Chats on Old Earthenware - Arthur Hayden

A
Abbey, Richard (Liverpool), [403]
Absalon, decorator at Yarmouth, [378]
"Adam and Eve" delft dishes, [67], [109]
Adams (marks), [263]
Adams (prices), [282], [283]
Adams & Bromley, [260]
Adams & Co., marks, [260], [473]
Adams, Benjamin, mark, [263], [348]
Adams, William (of Cobridge), [260], [329]
Adams, William (of Greenfield), [260]
Adams, William (of Greengates), [259–263], [279], [330], [340], [348] (mark)
Adams, William, & Sons (of Burslem), [348]
Adams, William, & Sons (of Stoke) (mark), [348]
Æsop, Fables of, reproduced on earthenware, [321], [322]
Agate ware, definition of, [27];
summary of, [70], [169];
solid and surface (Wedgwood), [228]
Alexander, Czar of Russia, bust of, [374]
Allen, of Lowestoft, Leeds ware decorated by, [301]
America and England (in earthenware), [337], [338];
independence of, jug relating to, [350];
views in (Clews), [349]
"Amherst, Japan" (Minton), [454]
Anchor as a mark, Fell, Newcastle, [350];
Middlesbro', [350]
Animals, figures of, [174]
Antony and Cleopatra, Swansea figures, [395]
Ashworth, C. E., Messrs., [454]
Astbury, John, [147–151];
the successor of Elers, [164];
early salt glaze, [204]
Astbury, Thomas, [147];
flint, [232];
figures, [361];
as a mark, [298]
Astbury ware, definition of, [27];
summary of, [68];
prices, [155], [191], [192]
Aynsley, John, [348];
lustre ware, [430];
mark, [279]
B
Bacon, John, [248]
Baddeley, [222], [232]
Baddeley, J. and E., [349]
Baddeley (R. J.), basket-work, salt glazed, [212]
Baddeley, R. and J., [349]
Baddeley, W. (Eastwood), [280]
Bailey and Batkin (lustre ware), [436]
Balloon ascent depicted on delft, [113]
Bamboo ware (Wedgwood), [230]
Barberini Vase, [249]
Barker (mark), Leeds ware, [289], [310]
Barnes, Zachariah, [67], [125], [403]
Basalt ware, definition of, [27];
Wedgwood, [228]
Basket-work, Leeds, [297];
salt glaze, [212];
Wilson, [266]
"Bat" printing, [347]
Battersea enamels, [318]
Batty & Co., [280]
B B. New stone (Minton mark), [476]
Bear hugging Bonaparte (Nottingham), [152]
Bear jugs, Nottingham, [69], [152]
Beauclerk, Lady Diana, [248]
Beehive as a mark (Ridgway), [479]
Bellarmine jugs, [68], [134];
prices, [152]
Benson, Thomas, use of flint, [232]
Bentley, his influence on Wedgwood, [244]
Bentley, G., modeller (Swansea), [395]
Bevington (Swansea), [399]
Biblical subjects in delft, [67]
Billing, Thomas (1722), [207]
Birch, E. J., [280]
Birch, black basalt ware, [274]
Bird as a mark, [417]
Birds, figures of, [174]
Bingley, Thomas, & Co., [302], [305]
Biscuit, definition of, [27], [51]
Black basalt (E. Mayer), [269]
Black printed ware, its mission, [333]
Blue dash decoration (delft), [109]
Blue enamelled salt-glazed ware (Littler), [207]
Blue printed ware, [338–347]
Body, definition of, [28]
Bonaparte, bust of, [374];
caricatures of in earthenware, [337];
lustre ware, [435];
Russian bear hugging, [152];
stoneware, [465]
Bone-ash, first use of, [444]
Bordeaux earthenware, [215]
Books, quaint titles of Puritan, [95]
Booth, Enoch, [182];
improved glazing, [232]
Boscage school of figures (Walton), [378]
Bott & Co., [280];
lustre ware, [436]
Boyle, John, [449]
Brameld, Rockingham, [305], [311]
Brampton pottery, [69], [412]
Brislington lustre, [424]
Bristol delft, summary of, [67], [113–118];
prices, [129]
Bristol earthenware prices, [419]
Bristol pottery, [404];
mark, [418]
British Museum, mediæval tiles at, [84]
Britton & Sons (Leeds), [288], [310]
Bromley (Adams & Bromley), [260]
Bronze busts imitated, [229]
Bronze lustre ware, [435]
Brookes, engraver for earthenware, [347]
Brougham, Lord, stoneware flask, [465]
Browne, Sir Thomas, quoted, [163]
Brown-Westhead, T. C., Moore & Co., [479]
