- Abbey and Graham, “Herculaneum” (Liverpool), [200]
- Absolon, potter, Yarmouth, [200]
- Allen, Robert (Lowestoft), [117]
- America, clay from, used at—
- Bow, [51]
- Plymouth, [92]
- “Amherst, Japan,” as a mark, [182]
- Anchor as a mark—
- Bow, [54]
- Caughley, [137]
- Chelsea, [34], [35]
- Liverpool, [241]
- Venice, [30]
- Worcester, [73]
- Angoulême sprig pattern imitated by Derby, [22]
- Arms, coats of, on china—
- Lowestoft, [115]
- Oriental china, [115], [120]
- Aubrey, Lady, designs on Derby painted by, [12]
- “B” as a mark, [53]
- “B. A. E.,” initials on Liverpool bowl, [246]
- “Ballades in Blue China,” quoted, [4]
- Bamboo ware (Wedgwood), [257]
- Banks, Sir Joseph—
- friend of Cookworthy, [92]
- letter concerning Billingsley and Walker, [169]
- Barberini Vase (Wedgwood), [260], [261], [263]
- Basaltes (Wedgwood), [256]
- Bath, Camden Place, view on Worcester vase, [80]
- Batons, crossed, as a mark, [7]
- Battersea, [29]
- printing, Horace Walpole on, [240]
- Baxter (painter), Swansea, [172]
- “B B” as a mark, [182]
- Beauclerk, Lady Diana, design for Wedgwood plaque, [277]
- Beddoes (painter), Swansea, [174]
- Bee and goats jug—
- Bow, [62], [63]
- Chelsea, [35]
- Bellarmine—mugs thus named (Low Countries), [197]
- “Benbow, Francis,” name on Caughley mug, [137]
- Bentley, Thomas, partner with Wedgwood, [253]
- Bethnal Green Museum—
- Minton majolica fountain at, [186]
- pieces reproduced from collection at—
- Bow, [49], [50]
- Chelsea, [29]
- Crown Derby, [3]
- Plymouth, [91]
- Spode, [152]
- Staffordshire delft mug, [206]
- Wedgwood Puzzle-jug, [212]
- Worcester, [80] (removed to Victoria and Albert Museum)
- Billingsley, flower painter, [140], [165]
- at Nantgarw, [169]
- at Swansea, [170]
- Bird (as a mark), Liverpool, [241]
- Biscuit, definition of, [xxiii]
- Biscuit ware (Derby), [21]
- Biscuit, white porcelain (Wedgwood), [257]
- Bloor, Robert (Derby), [15]
- Bloor Derby—
- illustrations of—
- tea-pot, [v]
- vase, [17]
- marks, [16]
- Sale Prices, [24]
- Blue dragon, introduced at Caughley, [138]
- Blue-printed table service, the first made in England, [138]
- Bone-ash porcelain, definition of, [xxv]
- Bone, Henry (Plymouth), [94]
- Böttcher, J. F. (Dresden), [196]
- Bow, [49-65]
- characteristics of Bow china, [61]
- discovery of fragments of china, [57]
- marks, [53], [54], [60]
- paste, [59]
- printed wares at, [60]
- Sale Prices, [63]
- Bow china illustrations of—
- figure, [50]
- ink-stand, [49]
- Boyle, John (Minton), [182]
- Brameld (Rockingham), [118]
- Brislington, copper lustre at, [221]
- Bristol, [97-109]
- blue delft, [97]
- characteristics of, [106]
- end of factory, [104]
- Sale Prices, [107]
- Bristol china, illustrations of—
- cup and saucer, [102]
- “Mandarin” decorated, [97]
- vase, [103]
- delft bowl, [213]
- pottery, [201]
- St. Vincent’s Rock, view on Worcester vase, [80]
- British Museum—
- Portland vase, [264]
- recent Lowestoft acquisitions at, [124]
- specimen reproduced from collection at (Chelsea), [32]
- Browne, Robert (Lowestoft), [115]
- Brunel, portrait of, on mug, [214]
- Buckingham, Duke of, connection with Chelsea, [30]
- “Buckle, Elizabeth,” name on Lowestoft china, [117]
- “Burges, William and Elizabeth,” names on delft mug, [206]
- Burke, Edmund—
