"Wal'r ... a parting gift, my lad. Put it back half an hour every morning, and about another quarter towards the arternoon, and it's a watch that'll do you credit."

That the civil day has taken precedence of the solar day is shown by the recent legislation in regard to Summer Time. "The Sabbath was made for man and not man for the Sabbath," may be applied to the clock dial. By an Act of Parliament, in spite of science and the earth's revolution on its axis, the hands straightway mean something else. It is well that modern clocks have no wise saws and mottoes telling of the unalterable hand of Time; "Old Time, the clock-setter, that bald sexton, Time," as Shakespeare says in King John.

Early Mechanism.—The problem for the old clockmakers who wished to supplant the primitive measurement of time by candle, by the hour-glass, and later by the sundial, was to produce a piece of mechanism which would in twenty-four hours, the prescribed period of day and night, indicate the flight of time hour by hour.

In rapid survey we cannot pause to enter into details. The first clocks indicated the hour alone by a hand attached to the axis of a wheel. In the twelfth century a new mechanism was added to strike a bell with a hammer, showing the hours indicated by the hand. At first the motive power was a weight acting upon toothed wheels. In the fifteenth century a spiral spring placed in a barrel replaced the weight attached to a string as the motive power. This led to portable clocks of smaller dimensions being possible.

The sixteenth century is remarkable for the great advance by Italian, by Nuremberg, and by Augsburg clockmakers. Striking and alarum clocks, and intricate mechanism showing phases of the moon, the year, the day of the month, and the festivals of the Church, were produced. In the sixteenth century portable clocks received further attention in regard to minute mechanism, resulting in what we now know as the watch. The moment this point was reached, ornamentation of a rich and elaborate character was applied to such objects of art, then only in the possession of princes and nobles and the richest classes of society.

In the middle of the seventeenth century Huygens, the celebrated Dutch astronomer and mathematician, brought great modification in the art of clockmaking by applying the pendulum to clocks in order to regulate the movement, "and adapting, some years later, to the balance of watches a spring, which produced upon this balance the same effect as that of the weight upon the pendulum" (Labarte, Arts of the Middle Ages).

In old clocks there is a verge escapement with a cross-bar balanced by weights. This was in the top portion of the clock.

When the pendulum was introduced it was first placed in front of the clock and swung backwards and forwards across the face of the dial, being only some six inches in length, and more frequently it is found at the back of the clock, outside the case. See illustration (p. [51]) of examples.

As it was easy safely to convert the old form of balance into pendulum form, with hanging weight or weights, this was frequently done. So frequently, in fact, that very few of the old balance movements remain. See illustration (p. [57]) of lantern clock with weights and pendulum.

With the advent of the "royal" or long pendulum, the domestic clock came into being.