W. G. Honey.]

[Cork.

THE VICAR AND MOSES.

Blue and white (914 in. high).

Of Josiah Wedgwood, the English Palissy, we deal in a separate “Chat.”

A whole volume could be written about him and his work. His busts, magnificently produced in black basalt, his cameos and gems, with which the name of Flaxman must be coupled, his white terra-cotta, and his cream-coloured earthenware, known as Queen’s ware (first made for Queen Charlotte), may be ranked among the most important factors in the history and development of the potter’s art in England.

Of the most important of the other Staffordshire potters, perhaps the name of Spode is the best known. After 1798, Spode the younger commenced to make porcelain.

Concerning Liverpool, to which we devote a separate “Chat,” it seems remarkable to read that in 1754 the making of pottery was the staple manufacture of the city. “The blue and white earthenware almost vie with china,” so says an eighteenth-century journal.