(At the Victoria and Albert Museum.)
(Reproduced by permission of the Board of Education.)
It is natural therefore that the Sheffield silver workers saw in the Irish dish ring a design worthy of imitation; and imitate it they did. In consequence a great number of plated replicas were exported to Ireland. They have an interest, and the example illustrated (p. [175]) shows the class of work the Sheffield craftsmen turned out in emulation of their Irish silver prototypes. It is an ordinary pierced design embellished with festoons. Some of the Sheffield examples were finely pierced and chased in a manner no less perfect than the same class of work one finds on the sugar pails, the mustard pots, and the salt cellars of the best period. The Butter Dish illustrated (p. [175]) fully exemplifies this type of work at its best. It is oval and finely pierced with an unusual design giving in silhouette the effect of diaper ornament. It is on four ball and claw feet, and the lid is chased and is surmounted by a pineapple. The handles are twisted. These vessels, like the others enumerated above with pierced work, are furnished with blue glass liners, and these collectors are fortunate who find bargains with the original glass liners.
Inkstands and Taper Holders.—The old Sheffield plated inkstand is beloved by collectors. The oval tray was always an elegant piece of work, either pierced with fine running design over an extended surface as border top and bottom and often chased with medallions. The three examples illustrated (p. [179]) are from an eighteenth century Pattern Book issued in 1792 by Messrs. J. Parsons & Co. of Sheffield. Written in ink on the first page for information of continental buyers is "Jn. Green escompte 30%." Green was one of the partners of the firm. This little book in paper covers has no less than eighty-four copper plate engravings, and for the delectation of the later collector the prices are written in ink throughout. The prices of the examples illustrated are "21s. Each" the two top ones, and "30s. Each" the lower example.
It will be seen that the latter has three pots. The pounce pot was always a necessary portion to the old inkstand, being used as a sifter in the days before blotting paper was invented. Fine sand was dusted over the writing. It would appear that the pounce pot with its perforated lid is on the left in all the three examples. The centre pot in the lowest inkstand was additional, though not as one might at first assume for a different coloured ink as the lid has not the same cover as those for ink with a tiny hole in centre. It was apparently a receptacle for some of the appurtenances of the writing table, certainly not pens, for steel nibs were not then invented, and every one wrote with a quill pen which he could sharpen with a penknife. Nowadays the art of cutting a quill by hand is one of the lost arts.
DESIGNS OF OLD SHEFFIELD PLATED TAPER HOLDERS.
From Pattern Book issued by R. C. & Co. (Robert Cadman & Co.) about 1797 to Continental markets. The book contains 70 whole-page copper plate illustrations, and some of the descriptions are in French as well as English. The above Holders are priced at 17s., 24s., and 14s.
(At the Victoria and Albert Museum.)
(Reproduced by permission of the Board of Education.)