The Jacobean Period.—Essentially the flower of the popular creations of the Jacobean furniture-designer, the gate table must always stand as reminiscent of the days of Charles I. and Charles II. No picture of this period is considered artistically complete unless there be a gate-leg table with its picturesque lines adding a technical touch of correctness to interiors. The portrait of Herrick, the parson-poet of Devon, imaginative though it be, whenever it appears on canvas or illustrating his lyrics, shows the poet beside a fine gate-leg table. Stage tradition is equally sure on the same point. A company of swaggering cavaliers at an inn is not complete without a group arranged at one of these tables quaffing wine from flagons.
Without doubt the finest examples are to be found from the year 1660 to the end of the reign of Charles II. A new impetus had been given to furniture-making in Restoration days. The country had settled down in tranquillity and the domestic arts began again to thrive in natural manner following the earlier motives of the days of Charles I. The recent civil wars had arrested their development, and now they burst forth again with renewed youth.
Ripe examples of the best period may be assigned to the last three or four decades of the seventeenth century. These, it should be explained, are in oak. We illustrate (p. [93]) a particularly pleasing specimen with double gates which belongs to this finest period. There are, it will be observed, twelve legs, and the stretchers are finely turned with what is known as the egg-and-reel pattern. As a matter of fact pieces such as this, on account of the rare form, bring from £15 to £35, and they are rapidly being gathered into the folds of collectors.
Another rare form is shown on the same page. This, too, has double gates, and the stretchers are similarly turned. There is only one flap to this table, and it will be observed that it makes another variation from accepted styles in having a rectangular instead of a circular top. Tables with one flap are always rare, and when found they usually have two gates.
It will be seen that there are pleasant surprises in following changing forms all through the period. On p. [97] a table is illustrated with two gates on one stretcher. This in date is about 1660.
The table below, on the same page, exhibits florid turning in the legs. The stretchers across the two legs are half way up and are the Yorkshire form of splat stretcher. This type is found as early as 1660 and as late as 1750.
The difference in structure is noticeable in two tables shown on p. [99]. The one has six legs and the other eight legs. The first has finely turned legs and stretchers in what is familiarly known as the "barley-sugar" pattern. Among its exceptional features are the legs being only six in number, the gates being hinged to stretcher, two legs thus being dispensed with, and the additional bar across the two central stretchers. This is a rare piece and in date is about 1670. The Gate Table on the same page with eight legs is a good example of ball turning. This is a type which survived well into the eighteenth century.
GATE TABLE. C. 1660.