- cup and saucer from service ordered by, [102]
- encouragement of Richard Champion by, [105]
- Bust, copper lustre, [227]
- “C” as a mark (Caughley), [140]
- “Calder, M. and E., Norwich,” names on Lowestoft, [116]
- “Cambrian” as a mark, [171]
- “Cambrian-Argil” as a mark, [216]
- Cambrian Pottery (Swansea), [170], [171]
- Camelford, Lord, clay on estate of (Plymouth china), [91]
- “C and G” as a mark, [156]
- Carlyle quoted on Worcester china, [72]
- Carpenter, with tools, figure of (Chelsea), [29]
- Case, Mort & Co. (Liverpool), [242]
- Catherine II. of Russia, Wedgwood’s service for, [263]
- Caughley, [135-147]
- marks, [140], [143]
- old blue mug, [137]
- Sale Prices, [147]
- Cave, Edward, of Worcester, [69]
- “C. B. D.” as a mark, [142]
- “C. D.” as a mark, [140]
- Chaffers, Richard, Liverpool, [240]
- mark of, [240]
- Chamberlain—
- marks of, [78]
- scent-bottle, [80]
- Worcester, [78]
- Chamberlain, Lilley & Kerr, Worcester, [79]
- Champion, Richard—
- Bristol, [97-106]
- his death in America, [105]
- Wedgwood’s opinion of, [104]
- Chantilly sprig pattern (Derby), [22]
- Charlotte, Queen, Wedgwood’s service for, [253], [263]
- Chelsea, [29-47]
- best period of, [33]
- characteristics of china, [40]
- decline of, [35]
- illustrations of—
- figure of carpenter, [29]
- “Foundling” Vase, [38]
- openwork vase, [27]
- Vase in British Museum, [31]
- marks, [34], [35], [39]
- marks imitated at Coalport, [143]
- Sale Prices, [42]
- Cherokee Indians, clay from, used at Bow, [51]
- “Chesterfield” Vase (Chelsea), [37]
- China, definition of, [xxiii]
- Christening cup, [208]
- Christian, Liverpool, [241]
- Clay—
- from Virginia (Plymouth), [92]
- from the Cherokee Indians, (Bow), [51]
- Lowestoft, used at Worcester, [114]
- Cleopatra, death of (Chelsea vase), [32]
- Coalport, [135-147]
- Billingsley at, [165]
- Chelsea, Dresden, Sèvres marks imitated at, [143]
- illustrations—
- plate (modern), after Sir Joshua Reynolds, [145]
- two-handled cup and saucer, [135]
- vase, [141]
- marks, [140], [142], [143]
- Nantgarw and Swansea incorporated with, [140]
- Sale Prices, [147]
- service made for Emperor of Russia, [142]
- Colebrookdale, [136-8]
- Cook, Captain, friend of Cookworthy, [92]
- Cookworthy, William (Plymouth), [91-96]
- “Cooper, John,” name on Lowestoft china, [127]
- Copeland—
- discovery of Parian ware by, [21], [156-158]
- excellence of ware of, [151], [158]
- illustration, plates, [157]
- marks, [156]
- Sale Prices, [161]
- Copeland & Garrett, marks of, [156]
- Copeland, W. T. & Sons, marks of, [156]
- Copper Lustre Ware—
- best period of, [225]
- illustrations of, [221], [222], [223], [225], [226]
- Courtney (late Bloor), Derby china, [20]
- Cradle, old English earthenware, [207]
- Crescent as a mark—
- Bow, [54]
- Caughley, [140], [143]
- Lowestoft, [130]
- Worcester, [70], [71], [78]
- Cross as a mark—
- Bow, [53], [60]
- Bristol, [100]
- Caughley, [140]
- Lowestoft, [130]
- Crossed daggers, Derby mark, [8], [9], [11]
- Crown Derby—
- illustrations of, [3], [11], [13], [17]
- marks, [7], [8], [16], [20]
- peculiarities in crown mark, [8]
- Sale Prices, [23]
- “C. S. N.” as a mark, [142], [143]
- Cumberland, Duke of, contributes annual sum to Chelsea, [33]
- “Curtis, James and Mary,” names on Lowestoft mug, [118]