Burns's Souter Johnny in earthenware, [458]
Busts and figures, stoneware, [68]
Butler, Samuel, Hudibras, quoted, [366]
C
C as a mark, [408], [418];
Caughley, [349];
Wilson, [266]
"Cadogan" teapots, [305], [311]
Caduceus as a mark, Powell & Bishop, [480]
Cambria as a mark, Heathcote & Co., [480]
Cambrian-Argil (Mason), [453]
Cambrian pottery (Swansea), [395];
marks, [415]
Camel pattern teapots, [208]
C. & H. (Cookson & Harding) mark, [280]
"Canary" bottles, fraudulent, [110]
Caricatures in earthenware, [337]
Castle Acre Priory, tiles from, [84]
Castleford Pottery (D. D. & Co.), [174], [270], [302], [311];
prices, [313]
Catalogues printed in several languages (Leeds), [288];
Wedgwood, [224]
Cats, figures of, [174];
slip decorated, [358];
agate, [359]
Caughley earthenware, [407];
prices, [419];
marks, [417], [418]
Caughley, transfer-printing at, [318]
Cauliflower ware, [169];
teapots, [208]
Caylus, Count, [259]
Chaffers (Liverpool), [403]
Chalk introduced into cream ware, [269]
Champion (Bristol), [235–237]
Chapel, Stephen (Leeds), [288]
Chatterly, William, [66]
Chertsey Abbey, tiles from, [83]
Chester, Grosvenor Museum, Toft dish at, [88]
Chesterfield, [69]
China, definition of, [28]
China clay, definition of, [28]
China stone, definition of, [28]
Chinese pottery as a model for delft, [102];
inspires English potters, [196];
old glazes of, rediscovered, [466]
Chippendale, his similarity to Wedgwood, [259]
Christian, Philip (tortoiseshell ware), [70]
Chronological table of chief events, eighteenth century, [158]
Church, Professor, quoted (Lambeth delft), [113];
Dwight ware, [138]
C J M as a mark (Mason), [453]
Classicism, eighteenth century, [243];
foreign to Staffordshire, [160];
the passing of, [276]
Classic ware, summary of, [73], [74];
Greek designs (Turner), [263];
figures, Staffordshire, [370]
Claude landscapes on earthenware, [344]
Clays used for pottery, [28];
various, how used, [47]
Clementson, [79]
Clementson, J., [280]
Clews, [280]
Clews, James, [349]
Close & Co., [280];
mark, [348]
Close, Mort & Co. (Liverpool), [403]
Cobalt blue used in salt-glazed ware, [208]
Cobbett, William (stoneware flask), [465]
Cockspur-mark, definition of, [31], [298]
Collecting, the field of, [52];
reasons for, [35]
Cologne ware, [134]
Colour, its adoption, [273];
versus Form in earthenware, [178]
Coloured salt-glazed ware, [211]
Cookson & Harding, [280]
Cookworthy (Plymouth), [235]
Copeland, [443], [444]
Copland & Garrett, [444];
marks, [474], [475]
Continental potters, indebted to Staffordshire, [177];
imitations of Wedgwood, [247]
Copenhagen porcelain, [293], [466]
Copper lustre ware, [435];
Wilson, [282];
prices, [439]
Copyists—earthenware imitating china, [43];
of Wedgwood, [257], [265]
Cornish clay mines, [235];
kaolin, its use in cream ware, [237]
Cottage ornaments, figures for, [378]
"Crabstock" handles, [212];
jug and handle, [185]
Cream ware, [230–240];
definition of, [28];
its experimental stage, [169];
its later white body, [44];
Leeds, [293–301];
Queen's ware, [232];
revival of old Wedgwood designs, [231];
summary of, [71–73]
Crich ware, [204]
Cricket match depicted in earthenware, [338]
Crouch ware, [204]
Crown in circle as a mark (Stevenson), [348]
Crown as a mark, [266]
D
Dale (mark), [381]
Dalehall as a mark, [477]
Daniel, Ralph (salt-glaze), [207]
Daniel, Thomas, painter, [232]
Davenport marks, [475];
prices, [481]
Davenport, John, [445]
Davenport (of Longport), [269];
mark, [280]
Davenport, Thomas, [348]
Davenport, Henry and William, [348]
Davenport & Co., [446]
Dawson, Samuel (lustre), [428]
D. D. & Co., Castleford mark, [302], [311]
Decadent period Staffordshire figures, [378]
Delft ware (Bristol delft), [113–118];
definition of, [28];
