Naples, Past and Present

by Arthur H. Norway

How great a day it was! Time, which has dealt so hardly with the cities of the Italian mainland, has preserved here, in solitary grandeur, the evidence of splendours which elsewhere are but a dream. Cumæ is a rubbish heap, Sybaris and Croton have perished everlastingly. Taranto is overbuilt into the semblance of a mediæval if not a modern city. Brindisi is paltry and Otranto dead. At Pæstum only on the mainland, thanks to the expulsion of the last handful of its citizens eleven centuries ago, three temples stand erect out of the waste of herbage which has strewn itself over the ruined streets and market-places. There alone we can comprehend the lost greatness of that Hellenic people whose submersion by barbaric onslaught must be counted as the greatest misfortune which has befallen the human race.

It is no great wonder that the Greeks, having once overcome the terrors of the ocean on the night side of the world, crossed over in large numbers to the fair coasts which are in sight from the Albanian mountains. So short a ferry must have been constantly at work. There are still Greeks in Italy—not Greeks by descent alone, nor of Greek origin mixed with other elements, but Greeks of pure blood and speech. No less than twenty thousand of them dwell in two colonies in southern Italy, one in the Terra d'Otranto, the other some twenty miles south-east of Reggio. Neither maintains communications with the other, nor does either possess traditions of its origin. Both maintain themselves apart from the surrounding people, whom they call "Latinoi." Their language is unwritten. It differs from modern Romaic, and is apparently not derived from the Greek spoken in the cities of Magna Grecia. The colonists are probably descendants of immigrants who came from Greece not later than the eleventh century, or perhaps in those earlier days when refugees crowded into Italy for shelter from the fury of the iconoclasts.

But whencesoever these mysterious colonies came, they have shown not a trace of the great heart and spirit which animated the earliest settlers of their race upon Italian shores. Pæstum, or rather Poseidonia, to give it its Greek name, was a city less ancient than Cumæ. It was not founded by settlers direct from Greece. It was a colony thrown off by Sybaris, that great city of Calabria which became a byword of luxury while Rome was young and counted for little in the Italian land. Five centuries before Christ was born that mighty city was destroyed by its rival Croton, destroyed so utterly that the River Krathis was led over the ruins; yet Poseidonia, its distant colony, still remembered the greatness of her origin, and grew and flourished splendidly, till she became the mightiest town of all this coast, powerful upon sea, potent to thrust back the swarming tribes which looked down enviously from the mountains on her wealth.

All the city's life is lost and forgotten. What we know of her greatness and her beauty is revealed by no records, but by the tangible evidence of indestructible things. Her coins are numerous exceedingly and of the purest beauty. They prove her abounding wealth. Whence that wealth came is suggested by the fact that the city gave her name to the whole gulf, which could scarcely have happened had she not been great upon the sea. Poseidon was the tutelary deity of the city, and on her coins he appears brandishing his trident, a mighty emblem of sea empire. These coins prove, too, the perfection of the art for which the city was renowned. When Phocæan Greeks founded the once famous city of Velia, some twenty miles away, it was to Poseidonia that they came for instruction in the art of building, drawn doubtless by the desire to match the superb temples which we see to-day, the envy of our builders as of theirs, though we, less fortunate, can summon no citizen of Poseidonia to teach us what our hearts and minds cannot of themselves design.

It must have been a proud and splendid life which throbbed itself out upon this spot. At last the savage mountaineers stormed the city. Greek aid from Epirus gave back its liberty, but to no purpose. The mountain warriors returned and were quelled at last only by the onward march of Rome, which imposed on Poseidonia another servitude and changed its name to Pæstum. Thenceforwards nothing was left to the Greek citizens but their regrets, which they wept out yearly in a mournful festival, telling over the greatness of the days that had been. Even the mourning has been done these twelve centuries and more, yet still the temples stand there silent and deserted, and the walls mark out the empty circuit of the city.