- Curtis, Thomas (Lowestoft), [181]
- “C. W.” as a mark, [169]
- “D” as a mark, [7], [8], [39]
- Dagger as a mark, [54]
- “Daniell” as a mark, [142]
- Davies, William (of Worcester), [69]
- Delft, blue—
- Bristol, [97]
- illustration of (Old Staffordshire), [206]
- Lowestoft, [115]
- Della Robbia ware copied by Minton, [184]
- Derby, [3-25]
- biscuit ware, [21]
- cause of decline of, [16]
- characteristics of, [22]
- illustrations of—
- Bloor Derby, [v], [17]
- Crown Derby, [3], [11], [13], [17]
- marks—
- Bloor Derby, [16]
- Crown Derby, [7]
- Sale Prices—
- Bloor Derby, [24]
- Crown Derby, [23]
- Derby, Chelsea, [46]
- Derby-Chelsea, [8], [39]
- marks, [39]
- Sale Prices, [44]
- De Witt, Cornelius, portrait of (Wedgwood), [255]
- De Witt, John, portrait of (Wedgwood), [255]
- Dillwyn (Swansea)—
- Etruscan ware, [171], [174]
- illustration of, [173]
- lustre ware made by, [228]
- marks of, [171]
- Dixon & Co. (lustre ware), Sunderland, [228]
- Dobson, Mr. Austin, quoted, [68]
- Donaldson, painter, Worcester, [78]
- Doulton, Messrs., Lambeth, [29], [205]
- Dragon blue, introduced at Caughley, [138]
- Dresden copied—
- at Chelsea, [37]
- at Worcester, [84]
- marks imitated at Coalport, [143]
- origin of factory at, [196]
- Dudley House, Chelsea vases at, [39]
- Duesbury, William—
- the first, [6], [8]
- the second, [12]
- the third, [15]
- Duesbury & Sheffield (Derby), [15]
- Dwight, John, [202]
- the inventor of porcelain in England, [29]
- Earl St. Vincent, friend of Cookworthy, [92]
- Earthenware—
- definition of, [xxiii]
- old English, [193-218]
- Egyptian ware (Wedgwood), [258]
- “England,” use of word on modern china, [144]
- English slip ware, [208]
- English ware universal on Continent, [253]
- Etruria, [253]
- first vase produced at, [254]
- Etruscan ware, Dillwyn (Swansea), [171], [174]
- illustration of, [173]
- Evans & Co., Swansea, [174]
- “F” as a mark, [53]
- Falstaff, Quin as, Bow figure, [55]
- “Fayence, Spode’s new,” [154]
- Felspar porcelain (Coalport), [140]
- Minton & Boyle, [182]
- Flaxman, design on Wedgwood (France and England), [260], [263]
- Flight & Barr, [78]
- Billingsley, painter, with, [165]
- marks, [78]
- Flight, Thomas (Worcester), [78]
- marks of, [78]
- Flora, Bow figure of, [64]
- Fordyce, Lady Margaret, designs on china painted by, [12]
- “Foundling” Vase (Chelsea), [37], [38]
- Frank, R., Brislington, [228]
- Frederick, Prince of Wales, portrait of, painted by Frye, [51]
- Frederick the Great (Worcester mug)—
- Carlyle’s description of, [72]
- illustration of, [73]
- French sprig pattern (Derby), [22]
- Frog mug, Sunderland, [203]
- Frye, Thomas (of West Ham), [51]
- as a mezzotint engraver, [52]
- various signatures of, [60]
- Fuddling cup, [207]
- Fulham pottery, [202]
- flip-mug, Alexander Selkirk, [214]
- Garrick, as Richard III., Bow figure, [55]
- George II., patron of Chelsea, [33]
- German workmen brought to Chelsea by George II., [33]
- Glass, Joseph, potter, [207]
- Glassy porcelain, definition of, [xxv]
- Glaze—
- definition of, [xxiii]
- leadless, [144]
- Globe as a mark, [184]
- Goats and bee jug (Bow), [62], [63]
- Chelsea, [35]
- Gold lustre ware, [232], [233]
- jug, [232]
- Grainger, Lee & Co., Worcester, [81]
- marks, [79]
- Green, Guy, Liverpool, [238]