general characteristics of, [67];
how made, [101];
its foreign origin, [102];
its introduction into England, [105];
(Lambeth delft), [106–113];
(Liverpool delft), [118–125];
prices, [129–130];
summary of, [67–68];
(Wincanton delft), [125]
De Morgan, William, pottery of, [481]
Denny Abbey, tiles from, [84]
Derby (earthenware), [408];
(Pot Works) mark, [349];
transfer-printing at, [318]
Dickens, Sam Weller in earthenware, [458]
Dillwyn, L. W. (Swansea), [399]
Dillwyn & Co. (marks), [415], [416]
Dipping-house, the, [51]
Dixon, Austin, & Co., Sunderland, [309]
Dixon & Co., Sunderland, [306]
D. J. Evans & Co., Swansea, [400];
marks, [416]
D. M., mark of William De Morgan, [481]
Don Pottery marks, [289], [310], [311]
Dorset, Earl of, arms on jug, [92]
Doulton, Lambeth stoneware, [151], [465]
Drug pots, [106]
Dunderdale, David, [302]
Dunderdale & Co. (D D & Co), [174]
Dutch enamellers employed on salt-glaze, [211]
Dwight, John, [68], [134], [138–142];
prices, [155]
E
Eagle as a mark (Leeds), [311]
Early English ware, [83–98]
Early pottery, summary of, [66]
Early salt-glazed ware, [203]
Early-Staffordshire ware, [159–192];
prices, [187–192]
Early-Victorian earthenware (prices), [482]
Earthenware, definition of, [29], [40];
figures compared with china, [382];
how made, [44];
imitating porcelain, [273];
its appearance, [43];
method of studying, [55];
the nine classes of, [55];
versus porcelain, [182]
East India Company, [106]
Eastwood mark, [280]
Edwards, J., & Son, Dale Hall, [477]
Egyptian ware, definition of, [27]
E. I. B. mark, [280]
Eighteenth century, chief events of, table, [158]
Election plates (Bristol delft), [67], [114]
Elers, David, [142], [146]
Elers, John Philip, [144]
Elers Brothers (not the inventors of salt glaze), [204];
prices [155];
their effect upon Staffordshire, [164];
Wedgwood's opinion of, [163]
Elers ware, definition of, [29], [142–147];
summary of, [68]
Elizabethan silver mounts on earthenware, [126];
coats of arms on jugs, [134]
Enamel colours, definition of, [29];
use in salt glaze, [211];
kiln (enamel), description of, [52]
Engine turned ware, [148]
English character in early Staffordshire ware, [160];
costume subjects, [264];
porcelain factories largely imitative, [196];
scenery (on earthenware), [277];
national spirit in earthenware, [186]
Engravers employed to decorate earthenware, [325]
Etruria Museum, catalogue of, [227]
Etruscan ware, Dillwyn's (Swansea), [400];
prices, [418]
Evans, painter (Swansea), [399]
Evans & Glasson (Swansea), [400]
Exhibition, Great, of 1851, hideousness of, [358]
F
F as a mark (Newcastle), [350]
Fable subjects in earthenware, [321], [322];
Liverpool tiles, [125]
Factory system, the, its origin, [249]
Falstaff, earthenware figure of, [374]
Fell (Newcastle), [306]
Ferrybridge, [309]
Fifield, William and John, painters (Bristol), [404]
Figures (Astbury), [361];
Astbury prices, [192];
earthenware and china compared, [382];
Leeds prices, [385];
Salopian, [407];
salt-glazed, [181];
Staffordshire, best period, [362];
Staffordshire, [357–389];
decadent period of, [378];
prices, [385], [386];
summary of, [74–77];
Wedgwood, [240];
Whieldon, [361];
prices, [192]
Firing, period of duration, [51]
Fitzwilliam family, crest of, as a mark, [311]
Flaxman, John, [248];
his designs in cream ware, [231];
designs of, copied, [274]
Fletcher & Co. (Shelton), [348]
Fleur-de-lis as a mark, [400]
Flint introduced into body, Thomas Astbury, [207];
use of, [232]
Ford (South Hylton Pottery), [309]
Forgeries (in general), [59]
Forgeries—Slip ware, [60];
sack bottles, dated, [60];
salt-glaze coloured, [60];
Toby jugs, [63];
"Fair Hebe," [63];
"Vicar and Moses," [63];
Whieldon ware, [63];
Leeds, [63].
