The new Pharaoh’s first move, under the guidance of Tiy, was to proclaim Aton the only true god, and to name himself high priest of that deity. He then began to build a temple dedicated to Aton at Karnak; but it must have been distasteful to observe how overshadowed and dwarfed was this new temple by the mighty buildings in honour of the older gods which stood there. Moreover, there must have been very serious opposition to the new religion in Thebes, where Amon had ruled for so many centuries unchallenged. In whatever direction he looked he was confronted with some evidence of the worship of Amon-Ra: he might proclaim Aton to be the only god, but Amon and a hundred other deities stared down at him from every temple wall. He and his advisers, therefore, decided to abandon Thebes altogether and to found a new capital elsewhere.
Akhnaton selected a site for the new city on the west bank of the river, at a point now named El Amarna, about 160 miles above Cairo. Here the hills recede from the river, forming a bay about three miles deep and five miles long; and in this bay the young Pharaoh decided to build his capital, which was named “Horizon of Aton.” With feverish speed the new buildings were erected. A palace even more beautiful than that of his parents at Thebes was prepared for him; a splendid temple dedicated to Aton was set up amidst a garden of rare trees and brilliant flowers; villas for his nobles were erected, and streets were laid out. Queen Tiy, who seems to have continued to live at Thebes, often came down to El Amarna to visit her son; but it seems to have been at his own wish rather than at her advice that he now took the important step which set the seal of his religion upon his life.
Around the bay of El Amarna, on the cliffs which shut it off so securely, the King caused landmarks to be made at intervals, and on these he inscribed an oath which some have interpreted to mean that he would never again leave his new city. He would remain, like the Pope in the Vatican, for the rest of his days within the limits of this bay; and, rather than be distracted by the cares of state and the worries of empire, he would shut himself up with his god and would devote his life to his religion. He was but a youth still, and, to his inexperienced mind, this oath seemed nothing; nor in his brief life does it seem that he broke it, though at times he must have longed to visit his domains.
The religion which this boy, who now called himself Akhnaton, “The Glory of Aton,” taught was by no means the simple worship of the sun. It was, without question, the most enlightened religion which the world at that time had ever known. The young priest-king called upon mankind to worship the unknown power, which is behind the sun, that power of which the brilliant sun was the visible symbol, and which might be discerned in the fertilising warmth of the sun’s rays. Aton was originally the actual sun’s disk; but Akhnaton called his god “Heat which is in Aton,” and thus drew the eyes of his followers towards a Force far more intangible and distant than the dazzling orb to which they bowed down. Akhnaton’s god was the energy which created the sun, the something which penetrated to this earth in the sun’s heat and caused the vegetation to grow.
Amon-Ra and the gods of Egypt were for the most part but deified mortals, endued with monstrous, though limited, power, and still having around them tradition of exaggerated human deeds. Others had their origin in the natural phenomena—the wind, the Nile, the sky, and so on. All were terrific, revengeful, and able to be moved by human emotions. But Akhnaton’s god was the intangible and yet ever-present Father of mankind, made manifest in sunshine. The youthful High Priest called upon his followers to search for their god not in the confusion of battle or behind the smoke of human sacrifices, but amidst the flowers and trees, amidst the wild duck and the fishes. He preached an enlightened nature-study; he was perhaps the first apostle of the Simple Life. He strove to break down conventional religion, and ceaselessly urged his people to worship in Truth, simply, without excess of ceremonial. While the elder gods had been manifest in natural convulsions and in the more awful incidents of life, Akhnaton’s kindly god could be seen in the chick which broke out of its egg, in the wind which filled the sails of the ships, in the fish which leapt from the water. Aton was the joy which caused the young sheep “to dance upon their feet,” and the birds to “flutter in their marshes.” He was the god of the simple pleasures of life, and Truth was the watchword of his followers.
It may be understood how the boy longed for truth in all things when one remembers the thousand exaggerated conventions of Egyptian life at this time. Court etiquette had developed to a degree which rendered life to the Pharaoh an endless round of unnatural poses of mind and body. In the preaching of his doctrine of truth and simplicity, Akhnaton did not fail to call upon his subjects to regard their Pharaoh not as a god but as a man. It was usual for the Pharaoh to keep aloof from his people: Akhnaton was to be found in their midst. The Court demanded that their lord should drive in solitary state through the city: Akhnaton sat in his chariot with his wife and children, and allowed the artist to represent him joking with his little daughter, who has mischievously poked the horses with a stick. In representing the Pharaoh, the artist was expected to draw him in some conventional attitude of dignity: Akhnaton insisted upon being shown in all manner of natural attitudes—now leaning languidly upon a staff, now nursing his children, and now caressing his wife.
As has been said, one of the first artists to break away from the ancient conventions was in the service of Queen Tiy, and was probably under her influence. But in the radical change in the art which took place, Akhnaton is definitely stated to have been the leader, and the new school acknowledge that they were taught by the King. The new art is extraordinary, and it must be owned that its merit lies sometimes in its originality rather than in its beauty. An attempt is made to do away with the prescribed attitudes and
Bust of Akhnaton found at Tell el Amarna and now in Berlin