- “H” as a mark, Lowestoft, [129]
- Hancock, Robert, engraver, [72], [76]
- Hard paste, definition of, [xxiv]
- Hard porcelain—
- first manufacture of, in England, [91]
- made at—
- Bristol, [97], [98]
- New Hall, [105]
- Plymouth, [91]
- Harrison, John, [250]
- “Harvey, William,” name on Lowestoft, [123]
- Henri II. faïence, copied by Minton, [185]
- Herculaneum Pottery (Liverpool), [200], [241]
- Heylin, Edward (of Bow), [51]
- Hogarth, “Midnight Conversation” of, Liverpool bowl, [246]
- Hughes, Lowestoft, [129]
- Ironstone china—
- Mason, [xxiv], [216]
- illustrated, [217]
- Isleworth, [205]
- “I. W.” as a mark, [199], [211]
- Jackfield, factory at, [138]
- Japan patterns used at Derby, [22]
- Japanese influence on Spode, [155]
- Derby, [22]
- Jasper ware (Wedgwood), [257]
- illustrations of, [249], [258], [259]
- Johnson, Dr., experiments of, at Chelsea factory, [40]
- “K & B, Worcester,” as a mark, [79]
- Kaolin, [xxv], [195]
- Kean, Michael (Derby), [15]
- Kerr & Binns (Worcester), [79]
- King of Prussia mug, Carlyle’s description of, [72]
- Kishere, Mortlake, [205]
- “L,” two letters, mark on Lowestoft, [130]
- Lamb, Charles, on Old China, [4]
- Lambeth, Dutch potters at, in seventeenth century, [205]
- Lane, Delph, [216]
- Lang, Mr. Andrew, verse quoted, [4]
- Laurel wreath on Bristol china, [106], [107]
- Lead glaze, definition of, [xxiii]
- Lead, large amount used in Bow glaze, [62]
- Leadless glaze, [xxiii], [144]
- Leeds pottery, [201]
- Limoges enamel, copied at Worcester, [83]
- Lister, Dr. Martin, [30]
- Liverpool—
- pottery once its staple manufacture, [200]
- Queen’s Ware (Wedgwood), decorated at, [253]
- Liverpool ware, [237-246]
- illustrations of, [237], [243], [244], [245]
- marks, [240], [241]
- Sale Prices, [246]
- tiles, [245]
- Locker & Co. (late Bloor) (Derby), [20]
- Longbeards, mugs thus named (Low Countries), [197]
- Lonsdale, Lord, Derby service, sketches made by, [12]
- Lowestoft, [113-132]
- birthday tablets, [123]
- Bow and Chelsea copied by, [127]
- characteristics of, [130]
- coats of arms on, [115]
- delft, old, attributed to, [115]
- errors concerning, [115], [119]
- illustrations of, [113], [117], [118], [122], [123], [125], [128], [129]
- marks, [127], [129], [130]
- moulds and fragments recently discovered, [122]
- old factory, site of, [121]
- Oriental influence on, [127]
- origin of, [114]
- Sale Prices, [131]
- spurious imitations made in France, [127]
- Worcester, its resemblance to, [127]
- Luson, Hewlin (Lowestoft), [121]
- Lustre ware—
- copper, [221-227]
- gold, [232], [233]
- silver, [227-232]
- illustrations of—
- copper, [221], [222], [223], [225], [226]
- gold, [232]
- silver, [227], [228], [229], [231]
- “M” as a mark, [182]
- “M & B” as a mark, [182]
- “M & Co.” as a mark, [184]
- Mandarin decorated porcelain—
- Bristol, [97], [99]
- Lowestoft, [116], [127]
- Worcester, [83]
- Marriage plates, [114], [115]
- Mason, Charles James, [216]
- Mason, Miles, mark of, [216]
- Mason Patent Ironstone China, [xxiv], [215], [216]
- illustrated, [217]
- marks, [216]
- Sale Prices, [218]
- Mayflower, in relief, Bow pattern, [58]
- Meissen, origin of factory at, [196]
- Mill to grind old folks young, [271]
- Minton, Thomas, [181-2]
- Minton Ware, [181-189]
- faïence, [181]