Form versus Colour in earthenware, [178]
Fowke, Sir Francis (Lowesby), [400]
Frank, Richard (Brislington), [424]
Freeth, Mr. Frank, quoted (Toft ware), [91]
Frog, green, on Catherine II. service, [239]
Frog mugs, [309]
Fulham stoneware, 151;
summary of, [68], [70];
prices, [155]
Funeral cups (lustre), [428]
Furniture decorated with Wedgwood ware, [247]
G
Gateshead Potteries, [306]
Gilding used in salt-glazed ware, [208]
Gillray's caricatures in earthenware, [337]
Glazes, various, definition of, [29];
rich, used by Whieldon, [169]
Glazing, description of process, [51];
improvement by Booth, [232]
Glost oven, description of, [48], [51]
Godwin, Francis, Bishop of Hereford, [117]
Goethe, quoted, [259]
Gold lustre ware, [427]
Gonsales, Domingo, Voyage to Moon, [117]
Granite ware, [170];
Wedgwood, [228]
Greatbach, William, [166], [248]
Great Malvern, tiles from, [84]
Green (mark), Leeds ware, [289];
signature of, Liverpool tiles, [121]
Greens, Bingley & Co., [302]
Grenzhausen, stoneware of, [137]
Grès de Flandres ware, [137], [151]
Grey, Lord (earthenware flask), [465]
Greybeard jugs, [134]
Griffin as a mark (Rockingham), [311]
Grotesque design, in early Staffordshire ware, [160];
in English pottery, [208]
Growan stone, its use in cream ware, [237]
H
Hackwood, [280]
Hackwood, William, [248]
Hamilton, Sir William, [244], [259]
Hancock, John (lustre), [430]
Hancock, Robert, [329];
his "Tea Party," Worcester, [318]
Harding, [280]
Harley, [280]
Hartley, Greens & Co., [288]
Haynes, [79]
Haynes, George (Cambrian Pottery), [395]
Haynes, Dillwyn & Co., marks, [415]
Heath, [280];
prices, [284]
Heath family, Derby potters, [408]
Heath & Bagnall, [280]
Heath, Warburton & Co., [280]
Heathcote, C., & Co., mark, [480]
Herculaneum Pottery (Liverpool), [403];
marks, [417];
figures of, [77]
Hewitt, painter (Wood figures), [373]
Hicks & Meigh, [349]
Hicks, Meigh, & Johnson, [349]
Historical events, chronicled in earthenware, [333]
Hollins, Samuel, [269], [275], [280]
Hollins, T. & J., [281]; mark, [275];
prices, [482]
Howe, Earl, portrait of, [334]
Hudson River, American views (Clews), [349]
Humble & Green, [288]
Humour in pottery, [208]
Hylton Potteries, [300]
I
I. Dale, mark on figures, [381]
Identification of earthenware, [65];
Table, [66–79]
I. E. B. as a mark, Baddeley, [349]
Imitation of porcelain in earthenware, [273];
bronze busts (by Wedgwood), [229];
Chelsea and Derby figure of Falstaff [377];
Chinese pottery (at Leeds), [290];
Crown Derby, [443];
Japanese incised work (salt-glaze), [212];
Oriental porcelain styles, [196], [215];
Plymouth group by Staffordshire, [377];
silversmiths' work (by Elers), [195];
at Leeds, [294];
by Wedgwood, [196];
Wedgwood, [257], [265];
Wedgwood's Queen's ware at Swansea, [396]
Imitativeness of English potters, [196]
Imitativeness, black basalt ware, [274]
Incised decoration, salt glaze, [208]
"Indian Temple," J. W. R. (Ridgway), [479]
Ireson, Nathaniel, [125]
Ironstone china, [450];
definition of, [30];
prices, [482]
Isleworth pottery, [411];
marks, [418];
prices, [419]
"Italian Garden" (W. and B.), mark, [478]
J
Jackfield pottery, [305]; prices, [313]
Jacobite toasts, [215]
James II., Dwight bust of, [141]
Japanese decoration adopted in Staffordshire, [273]
Japanese incised work imitated, salt glaze, [212]
Jasper ware, definition of, [30];
Adams, [259–263];
Turner, [263–265];
Wedgwood, [240–249];
solid and dip, definition of, [247]
J. E. & S. as a mark, [477]
Jervaulx Abbey, tiles from, [84]
Jinkcuson, name on salt-glazed jug, [212]
Jonson, Ben, quoted, Bellarmine jugs, [134]
J. R. as a mark, Ridgway, [479]
J. W. R. as a mark, Ridgway, [479]
K
Keeling, A. and E., [281]
Kilns, the various, description of, [48]
L
L., Leeds mark, [289], [310]
Lakin, [281];
prices, [284]
Lakin & Poole, [281] (lustre ware), [433];
mark, [381];
prices, [284]
Landré, Mrs., figure designer (Wedgwood), [240]
Late Staffordshire ware, [443–483];
marks, [473]
Lambeth delft, [106–113];
summary of, [67];
prices, [129]
Lancastrian Pottery, [466]