Virgil, when he came near the end of his poem upon husbandry, and, perceiving the limits of his space, sketched out briefly what other subjects he might have treated, spoke of the twice-flowering roses of Pæstum as if the gardens where they bloomed were the loveliest he knew. There are none now. Only such flowers grow at Pæstum still as flourish in a rough, coarse soil, or can exist in the scant foothold of mould which has collected on the friezes of the temples. High up, where the shattered reddish stone seems to touch the cloudless sky, the blossoming weeds run riot. The mallow flaunts its blood-red flowers on the architrave, and the ruddy snap-dragon looks down into the inmost places of the temple. Over all there is a constant twittering of little birds. The lizards, green and brown, flash in and out among the vast shadows of the columns. They will stop and listen if you whistle to them, raising their heads and peering round in delight with any noise which breaks the long, deathly silence of the city. Beyond the shadow white oxen are ploughing languidly in the thick heat, and across two fields the sea is breaking on a shore as lonely as it was when the Greeks from Sybaris first beached their galleys there. Perhaps they found a city there already. Lenormant was inclined to think so; and it is certainly strange that the Greek name was so completely driven out by the Roman, unless the latter be an older name revived. But though all men use the Latin appellation, and though their scanty knowledge of the city is largely gained from Latin writers, yet the glory of the place is Greek, and neither Roman nor barbarian added to its lustre. Some day men will excavate upon this ground, of which the surface has been barely scratched. They will unearth the tombs outside the city gate, in some of which remarkable paintings have been found already. They will lay bare the foundations of all the crowded city, houses, streets, and temples, and declare once more in the clear sunlight how great and splendid was this city of Neptune, which the course of time has reduced to three vast temples standing in a lonely waste.

The grandest of the three temples is that assigned, probably enough, to Poseidon. It cannot be much less ancient than the city itself, and out of Athens there is not a nobler example of Greek architecture, unless it be at Girgenti, where the Temple of Concord is perhaps as fine and somewhat more perfect. It is Doric in style. Its fluted pillars, somewhat short in proportion to their mass, give the building an aspect of gigantic bulk; its heavy architrave, the austerity of its design, the dull red hues with which rain and storm have stained the travertine, all combine to leave a rare impression on the mind. The space within seems strangely narrow. One realises why the early Christians rejected the Greek form of temple, designed for acts of worship paid by individuals singly, and took the model of their churches from the Basilica, in whose spacious hall the congregation which professed to be a brotherhood might assemble at its ease. No congregation could have met in this vast Neptune temple. From the busy market-place outside, the central spot of all the crowded city, worshippers slipped in one by one beneath the shadowy colonnade.

There is a so-called Basilica here, but the name is of no authority, and the building is probably a temple. Wide differences of opinion exist about its date, but none about its beauty. The third temple shows marks of differing styles, and while in part it may be coeval with the foundation of the city, it was probably retouched during the period of Roman rule.

Such are the visible remains of Pæstum. In all Italy there is no more interesting spot. Not Rome itself, which ruled the habitable world, has cast over mankind a spell so mighty as these Greek cities, which scarcely aimed at rule beyond their walls, and cared nothing for the lust of wide dominion. Conquest was not in their hearts, but the desire of beauty burned there more passionately than ever before or after, creating loveliness which has gone on breeding loveliness and wisdom which has not ceased begetting wisdom, while kingdoms have crumbled into dust and conquerors have earned no better guerdon than forgetfulness; so that still men look back on the life of the Greek cities as the very flower of human culture, the finest expression of what may be achieved by heart and soul and brain aspiring together. The cities perished, but the heritage to mankind remains, kindling still the desire for that beauty in form, thought, and word which was attained upon these coasts more than twenty centuries ago. And if the heritage was for mankind, it was first of all for Italy, that noble land which has been the scene of every kind of greatness, which has been burdened with every shame and sorrow that can afflict mankind, yet is rising once more into strength which will surely dismay her slanderers and shame those who seek to work her ruin. And so I lay down my pen, with a faith in the future which turns ever back to the noblest song yet sung of Italy:—

"Salve magna parens frugum, Saturnia tellus,