- illustrations, [183], [185], [186], [189]
- majolica, [186]
- marks, [182], [184]
- reproduction of Henri II. ware, [185]
- Sale Prices, [187]
- Minton & Boyle, mark of, [182]
- Minton-Campbell, Colin, [182]
- Sale Prices of his china collection, [187]
- Minton, Hollins & Co., [184]
- Moore & Co., lustre ware, Sunderland, [228]
- Morris, painter, Swansea, [174]
- Mortlake, pottery at, [205]
- Mottoes on earthenware, [206], [208], [211-214]
- Moulds, [xxiv]
- disinterment of, at Lowestoft, [122]
- illustration of, [113]
- Nankin pattern, Caughley, [138]
- Nantgarw, [165-171]
- characteristics of, [175]
- founders of, solicit Government patronage, [169]
- glassy nature of, [169]
- illustrations of, [166], [167]
- marks, [169], [170], [171]
- Sale Prices, [176]
- Nelson, portraits of, on jugs, [214]
- New Canton, title of Bow Factory, [49]
- Newcastle mugs and jugs, [201]
- “New Fayence, Spode,” [154]
- Nollekens, Life of, quoted, [30]
- Nottingham, [202]
- Oiron faïence (copied by Minton), [185]
- Old folks, mill to grind young, [271]
- O’Neale, painter, Worcester, [78]
- Opaque, [xxiv]
- porcelain (Spode), [153]
- Oriental models copied—
- at Bow, [58]
- at Caughley, [137]
- at Chelsea, [35], [37], [39]
- at Coalport, [144]
- at Worcester, [67], [70], [85]
- by Minton, [181]
- by Spode, [154]
- Oriental—
- marks on English china (Chelsea), [39]
- Worcester, [71]
- porcelain, having English coats of arms, [115], [120]
- Over-glaze, [xxiv]
- “P” as a mark, [240]
- Palissy ware copied by Minton, [184]
- Parian ware (Copeland), [158]
- how discovered, [21]
- “Parrish” (of Norwich), name on delft plates, [115]
- Parting cups, [208]
- Paste—
- definition of, [xxiv]
- hard, [91], [97], [98], [105]
- Pastille-burner (Crown Derby), [11]
- Spode, [152]
- Pastorella, woman playing the (Bow), [50], [53]
- Pennington, mark of, [240], [241]
- Perdita (Mrs. Robinson), portrait of, on modern Coalport, [146]
- Petersburg, [197]
- Petuntse, [xxv], [195]
- Philips, Richard (Lowestoft), [127], [129]
- Piggin, [208]
- Pinxton, Billingsley at, [165]
- Planché, Andrew, originator of Derby works, [6]
- Plato, portrait medallion of (Wedgwood), [255]
- Plymouth, [91-96]
- characteristics of, [106]
- illustrations of, [91], [94], [95]
- marks, [94], [96]
- Sale Prices, [107]
- Plymouth, Lady, designs on Derby painted by, [12]
- Porcelain—
- definition of, [xxv], [195]
- hard—
- at Bristol, [97], [98]
- at New Hall, [105]
- at Plymouth, [91]
- first manufacture of, in England, [91]
- Porphyry (Wedgwood), [256], [258]
- Portland vase, [260], [261], [263]
- Portrait medallions (Wedgwood), [255], [274], [275], [276]
- Posset-mug, [207]
- Posset-pot, [207]
- Pottery, definition of, [xxv], [194]
- Powles, Richard (Lowestoft), [129]
- Prices, why old china commands high, [106]
- Printed table service, first blue, made in England, [138]
- Printing on china, [xxv]
- Printing transfer—
- at Battersea, [240]
- at Liverpool, [237], [239]
- at Worcester, [72]
- Purple lustre ware, [232]
- Puzzle jugs, [207]
- illustration of (Wedgwood), [212]
- Queen Charlotte, Wedgwood service for, [200], [253], [263]
- Queen’s Ware (Wedgwood), [253], [270]
- importance of, in history of ceramics, [200]
- Quin as Falstaff, Bow figure of, [55]