Landscape subjects after Claude, in earthenware, [276]
Lead-glaze, definition of, [29];
early experiments, [174];
improvements in, [232]
Leeds ware, [287–301];
basket-work, [297];
best period of, [290];
decorated at Lowestoft, [301];
decorated at Yarmouth, [378];
figures, [76];
figures, prices, [385];
a fine collection of, [56];
fraudulent, [63];
marks, [289], [310];
prices, [312]
Leeds Pottery Co., [288]
Leeds Pottery (lustre), [436]
Lewes Priory, tiles from, [84]
Lion as a mark, [289], [311]
Littler, William, lead glaze, [232];
salt glaze, [207], [208]
Liverpool, fine collection of, [56];
(cream ware), [402–404];
figures, [77];
prices, [419];
(delft), [118–125];
prices, [130];
tiles, subjects of, [125]
Lockett, J. and J., [281]
Lockett, J., & Sons (lustre ware), [436]
London as a mark, [350]
Longton Hall, blue used on salt-glazed ware, [207]
Lovers' teapots, [208]
Lowesby Pottery, [400];
prices, [419]
Lowestoft, Leeds ware decorated at, [301]
L. P. (Leeds), mark, [288]
L. P., monogram, as a mark, [481]
Lustre ware, [423–439];
definition of, [30];
first use of lustre, [430];
marks, [430], [433], [435], [436], [439];
prices, [439];
summary of, 77, 78;
copper lustre, [435];
Wilson, [269], [282];
silver lustre as a decoration to figures, [377];
silver or platinum, [429–436];
silver, J. Aynsley, [279];
various classes of, [424]
M
M. as a mark (Minton), [450]
M. & Co. as a mark (Minton), [476]
M. & B. as a mark (Minton & Boyle), [476]
M. & N. as a mark (Mayer & Newbold), [281]
Malling jug (Tudor earthenware), [130]
Marbled ware, definition of, [30];
summary of, [70]
Marbling on early vases, [68]
Marks (see under special class of ware), their use and value, [30];
used fraudulently, [64]
Marseilles earthenware imitates Dresden models, [43]
Martin, Maria, of Red Barn, in earthenware, [482]
Mason (ironstone china), [450];
marks, [477];
prices, [482]
Mason, Miles, [349]
Masonic plates (J. Aynsley), [348]
Mary, Queen, portrait of, on jug, [137]
Mayer, E., lustre, [430];
prices, [284]
Mayer & Newbold, [281];
lustre ware, [436]
Mayer, E., & Son, [281]
Mayer, E. J., [281]
Mayer, Elijah, [151], [269], [274];
glazed black ware, [305]
Mayer & Elliott, [281]
Mediæval tiles, [83];
summary of, [66]
Meigh, [79]
Meigh, C., & Sons, [457];
lustre ware, [436]
Meir, F., [281]
Meir, John, [66]
Meissen, imitation of Wedgwood by, [247]
Metal imitated: Wedgwood, silver lustre, [229]
Metal designs copied at Leeds, [294]
Metal dies used by Elers, [195]
Metal stamps, used for ornament in earthenware, [142]
Metal workers, influence of, upon pottery: Elers, [195];
Wedgwood, [196]
Metropolitan slip ware, [95]
Meyer, Joseph (mark), [275]
Middlesbrough Pottery (mark), [350]
Milton, bust of (R. Wood), [369];
prices, [386]
Minton, [79];
marks, [476];
prices, [482];
(Thomas), [330], [348], [449];
(Herbert), [449]
Modern, earthenware when considered, [30]
Modern silver lustre teapots, [423]
Modern spirit, the beginning of the, [249]
Monglott, Swiss artist (Adams), [260]
Moore & Co. (Sunderland), [306]
Morley (Nottingham) (seventeenth century), [69]
Morley, Charles (Nottingham), [151]
Morley, John (of Nottingham), [146]
Morr & Smith, [281]
Mortlock as a mark, [305], [311]
Moseley, [281]
M. P. Co. as a mark (Middlesbro'), [350]
Museums where earthenware is exhibited, [56]
Musicians, earthenware figures of, [381]
Myatt, [281]
N
Namur, stoneware of, [137]
Napoleon, bust of, [374];
caricatures of [152], [337];
in lustre ware, [435];
in stoneware, [465]
Nash, Joseph, [66]
National character in early Staffordshire ware, [160]
National spirit in earthenware, [186]
Nautical subjects in earthenware, [334]
Neale & Co., figures, [370];
marks, [266]
Neale & Palmer marks, [266];
prices, [283]
Nelson jugs, [461]
Newcastle lustre, [428];
transfer-printing at, [330]
Newcastle ware, [306–310];
prices, [313]
New stone B B. (Minton), [476]
Nineteenth-century commemorative ware, [457]
Nineteenth-century developments, [78], [79]
Niderviller earthenware imitates Dresden models, [43]
Nottingham ware, early, [204];
