Associated with Boule is Jean Bérain, who had a fondness for the Italian style; his designs are more symmetrically correct, both in ornamental detail and in architectural proportion. His conceptions are remarkable for their fanciful elaboration, and their wealth of profuse scrollwork. In the French national collections at the Louvre, at Versailles, and elsewhere there are many beautiful examples of his chandeliers of magnificent carved and gilded work. The freedom of the spiral arms and complex coils he introduced into his candelabra have never been equalled as harmonious portions of a grandly conceived scheme of magnificent interior decoration, to which, in the days of Louis XIV., so much artistic talent was devoted.
BOULE CABINET, OR ARMOIRE.
Valued at nearly £15,000.
Jones Bequest.
(Victoria and Albert Museum.)
With regard to the value of some of the specimens in the national collections, it is difficult to form an estimate. The Boule cabinet, probably designed by Bérain, executed by Boule for Louis XIV. (illustrated p. [165]) would, if put up for sale at Christie's, probably fetch £15,000. This piece is held to be grander in style than any in the galleries in France. At the Wallace Collection there are examples which would bring fabulous sums if sold. A cabinet by Boule, in the Jones Bequest, purchased by Mr. Jones for £3,000 in 1881, is now worth three times that sum.
Upon the building, decorating, and furnishing of Versailles Louis XIV. spent over five hundred million francs, in addition to which there was the army of workmen liable to statute labour. Some twenty thousand men and six thousand horses were employed in 1684 at the different parts of the château and park. In May, 1685, there were no less than thirty-six thousand employed.
The illustrious craftsmen who were employed upon the magnificent artistic interior decorations have transmitted their names to posterity. Bérain, Lepautre, Henri de Gissey, are the best known of the designers. Among the painters are the names of Audran, Baptiste, Jouvenet, Mignard, and the best known of the sculptors are Coustou and Van Clève. Of the woodcarvers, metal-chasers, locksmiths, and gilders Pierre Taupin, Ambroise Duval, Delobel, and Goy are names of specialists in their own craft who transformed Versailles from a royal hunting-box into one of the most splendid palaces in Europe.
RECENT SALE PRICES.[1]
| £ | s. | d. | |
| Commode, Louis XIV., of inlaid king-wood, with two drawers, mounted with handles and masks at the corners of chased ormolu, and surmounted by a fleur violette marble slab, 52 in. wide. Christie, January 22, 1904 | 31 | 10 | 0 |
| Show-cabinet, of Louis XIV. design, inlaid king-wood, with glazed folding doors, ormolu mounts, chased and surmounted by vases, 73 in. high, 46 in. wide. Christie, April 12, 1904 | 30 | 9 | 0 |
| Casket, Louis XIV., black Boule, inlaid with Cupids, vases of flowers and scrolls, and fitted with four tortoiseshell and gold picqué shell-shaped snuff boxes. Christie, April 19, 1904 | 73 | 10 | 0 |
| Commode, Louis XIV., Boule, of sarcophagus form, containing two drawers, at either corners are detached cabriole legs, the various panels are inlaid with brass and tortoiseshell, the whole is mounted with ormolu, surmounted by a slab of veined marble, 49 in. wide. Christie, May 27, 1904 | 57 | 15 | 0 |
[1] By the kindness of the proprietors of the Connoisseur, these items are reproduced from their useful monthly publication, Auction Sale Prices.