- “Quinton” (of Yarmouth), name on delft plates, [115]
- “R” as a mark, [184]
- initial on Lowestoft, [129]
- Redgrave (Lowestoft), [129]
- Reid & Co. (Liverpool), [241]
- “Resist” pattern (lustre ware), [231]
- “R. H.”, signature on Worcester mug, [72], [76]
- Richard III., Garrick as, Bow figure, [55]
- Ring, Joseph, Bristol, [201]
- Robinson, Mrs. (Perdita), portrait of, on modern Coalport, [146]
- Rockingham, unfinished ware from, sold to Robert Allen (Lowestoft), [118]
- Rose, French refugee, painter at Lowestoft, [118]
- Rose, John (Caughley), [138-9]
- establishes the Coalport factory, [139]
- Swansea factory purchased by, [174]
- Rose, I. & Co., marks of, [142]
- “R. P.,” initials on Lowestoft, [127]
- Russia—
- Catherine of, Wedgwood service made for, [263]
- Emperor of, modern service made for (Coalport), [142]
- “S” as a mark, [140]
- Saddlers’ Hall, portrait of Frederick, Prince of Wales, at, [51]
- Sadler, John (Liverpool), [138]
- signature on tile, [246]
- Sadler & Green, [239]
- Wedgwood’s Queen’s Ware decorated by, [253]
- Sale Prices—
- Bloor Derby, [24]
- Bow, [63]
- Bristol, [108]
- Caughley, [147]
- Chelsea, [42]
- Coalport, [147]
- Copeland, [161]
- Crown Derby, [23]
- Derby—
- Crown, [23]
- Bloor, [24]
- Chelsea, [42]
- Lowestoft, [131]
- Mason’s Ware, [218]
- Minton, [187]
- Nantgarw, [176]
- Plymouth, [107]
- Spode, [159]
- Staffordshire, [218]
- Swansea, [177]
- Wedgwood, [272]
- Whieldon, [272]
- Worcester, [85]
- Salopian, [136]
- marks, [140]
- Schnorr, John (Dresden), [196]
- Schreiber, Lady Charlotte, collection of, [78]
- Selkirk, Alexander, his mug, [214]
- Sèvres—
- artist from, at Plymouth, [94]
- copied—
- at Chelsea, [37]
- at Coalport, [143]
- at Worcester, [77]
- marks of, imitated at Coalport, [143]
- “S. H.” as a mark, [20]
- Sharp (Stevenson, Sharp & Co.), Derby, [20]
- Shaw (Liverpool), [240], [241]
- Shylock figure (Chelsea), [41]
- Silver lustre ware, [229-231]
- illustrations of, [227], [228], [229], [231]
- modern imitations of, [227]
- Slip ware, old English, [208]
- Smeaton (builder of Eddystone Lighthouse), friend of Cookworthy, [92]
- Soft paste, definition of, [xxiv]
- Soqui, Sèvres artist at Plymouth, [94]
- Spode, Josiah—
- the first, [151]
- the second, [153]
- the third, [153]
- Spode ware—
- characteristics of, [158]
- illustrations of, [151], [152], [153]
- marks, [153], [155]
- Sale Prices, [159]
- supersedes French wares on the Continent, [153]
- Sprig, Angoulême—
- Chantilly pattern (Derby), [22]
- imitated by Derby, [22]
- Sprimont, Nicholas, at Chelsea, [33]
- Square seal as a mark (Worcester), [71]
- Staffordshire earthenware—
- illustrations of, [198], [199]
- Sale Prices, [218]
- Stevenson & Hancock, [20]
- Stevenson Sharp & Co., [20]
- Stone china—
- Minton, [182]
- Spode, [154]
- Sunderland, [201], [202], [214]
- frog mugs, [202]
- illustrations of mugs and jugs, [193], [203]
- Swansea, [171-174]
- characteristics of, [175]
- chief painters at, [173]
- illustrations of, [172], [173]
- marks, [171]
- sale of factory to John Rose (Coalport), [174]
- Sale Prices, [177]
- Swords, crossed, as a mark, [20]
- “T” as a mark, [60], [63], [100]
- Temple Bar, view of (Bloor Derby vase), [25]
- Terra-cotta ware (Wedgwood), [256]
- Thames Tunnel, view of, on mug, [214]
- Tiles—
