There is in this fact something very singular; and one would willingly ask the dead centuries why they left us the heritage of this mysterious name. Of itself, the ancient castle must remain in all men's minds as the chief interest in Naples, the most marked object on its beautiful shore, and the central point of its romantic story. But beyond the beauty and the interest, one is piqued with curiosity; and the sense of mystery clinging to the castle lends it a charm to which no one can remain insensible. There are few points near Naples, whether on hillside or in valley, from which one does not see the enchanted castle low down by the water's edge, swept by cloud and sunshine, or wet with spray, when the storm wind drives along the shore, a witness of past ages, the one thing in Naples which has not changed, except only the blue sea and the contours of the everlasting hills.
NAPLES—CASTLE OF ST. ELMO.
No castle builder of the days when artillery had come into use would have set this fortress on the shore beneath the Pizzofalcone, whence it could be so easily bombarded. It is rather curious to sit under these old walls, and turn one's eyes in succession to the three castles of the city. This is much the oldest, and the least defensible. Then came Castel Nuovo, a little higher in the town; Charles of Anjou founded it; and lastly St. Elmo, high upon the hillside, in a perfect situation, of all others best suited to be the arx, or citadel. Why, one wonders, did not the first builders use it, and let the city grow around it? or at least, why did they not place their keep and fortress on the Pizzofalcone? an eminence well suited for defence. Surely those first Greek settlers who came across the hills from Cumæ could not have overlooked the merits of this site! Perhaps, as some scholars hold, Neapolis, "the new city," could not be built upon the Pizzofalcone because Palæopolis, "the old city," was already there. I cannot tell. There are no answers to these questions, which recur again and again as one wanders round these coasts, none the less absorbing because one must speculate on them in vain.
But in Naples one must not spend time in chasing shadows. I have still to speak about the French bombardment of the enchanted castle; but first I will take up the tale of the fall of the House of Aragon where I left it in my last chapter, when King Alfonso, terrified and broken by nameless fear, leapt down shuddering from his throne, and fled from royalty and kingdom, to die a penitent monk in a monastery in Sicily.
It was a well-nigh hopeless task for his son Ferdinand to maintain the sceptre thus hastily thrust into his hands. The French were already over the borders of his kingdom. They had stormed and sacked the Castle of Monte di San Giovanni, putting the garrison to the sword. "This," says Guicciardini with scornful bitterness, "was the sum of the opposition and trouble which the King of France met with in the conquest of a realm so noble and so splendid; in the defence of which there was shown neither skill, nor courage, nor good counsel, no desire for honour, no strength, no loyalty." The Neapolitans were strongly posted at San Germano, the River Garigliano flowing like a moat in front, and their flanks guarded by lofty mountains; but they fled without a blow, before they even saw the French, leaving their guns behind, and falling back on Capua.
At Capua, that ancient city of delights, which turned the strong Carthaginian invaders into feeble voluptuaries, cowardice was fitly followed up by treachery. The troops were under command of Gianjacopo Triulzi, a captain of repute, "accustomed to make profession of honour," observes Guicciardini, in his dry, contemptuous way. This honourable captain seized the moment when his young master had been called back to Naples by disorders in the city, to deliver over his whole command to the French. Ferdinand hurried back; but arrived too late. He returned with a few followers to Naples. The whole city was in an uproar, the mob was already sacking the stables of the Castel Nuovo. There was no more hope of stemming the tide. The young king, brave, just, and personally popular, was overwhelmed by the misdeeds of his house. The very guards of his palace were inclined to seize his person; but he distracted their attention by admitting them to sack the castle, and while they were quarrelling over their booty, he left the castle by the secret postern towards the sea, and embarked on a light galley bound for Ischia. There as he stood in the stern, and through the black smoke of the burning ships, destroyed by his orders, saw home and kingdom lost by the sins and dishonour of other men, he repeated over and over, as long as he could still see Naples, those words in which the psalmist tells us that except the Lord keep the city, the watchman waketh but in vain.
But the Castle of the Egg still held out for him, and the French, having seized a little tower on the height of Pizzofalcone, bombarded the fortress from that eminence. King Charles the Eighth himself was there watching the practice of his gunners, when two light galleys ran across from Ischia, touching shore at the old mole, and from one of them landed Don Federigo of Aragon, uncle of the King, who had dwelt at the French Court, and knew both Charles and his barons. They took him up to the height, and when the French King saw him coming, says Passaro, that most gossipy of chroniclers, "he leapt down from his horse and bowed down to the ground, and embraced Don Federigo with the greatest pleasure, and took him by the hand and led him apart to a spot beneath an olive tree, where they began to talk together, but of what they said I know nothing, though many supposed that King Charles was trying to treat with King Ferdinand, offering him great lordships in France, but he would not, and Don Federigo left him and went back to his ships."
A strange interview, surely, between King and Prince, while the French gunners stood waiting with their matches burning, and the standard of Aragon still flew over the enchanted castle. It fell ere long, and the whole kingdom was in the hands of Charles. It is true he had not the wit to keep it. But anyone who wants to know that story must seek it in Guicciardini, and may live to thank me for referring him to one of the greatest and most interesting writers whom the world can show.