In taking leave of Chelsea we must remember that its success was an encouragement for the formation of manufactories in other parts of the country during the closing years of the eighteenth century. The workmen trained there under Sprimont found their way to Derby and to Worcester, and to parts of Staffordshire, and carried their experience with them. If for nothing else Chelsea deserves to be remembered as an art centre; and although Sprimont broke down in health and had to go to the “German spaw,” and leave his pictures to be sold at Christie’s, for all that, Chelsea spelt success.
Characteristics of Chelsea China.
The glaze is a softer milky white, and is not so thick as that on Bow pieces. It is carefully finished in every detail. The figure subjects are not so crudely painted as those of Bow. Three spots unglazed are sometimes found on Chelsea plates and dishes, caused by the three points on which pieces have rested. Chelsea china is remarkable for its great weight. The bases and rims, particularly of smaller pieces, are ground quite smooth. Just above the rim black specks and small tears of the coagulated glaze are noticeable. As in Bow, an insect or spray was sometimes cleverly painted over flaws and defects.
CHELSEA FIGURE AND CANDLESTICK.
Man playing bagpipes.
CHELSEA CHINA (1750-1760).