ILLUSTRATIONS.


PAGE
PAVEMENT DECORATION FROM THE PALACE OF AMONHOTEP III. (coloured)[Frontispiece]
CEILING DECORATION FROM THE PALACE OF AMONHOTEP III. (coloured)[36]
THOTHMES IV. SLAYING ASIATICS[22]
TUAU, GRANDMOTHER OF AKHNATON[26]
CHEST BELONGING TO YUAA[28]
QUEEN TIY[30]
YUAA, GRANDFATHER OF AKHNATON[32]
AMONHOTEP-SON-OF-HAPU, THE “WISE MAN” OF THE COURT OF AMONHOTEP III.[34]
SITE OF THE PALACE OF QUEEN TIY[38]
COFFIN OF YUAA[40]
AMONHOTEP III.[54]
AKHNATON[58]
THE ART OF AKHNATON COMPARED WITH ARCHAIC ART[72]
THE ARTIST AUTA[76]
AKHNATON AND NEFERTITI WITH THEIR THREE DAUGHTERS[108]
THE HEAD OF THE MUMMY OF THOTHMES IV., THE GRANDFATHER OF AKHNATON[110]
AKHNATON DRIVING WITH HIS WIFE AND DAUGHTER[130]
AKHNATON AND HIS WIFE AND CHILDREN[134]
AN EXAMPLE OF THE FRIENDLY RELATIONS BETWEEN SYRIA
AND EGYPT[190]
CARVED WOODEN CHAIR, THE DESIGNS PARTLY COVERED WITH GOLD-LEAF[202]
AKHNATON. (From a Statuette in the Louvre)[206]
HEAD OF AKHNATON’S DAUGHTER[208]
LETTER FROM RIBADDI TO THE KING OF EGYPT, REPORTING THE PROGRESS OF THE REBELLION UNDER AZIRU. (British Museum, No. 29,801)[234]
DEATH MASK OF AKHNATON[258]
THE TEMPLE AT LUXOR[270]
MAP OF AKHETATON, THE CITY OF THE HORIZON OF ATON (TEL EL AMARNA)[At end.]

“How much Akhnaton understood we cannot say, but he had certainly bounded forward in his views and symbolism to a position which we cannot logically improve upon at the present day.”—Petrie: ‘History of Egypt.’


THE LIFE AND TIMES OF
AKHNATON.


[INTRODUCTION.]