It will be observed that in addition many of these potters made stoneware, following the Wedgwood influence.[5]
| William Adams (of Greengates) | 1787–1805 | Blue-printed under-glaze (marked Adams). |
| Benjamin Adams (of Greengates) | 1805–1820 | Blue-printed under-glaze (marked B. Adams). |
| William Adams & Sons (of Stoke) | 1804–1835 | Dark blue-printed under-glaze and black over-glaze (marked Adams). (Marked "Close & Co., late William Adams & Sons, Stoke on Trent"—after 1843.) |
| William Adams & Sons (of Burslem) | 1830–1840 | Black over-glazed printing. |
| Wedgwood (of Etruria) | 1795–1845 | Blue-printed ware introduced (The second shortly after the death of Josiah Wedgwood Wedgwood in 1795. Black transfer-printed period) views after 1830. |
| Wedgwood & Co (of Burslem) | 1790–1796 | Ralph Wedgwood. Black transfer-printing over-glaze. |
| Josiah Spode the Second (of Stoke) | 1798–1827 | Blue under-glaze printing of great variety. |
| Thomas Minton (of Stoke) | 1790–1836 | Blue under-glaze printing, Oriental and other patterns. |
| John Davenport (of Longport) | 1793–1834 | Under-glaze blue-printing (marked Davenport, Longport). |
| Henry and William Davenport | 1835–1869 | |
| John Turner (of Lane End) | 1762–1786 | Oriental patterns, under-glaze blue (impressed mark, Turner). |
| William & John Turner (sons of above) | 1786–1803 | |
| John Aynsley (of Lane End) | 1790–1826 | Masonic plates printed in outline over-glaze and coloured. |
| T. Fletcher & Co. (of Shelton) | 1786–1810 | Black transfer-printed sporting subjects, sometimes under-glaze. |
| Shorthose & Co. (of Hanley) | 1783–1802 | Red over-glaze printed fancy subjects. |
| Andrew Stevenson (of Cobridge) | 1810–1818 | Black over-glaze printing tinted in colours (marked A. Stevenson, with crown in circle). |
| Joseph Stubbs (of Longport) | 1798–1829 | Dark blue under-glaze printing (marked Joseph Stubbs in circle. Longport impressed). |
| James Clews (of Cobridge) | 1814–1836 | Black under-glaze after 1825. American views of Hudson River, &c. |
| John and Richard Riley (of Burslem) | 1820–1827 | Blue under-glaze printing. Picturesque views. |
| Miles Mason(of Lane Delph) | 1813–1851 | Rich blue under-glaze printing; Oriental subjects and birds. |
| Enoch Wood & Sons (of Burslem) | 1820–1846 | Deep blue under-glaze printing. |
| R. & J. Baddeley (of Shelton) | 1780–1806 | Transfer printing from the earliest date, both over-glaze and under-glaze. Marked I. E. B., or full names, or R. M. W. & Co. Deep dark blue under-glaze printing. "Beauties of America," and other views. |
| J. & E. Baddeley | ||
| Hicks & Meigh (of Shelton) | 1806–1820 | |
| Hicks, Meigh & Johnson (of Shelton) | 1820–1836 | |
| John and William Ridgway (of Shelton) | 1824–1836 | |
| Ridgway, Morley, Wear & Co. (of Shelton) | 1836–1854 | |
| Leeds | 1790–1878 | Over-glaze black printing (little practised), under-glaze blue, Oriental subjects (marked Leeds Pottery). |
| Don Pottery (near Doncaster) | 1790–1834 | Under-glaze blue, Oriental subjects (marked Don Pottery or Barker—the latter after 1834). |
| Liverpool (Herculaneum) | 1796–1841 | Deep under-glaze blue-printed; Oriental subjects (marked Herculaneum). |
| Swansea (Cambrian Pottery) | 1802–1870 | Under-glaze blue-printing and over-glaze, black and brown printing (marked Dillwyn & Co.). (See group illustrated, [p. 397].) |
| Derby (Cockpit Hill Factory) | 1780–1785 | Over-glaze black printing of figure subjects (marked Derby Pot Works). |
| Caughley (Salopian) | 1780–1799 | Under the management of Thomas Turner. Dark blue under-glaze printing; Oriental subjects (marked in blue C). |
| Sunderland and Newcastle | 1790–1850 | Black transfer-printed mugs and jugs of crude decoration. Various firms. Sunderland.—Scott Brothers, Brunton & Co., Moore & Co. (1803), Phillips. Newcastle.—Dixon, Austin, & Co., Dawson & Co., Fell & Co. (1817), marked with F and anchor, Sewells & Donkin. |
| Middlesborough Pottery (Yorkshire) | 1831–1850 | Blue-printed ware (marked with impressed anchor and Middlesbro'Pottery, or with the word London and anchor, about 1848, or M.P. Co). |
PRICES—TRANSFER-PRINTED WARE.
| £ | s. | d. | |
| Transfer-printed Jug with ship on one side and mariner's compass on reverse; another Jug with Sailor and his Lass. Sotheby, November, 1904 | 1 | 18 | 0 |
| Transfer-printed Jug with portrait of Lord Nelson on one side, and plan of Battle of Trafalgar on reverse. Sotheby, November, 1904 | 3 | 15 | 0 |
| Transfer-printed Jug with "Britannia weeping over the ashes of Her Matchless Hero, Lord Nelson," and a sailing ship on reverse, with motto "Success to Trade." Sotheby, November, 1904 | 3 | 8 | 0 |
| Transfer-printed Jug with Subject relating to the Independence of America; rare. Sotheby, November, 1904 | 3 | 3 | 0 |
| Twelve Plates, transfer-printed, with farmyard scenes in blue, and large dish similar. Sotheby, May, 1907 | 1 | 10 | 0 |
STAFFORDSHIRE FIGURE, SALT-GLAZED.
Touched in parts with blue. (Height 5⅛ inches.)
(In the collection of Mr. Robert Bruce Wallis.)
STAFFORDSHIRE EARTHENWARE FIGURE OF COCK.
Tail feathers enamelled in dark blue. (Height 8 inches.) Marked R Wood.
(In the collection of Mr. Robert Bruce Wallis.)