summary of, [69];
prices, [155–156];
stoneware, [151–152]
O
Omar Khayyam quoted, [48]
Opaque china, [79], [446];
Haynes (Swansea), [399]
Opie, Amelia, quoted, [461]
"Orator Hunt" on late earthenware, [458]
Oriental decoration adopted in Staffordshire, [273];
designs at Leeds, [298];
styles imitated (Leeds), [290]
"Oriental ivory" as a mark (Powell & Bishop), [480]
Oven, description of, [31], [48], [51]
Over-glaze, definition of, [29];
printing, description of, [325]
P
P as a mark (Lancastrian Pottery), [481]
Palmer, Henry, [265];
marks, [266];
prices, [283]
P & B as a mark (Powell & Bishop), [480]
P. & U. (Poole & Unwin), lustre ware, [436]
Pardoe, Thomas, painter (Swansea), [399]
Parson and Clerk group, [365]
Paste, definition of, [31]
P. B. & Co. as a mark (Pindar, Bourne & Co.), [477]
Pearl ware (Wedgwood), [238]
Peasant pottery of nineteenth century, [381]
"Pelican in her Piety" (Toft dish), [95]
Pennington (Liverpool), [403];
marks, [417]
Pharmacy jars, [106];
(Lambeth), [113]
Phillips, J. (Hylton Pottery), [306]
Phillips (Longport), [281]
Phœnix as a mark (Clementson), [280]
Pilkington, Messrs., [466]
Plagiarists of Wedgwood, [257], [265]
Plaster of Paris moulds first introduced, [207]
Political events chronicled in earthenware, [333]
Poole & Unwin (lustre ware), [436]
Porcelain colours imitated in earthenware, [273]
Porcelain copied in earthenware, [43];
made by earthenware potters (Caughley), [407];
(Minton), [449];
(Rockingham), [305];
(Staffordshire), [444];
(Swansea), [399]
Portland Vase, [249]
Porto Bello Bowl, the, [147]
Portraits in earthenware: Bonaparte, [337], [435], [465];
Brougham, [465];
Cobbett, [465];
Duke of York, [321];
Grey, [465];
James II., bust, [141];
King of Prussia, [318];
Nelson, [461];
Prince Rupert, bust, [138];
Rousseau, bust, [240];
Washington, [338];
Wesley, bust, [374];
William III., [137];
Young Pretender (salt-glaze), [215]
Posset-pot inscribed "Wm. Simpson, 1685," [95]
Potter's wheel, the, [48]
Pountney & Allies (Bristol), [407]
Pountney & Co. (Bristol), [407]
Powell & Bishop (mark), [480]
Powell & Sons, Messrs. James, [231]
Pratt, [281]
Prices, hints concerning, [59];
dealers', [59]
Prince of Wales's Feathers as a mark, [480]
Prince Rupert, Dwight bust of, [138]
Printed ware, [317–350]
Printing on earthenware, at Leeds, [293];
over-glaze, description of, [325];
under-glaze, description of, [326]
Prussia, King of, mugs and jugs (Worcester), [318]
Puritan influence on earthenware, [95]
Q
Queen's ware (Wedgwood), [232]
Queen's ware, its decoration, [238], [239]
Quin as Falstaff, figure of, [374]
R
Railway mugs, [462]
Railway, Liverpool and Manchester, inscription on jug, [462]
Raren, stoneware of, [137]
Rathbone, Mr. Frederic (Wedgwood), [24], [25], [227]
R. B. & S., Leeds mark, [289], [310]
Reasons for collecting, [35]
Red Barn murder, in earthenware, [482]
Redrich & Jones, patent of, [170]
Red ware, Wedgwood, [230]
Reform days, commemorative ware, [465]
Reid, W. & Co., Liverpool, [403];
marks, [417]
Renaissance of Staffordshire, [165]
Resist pattern, definition of, [31]
"Resist" silver lustre, how made, [434]
Rhodes, salt-glaze enameller, Leeds, [211]
Ridgway, [79];
prices, [483]
Ridgway, J. & W., [349];
marks, [479]
Ridgway, Morley, Wear & Co., [454];
mark, [349]
Riley, [79], [281];
semi-china, [449]
Riley, J. & R., [349]
Ring, Joseph, Bristol, [404]
R. M. W. & Co. as a mark, [349]
Robinson, salt-glaze enameller (Leeds), [211]
Rockingham, [302];
prices, [313]
Rogers, [281]
Rogers, John, & Son (mark), [477]
Rous, Thomas, [138]
Rousseau, bust of, [240]
Royal portraits, on delft, [109];
on stoneware, [137];
on Toft ware, [91];
bust of James II., [141];
King of Prussia, [211], [318];
bust of Prince Rupert, [138];
Duke of York, [321]
Ruskin Pottery, mark, [481]
S
S as a mark, [408], [418]
"Sack" bottles, [106];
fraudulent, [60], [110]
Sadler & Green, [122]
Sadler Liverpool tiles, signature of, [121]
Saggers, definition of, [31];
description of, [48]
St. Alban's Abbey, tiles from, [84]
St. Anthony's as a mark, [306]
