And haste to join those heavenly powers,
In everlasting lays.
Bright and inspiring as these pieces are, they are in striking contrast with the hymns characteristic of minor religious movements, and justify John Wesley’s claim that ‘in these hymns is no doggerel.’ That they are of unequal merit goes without saying, but it is remarkable how many of them are living hymns to-day. Religious feeling is no more healthy because it loves to pray for guidance ‘amid the encircling gloom,’ or to describe the hosts of the Church militant as ‘pilgrims of the night.’ A ‘sober standard of feeling’ must take into account that the darkness has passed and the true light now shineth.
Yet one who knows little of early Methodism would be surprised to find how ‘sober’ is the tone of most of the hymns provided for the people called Methodists. They are songs in which ‘calmly reverential joy’ is more often heard than ecstasy. It is instructive to turn from Mr. Lecky’s chapter on ‘The Religious Revival,’ in his History of England in the Eighteenth Century to Wesley’s hymns. The uninstructed reader of Mr. Lecky would expect to find here the turbid, involved, hysterical expression of a morbid fanaticism, but he would search almost in vain for illustrations of that side of the Methodist Movement. It is true that both the Wesleys were perplexed by the physical effects of their preaching, and were afraid to treat them as mere manifestations of hysterical excitement. But they dealt with them as St. Paul dealt with somewhat similar phenomena at Corinth, and carefully avoided encouraging such painful and inconvenient interruptions of their services. The hymn-book makes no provision for the nervously excited, and has no compositions of the class characteristic of many ‘revivals’—such, for instance, as are found in Hugh Bourne’s Hymns for Camp Meetings, Revivals, etc. The novelty, the directness of the preaching, and, no doubt, the lack of education of many of the preachers naturally led to indiscretion in many places, especially in the early days of the Revival; but it is fair to judge the Wesleys’ own standard of religious emotion by their hymns rather than by the extravagances of their least intelligent helpers.
Charles Wesley’s hymn, ‘For the Fear of God,’ is a good example of the attitude of soul he desired for himself and for Methodists generally.
God of all grace and majesty,
Supremely great and good!
If I have mercy[148] found with Thee,
Through the atoning blood,
The guard of all Thy mercies give,