Chats on Old Sheffield Plate - Arthur Hayden - Page №85
Chats on Old Sheffield Plate
Arthur Hayden
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  • Marks—
    on French cabinet work, [237]
    on porcelain, [232]
    on Sheffield plate, [62], [63], [231];(illustrated), [286-293]
    (Sheffield plate) fear of platers to stamp any, [64], [67]
    on Sheffield plate resembling silver marks, [62], [63]
    on silver, position of, [273]
  • Melting down of old Sheffield plate, [253]
  • Mignard fabricates a Guido picture, [20]
  • Missionary-fostered art, [26]
  • Mustard pot, the, [148]
  • Newcastle-upon-Tyne—
    hall marks on silver plate, [277]
    silversmiths at, [278]
  • Nottingham, silver plated ware made at, [68]
  • Nozzles, removable, their indication of date, [96]
  • Old masters, drawings of, copied by David Allan, [21]
  • Old masters, prints of, simulated by Goltzins, [20]
  • Original silver plate design copied by platers, [143]
  • Ornament—
    spiral, its abuse, [106]
    useless, failure of, [110]
  • Parliamentary Committee on conduct of assay offices (1773), [63]
  • Parsons and Co., Pattern Book, [181]
  • Patch boxes, Sheffield plated, [54]
  • Pattern Books, eighteenth century, silver platers', [74], [86], [89], [139]
  • Penalties—
    counterfeiting Duty Mark (1815) punishable by death, [48]
    for fraud in old plate, [36], [62], [63]
    for wrongly stamping Sheffield plate, [67]
  • Petition of the buckle makers, the, [264]
  • Pinchbeck, Christopher, and his imitations, [54]
  • Pipe lighter—
    Sheffield plate, [241]
    illustrated, [239]
  • Pitt, epigrams by Porson on, [189]
  • Plating, silver—
    early, [35]
    pre-fusion period, [35], [39]
    process described, [58]
    used fraudulently, [35]
  • Pompeii, influence of art of, [116]
  • Poor relations and their foibles, [136]
  • Porcelain factories, Derby and Worcester, origin of, [49]
  • Potato rings, Sheffield plated, [177]
  • Potters, copy of silversmiths' designs by, [28], [31]
  • Pottery, French, supplants silver plate, [24]
  • Pounce pot, the, and its use, [182]
  • Prince of Wales's feathers used in design, [153]
  • Process of Sheffield silver plating described, [58]
  • Rise in value of old Sheffield plate, [269]
  • Romney picture of Serena (Miss Sneyd), [119]
  • Ruskin and copies of Turner drawings, [22]
  • "Salt, below the," its meaning, [136]
  • Salt cellar, the, [135]
    the new style, [147]
  • Sauce boats, old silver, London makers of, [274]
  • Scott, Sir Walter, his introduction of gas at Abbotsford, [116]
  • Scottish hall marks on silver plate, [281]
  • Seams a test of genuineness in Sheffield plate, [293]
  • Sevrès porcelain makers' marks, [232]
  • Shakespeare neglected by Addison and Steele, [51]
    revival of study of, [50]
  • Sheffield—
    Assay Office, institution of, [40], [41]
    hall marks on silver plate, [277]
    origin of silver plating at, [39]
  • Sheffield plate—
    old, destruction of, [253]
    wonderful technique of, [161]
  • Sheffield platers—
    as to their originality, [143]
    deterred from placing any marks, [64], [67]
  • Sheffield silver plate, makers of, eighteenth century, [278]
  • Sheffield, silver plating process described, [58]
  • Silver—
    duties in eighteenth and nineteenth centuries, [48]
    price of, in eighteenth century, [47]
    lustre ware imitates silver plate, [35]
    marks, simulation of, by marks on Sheffield plate, [62], [63]
    plate designs copied by platers, [143]
    plate made at Sheffield assayed in London, [63]
    plate, value of hall marks on, [274]
    plating at Sheffield, origin of, [39]
    plating by fusion, its invention, [45]
    plating, early, [35]
    plating, the great period, [73]
  • Silversmiths—
    copy of potters' designs by, [28], [31]
    list of late eighteenth century, [77]
    (London) who influenced Sheffield platers, [274]
  • Simulation in art, [25], [28]
  • Smith, J. R., engraving of Serena after Romney, [119]
  • Spiral forms in candelabra, [100]
  • Spectator, advertisement in (1712), [140]
  • Spurious candelabra and their errors, [95]
  • Steele, Richard, omits Shakespeare from list of great poets, [51]
  • Steel toys, the, of Sheffield, [140]
  • Sugar basin, the, [210]
    basins, old silver, London makers of, [274]
  • Supper table, the, [238]
  • Taper holders, [181]
  • Tea and coffee sets, [201]
  • Tea caddies and their makers, [196]
  • Tea kettles, [205]
  • Teapots, [189]
    old silver, London makers of, [274]
  • Tea urn, the, [202]
  • Technique, wonderful, of Sheffield plate, [161]
  • Tinder boxes, Sheffield plated, [286]
  • Toasted cheese dishes, old silver, London makers of, [274]
  • Trencher salts, their use, [147]
  • Tureens—
    old silver, London makers of, [274]
    soup, [220]
  • Turner drawings, facsimiles of, [22]
  • Tutenag, an alloy of antimony and zinc, [267]
  • Urn, the tea, [202]
  • Utility the true test of ornament, [110]
  • Value of old Sheffield plate, [269]
  • Ward, his replicas of Turner drawings, [22]
  • Wedgwood, Josiah—
    shell-forms, adoption of, [31]
    carved wood models, use of, [31]
    indebted to metal-workers of Sheffield, [32]
  • White metals, German silver, etc., [267]
  • Wine coolers, old silver, London makers of, [274]
  • Wine labels, Sheffield plated, [53]
  • Wood engraving, decadence of, [41]
  • Worcester china, workmen's marks on, [289]