Salopian earthenware, [407];
prices, [419]
Salopian, earthenware figures, [77]
Salt, [281]
Salt, Ralph, figures of, [378];
School of, figures, [76]
Salt-glaze, definition of, [29];
description of process, [199]
Salt-glazed ware, [195–217];
classes of, [207];
coloured, fraudulent, [60];
defects of, [222];
figures, [74], [181];
prices, [216];
rivalry with early Staffordshire, [178];
summary of, [69]
S. & G. (mark), Isleworth, [411], [418]
Satire, earthenware the medium for political, [333]
S. B. & S. (mark), Leeds ware, [289], [311]
Scieux earthenware imitates Dresden models, [43]
Scott Brothers (Sunderland), [306]
"Scratched blue," salt glaze, [208]
Semi-china, definition of, [31]
Semi-porcelain, [446];
definition of, [31]
Sewell, [306]
Sewells & Donkin, [306]
Sèvres, imitation of Wedgwood by, [247]
Shakespeare, quoted (potter's wheel), [48];
willow pattern, [343]
Shaw (Liverpool), [403]
Shaw, Ralph, [148], [207]
Shaw, Robert, [66]
Shell forms used in earthenware, [238]
Ships as decoration on delft (Liverpool), [67]
Shore & Goulding, [411]
Shore, Joseph, [411]
Shorthose, [281]
Shorthose & Co., [348]
Shorthose & Heath, [282]
Siegburg, stoneware of, [137]
Silver designs, in earthenware, [195], [196], [229];
copied at Leeds, [294];
imitated (Hollins), [275]
Silversmith, influence of, upon earthenware (Elers), [195];
(Wedgwood), [196]
Silver lustre as a decoration to figures, [377]
Silver lustre ware, [429–436];
J. Aynsley, [279];
marked pieces, [430], [433];
prices, [439];
summary of, [78]
Simpson, Ralph, [95]
Simpson, William, [95];
petition of, [137]
Slip, definition of, [31], [47]
Slip ware, [87];
prices, [97];
summary of, [66]
Sneyd, [282]
Solid agate ware, [170];
Wedgwood, [228];
definition of, [27]
"Solid" jasper, definition of, [247]
Solon, Mr., quoted (mediæval tiles), [84]
Spode, Josiah (the first), [269], [330], [339];
Josiah (the second), [270], [348], [443];
marks, [474];
prices, [481]
Sporting subjects in earthenware, [269], [270], [338]
"Spur" marks, [298]; definition of, [31]
Squirrel pattern teapots, [212]
Staffordshire delft, prices, [129];
early ware, [161–192];
figures, [357–389];
figures, best period of, [362];
figures, decadent period of, [378];
potters ahead of the Continent, [177];
potters confined to earthenware, [237];
pottery, its renaissance, [165];
the transfer-printers of, [329]
Steam carriages, on earthenware, [462]
Steel, [282]
Steele, David, painter, [232]
Stevenson, A., [348]
Stevenson, W., [282]
Stockton-on-Tees potteries, [306]
Stone china, [79];
marks, [474–477]
Stoneware, [133–156];
definition of, [32], [40];
Lambeth (nineteenth century), [465];
prices, [152];
summary of, [68–70]
Stothard, Thomas, [248]
Stuart, stump work pictures, similarity to Toft ware, [91]
Stubbs, George, [248]
Stubbs, Joseph (mark), [349]
Sunderland School, figures of, [77]
Sunderland ware, [306–310];
lustre, [428];
Moore & Co., [306];
prices, [313];
transfer-printing, [330]
Surface agate ware, [169];
definition of, [27];
Wedgwood, [228]
Swansea, [395–400];
figures, [77];
marks, [415];
prices, [418];
transfer-printing at, [330]
Syntax, Dr., tour of (on earthenware), [280]
T
Tables, chief events of eighteenth century, [158];
dividing earthenware into classes, [55]
Tabor, William, [66]
Tassie, James, [248]
Templeton, Lady, [248]
Tennyson, quoted, [258]
Thrower, the, [48]
Thursfield, Maurice, [306]
Tiles, Bristol delft painted, [67], [114];
printed, [121];
mediæval, [83];
transfer-printed (Liverpool delft), [67]
Titles of Puritan books, strange, [95]
Toby, jugs, [366], [374]; fraudulent, [63]
Toft, John, name on teapot, [212]
Toft, Thomas, Toft, Ralph, [66]
Toft, ware, [88–95];
prices, [97];
summary of, [66]
Tomlinson & Co., [309]
Tortoiseshell ware, [170], [177];
summary of, [70];
Castleford, [302];
Castleford (D. D. & Co.), [174];
Liverpool, [174]
Transfer-printed ware, [317–350];
marks, [347–350];
prices, [350]
Transfer-printers, the Staffordshire, [329]
Transfer-printing, definition of, [32];
description of, [322];
in outline, [347];
