in his book “Die Menschenopfer der alten Hebräer” (1842), and by Daumer in his “Der Feuer- und Molochdienst der alten Hebräer.” Thus we read in [2 Sam. xxi. 6–9] of the seven sons of the House of Saul, who were delivered over by David to the Gibeonites, who hung them on the mountain before the Lord. Thus was God appeased towards the land.[9] In [Numb. xxv. 4] Jahwe bade Moses hang the chiefs of the people “to the Lord before the sun, in order that the bitter wrath of the Lord might be turned from Israel.” And according to the Book of Joshua this latter dedicated the inhabitants of the city of Ain to the Lord, and after the capture of the city hung their king upon a tree,[10] while in the tenth chapter (15–26) he even hangs five kings at one time. Indeed, it appears that human sacrifice formed a regular part of the Jewish religion in the period before the Exile; which indeed was but to be expected, considering the relationship between Jahwe and the Phœnician Baal. Jahwe himself was, moreover, originally only another form of the old Semitic Fire- and Sun-God; the God-king (Moloch or Melech), who was honoured under the image of a Bull, was represented at this time as a “smoking furnace”[11] and was gratified and propitiated by human sacrifices.[12] Even during the Babylonian captivity, despite the voices raised against it by some prophets in the last years of the Jewish state, sacrifices of this kind were offered by the Jews; until they were suppressed under the rule of the Persians, and in the new Jewish state were expressly forbidden. But even then they continued in secret and could easily be revived at any time, so soon as the excitement of the popular mind in some time of great need seemed to demand an extraordinary victim.[13]

Now the putting to death of a man in the rôle of a divine ruler was in ancient times very often connected with the celebration of the new year. This is brought to our mind even at the present day by the German and Slav custom of the “bearing out” of death at the beginning of spring, when a man or an image of straw symbolising the old year or winter, is taken round amidst lively jesting and is finally thrown into the water or ceremonially burnt, while the “Lord of May,” crowned with flowers, makes his entrance. Again, the Roman Saturnalia, celebrated in December, during which a mock king wielded his sceptre over a world of joy and licence and unbounded folly, and all relationships were topsy-turvy, the masters playing the part of slaves and vice-versâ, in the most ancient times used to be held in March as a festival of spring. And in this case, too, the king of the festival had to pay for his short reign with his life. In fact, the Acts of St. Dasius, published by Cumont, show that the bloody custom was still observed by the Roman soldiers on the frontiers of the Empire in the year 303 A.D.[14]

In Babylon the Feast of the Sakæes corresponded to the Roman Saturnalia. It was ostensibly a memorial of the inroad of the Scythian Sakes into Nearer Asia, and according to Frazer was identical with the very ancient new year’s festival of the Babylonians, the Zakmuk. This too was associated with a reversal of all usual relationships. A mock king, a criminal condemned to death, was here also the central figure—an unhappy being, to whom for a few days was accorded absolute freedom and every kind of pleasure, even to the using of the royal harem, until on the last day he was divested of his borrowed dignity, stripped naked, scourged, and then burnt.[15] The Jews gained a knowledge of this feast during the Babylonian captivity, borrowed it from their oppressors, and celebrated it shortly before their Pasch under the name of the Feast of Purim, ostensibly, as the Book of Esther is at pains to point out, as a memorial of a great danger from which in Persia during the reign of Ahasuerus (Xerxes) they were saved by the craft of Esther and her uncle Mordecai. Jensen, however, has pointed out in the Vienna Zeitschrift für die Kunde des Morgenlandes[16] that the basis of the narrative of Esther is an opposition between the chief Gods of Babylon and those of hostile Elam. According to his view under the names of Esther and Mordecai are hidden the names of Istar, the Babylonian Goddess of fertility, and Marduk, her “son” and “beloved.” At Babylon during the Feast of the Sakæes, under the names of the Elamite Gods Vashti and Haman (Humman), they were put out of the way as representatives of the old or wintry part of the year in order that they might rise up again under their real names and bring into the new year or the summer half of the year.[17] Thus the Babylonian king of the Sakæes also played the part of a God and suffered death as such upon the pyre. Now we have grounds for assuming that the later Jewish custom at the Feast of Purim of hanging upon a gibbet and burning a picture or effigy representing the evil Haman, originally consisted, as at Babylon, in the putting to death of a real man, some criminal condemned to death. Here, too, then was seen not only a representative of Haman, but one also of Mordecai, a representative of the old as well as of the new year, who in essence was one and the same being. While the former was put to death at the Purim feast, the latter, a criminal chosen by lot, was given his freedom on this occasion, clothed with the royal insignia of the dead man and honoured as the representative of Mordecai rewarded by Ahasuerus for his services.