- enamelled Minton, [184]
- printed Liverpool, [237], [239]
- Tithe pig—subject on Liverpool mug, [246]
- “To” (signature of Tebo), as a mark, [60], [63]
- Toby jug, [197]
- Tortoiseshell ware, [250], [251]
- Toy sets, Lowestoft, [124]
- Transfer-printing, [xxv], [72]
- illustrations of Liverpool, [237], [243], [244], [245]
- Worcester, [67], [73]
- Translucent, [xxv]
- Triangle as a mark, [33], [35], [39]
- Trident as a mark, [171]
- True porcelain, definition of, [xxv]
- Turner—
- dark blue Caughley, [136], [137]
- mark of, [140]
- Tyg, [208]
- Unaker, [51]
- Under-glaze, [xxiv]
- Venice—
- anchor as mark, [30]
- workmen from, at Chelsea, [30]
- Vicar and Moses, Staffordshire figure, [199]
- Victoria and Albert Museum—
- Bow, [57]
- Oiron faïence, [185]
- Worcester, [78]
- Vienna, [197]
- Vincennes, origin of, [30]
- Virginia, clay from (Plymouth), [92]
- “W” as a mark, [71], [79]
- Walker, Samuel, [140], [165]
- at Nantgarw, [169]
- at Swansea, [170]
- Wall, Dr. John—
- founder of Worcester, [69]
- his death, [77]
- painting by, in Merton College, Oxford, [69]
- Walpole, Horace, quoted—
- on Battersea printing, [240]
- on Chelsea, [33]
- Wear, cast-iron bridge across (Sunderland mug), [202]
- Wedgwood, Josiah, [249], [250]
- art of the potter, views concerning, [265]
- monument to, at Stoke-on-Trent, [268]
- opinion of, concerning Richard Champion, [104]
- opposes Cookworthy and Champion’s patent (Bristol), [97]
- Wedgwood catalogues, [265]
- Wedgwood Ware, [249-278]
- early imitation of jewels, [252]
- illustrations of, [207], [249], [256], [259], [260], [277]
- lustre ware, [228]
- marks of, [269], [270]
- printed at Liverpool, [240]
- Queen’s Ware, [253]
- Sale Prices, [272]
- Wedgwood & Bentley, marks of, [269]
- Wedgewood, spurious mark imitating Wedgwood, [270]
- Welsh ware, Isleworth, [205]
- Whieldon, Thomas, [251]
- illustration of Whieldon ware, [251]
- Spode apprenticed to, [151]
- White porcelain biscuit (Wedgwood), [257]
- Willow pattern plate, introduced at—
- Caughley, [137]
- Spode, [152]
- Wilson (Staffordshire), lustre ware, [228]
- Wolcot, Dr. (“Peter Pindar”), friend of Cookworthy, [92]
- Wolfe, General, death of, on jug, [214]
- Wood, Ralph (Burslem), [199]
- Worcester, [67-90]
- Billingsley, flower-painter at, [165]
- characteristics of old, [83]
- illustrations of, [67], [73], [77], [81]
- marks, [70], [71], [78], [79]
- Sale Prices, [85]
- Wrotham, Kent, [202]
- Yarmouth, pottery at, [200]
- Young, W. W., painter, Nantgarw, [170], [171]
Printed in Great Britain by
UNWIN BROTHERS, LIMITED, THE GRESHAM PRESS, WOKING AND LONDON
FOOTNOTES:
[1] A Cookworthy Window was placed in the Guildhall, Plymouth, about 1840, during the mayoralty of Dr. Cookworthy, grandson of the potter.
[2] “Chats on English Earthenware,” the companion volume to this, deals in detail with the subject of earthenware as outlined here.
[3] This collection of portraits, by Josiah Wedgwood, is undoubtedly the most important one ever gathered together. Many are unique—all are of interest, as faithful facsimiles in a permanent material that cannot be affected by time or climate.
[Transcriber’s note: the following changes have been made to this text.
Frontispiece: Schrieber changed to Schreiber—Lady Charlotte Schreiber.