its adoption in Staffordshire, [321];
at Battersea, [318];
at Caughley, [318];
at Derby [318];
at Leeds, [293];
at Liverpool, [318];
at Newcastle, [330];
in Staffordshire, [329];
at Sunderland, [330];
at Swansea, [330], [396];
at Worcester, [318]
Triangle as a mark (Powell & Bishop), [480]
Tudor jugs, [126];
prices, [130]
Turner, John (Lane End), [235], [263–265], [330];
marks, [348];
prices, [283]
Turner, Thomas (of Caughley), [270], [329], [339];
marks, [418]
Turner, William and John, [348]
Turnor, Ralph, [66]
Twentieth century collector, the, [466]
Twyford, early salt glaze, [204]
U
Under-glaze, definition of, [29]
Under-glaze printing, description of, [326]
V
Van Hamme (Lambeth), [67];
his patent (Delft), [106]
Variegated ware, [169–174];
summary of, [70];
"tesselated" style, [173];
Wedgwood, [228]
Vernon, Admiral, victory of Porto Bello, [334]
Verse on earthenware, [334], [337]
Vicar and Moses group, [362], [365];
fraudulent, [63]
Viellard & Cie (Bordeaux), [215]
Voltaire, bust of, [240]
Voyez, modeller, [265], [370]
W
W as a mark (lustre ware), [435];
(Myatt), [281]
Wainwright & Co. (Leeds), [288], [310]
Walton, [282];
(John), figures by, [378]
Walton School, figures of, [76]
Warburton, [222], [232], [282]
Warburton, Peter (lustre ware), [430], [435]
Warburton, Britton & Co. (Leeds), [288]
Washington, portraits of, [338]
W & B as a mark (W. Brownfield), [478]
W B as a mark, [478]
W B & S as a mark, [478]
Wedgwood, Aaron (lead glaze), [232]
Wedgwood, Josiah, as a potter, [227];
his views of Elers, [163];
influence of, [249];
gold lustre, [427];
under-glaze blue, [330];
Josiah the second, [348]
Wedgwood, Ralph, [348]
Wedgwood, Dr. Thomas, salt glaze, [207]
Wedgwood ware, [221–254];
figures, [370]; influence, the wane of the, [276];
marks, [251–253];
printed at Liverpool, [240];
prices, [253], [254];
school, [257];
figures of, [75];
old cream ware designs, revival of, [231]
Wedgwood & Co. (of Burslem), [348]
"Wedgwood & Co.," spurious mark, [309]
"Welsh" ware (Isleworth), [411]
Wesley, John, busts of, [374]
Wheel, the potter's, [48]
Whieldon (Thomas), [159–193];
prices, [187]
Whieldon School, figures of, [75]
Whieldon ware, definition of, [32];
prices, [187–192]
Whitefriars Glass Works, [231]
Whitfield, George, busts of, [374]
Wilcox, Mrs. (Etruscan ware), [248]
Wilkie's pictures on earthenware, [280]
William III., portrait of, on jug, [137]
Willow pattern at Caughley, [329];
at Leeds, [298];
at Swansea, [396];
Chinese original of, [339];
where first made in England, [329];
story of the, [340]
Wilson, [282];
(D. Wilson & Sons) marks, [269]
Wilson, Robert (marks of), [266]
Wincanton Delft, [125];
summary of, [68]
Wood (Aaron), salt-glazed basket-work, [212];
salt glaze, [207]
Wood, E., [282];
prices, [284]
Wood, Enoch, [373];
mug, [186];
(Turner jugs), [264];
use of bone ash, [444]
Wood, Enoch, & Sons, [282], [349]
Wood & Caldwell, [282], [373];
lustre, [430], [433]
Wood and Caldwell School, figures of, [75]
Wood family, the, Staffordshire figures, [362–370]
Wood, Ralph, [362];
prices, [284];
variegated ware, [173]
Wood School, figures of, [75]
Worcester, transfer-printing at, [318]
Workmen, trained, transferred to new factories (Liverpool), [403];
(Minton), [330];
(Shelton), [404];
(under-glaze blue printing), [329]
Worthington, Liverpool, [403]
Wright, John, [66]
Wrotham (Kent) ware, [87];
prices, [97];
summary of, [66]
W. S. & Co. (William Smith & Co.), [309]
Y
Yarmouth, Staffordshire figures decorated at, [378]
Young, W. W., painter (Swansea), [399]

UNWIN BROTHERS, LIMITED, THE GRESHAM PRESS, WOKING AND LONDON. FOOTNOTES:

[1] "Guide to English Pottery and Porcelain in the British Museum," R. L. Hobson.

[2] "Staffordshire Pots and Potteries," G. W. and F. A. Rhead.

[3] These have been recently arranged and catalogued by Mr. Frederic Rathbone.

[4] Compare this with the List of Marks on Transfer-printed Ware, [pp. 347–35].

[5] Compare this with the List of Marks of the School of Wedgwood, [pp. 279–282].

[6] See coloured Frontispiece.