INDEX
INDEX
- A as a mark, Copenhagen faience, [330]
- Abildgaard, [107]
- A.H. as a mark, [102]
- Aluminia Company buys factory (in 1883), [205]
- Aluminia mark on Art faience, [330]
- Andersen, Hans, Princess and Swineherd, Tinder Box, figures illustrating, [269], [284]
- Animal life, study of, at Copenhagen, [270], [339]
- Antonibon, Pasqual, potter at Venice, [24]
- Arentz, Johan, [109]
- Arnoux, Report on Pottery at Paris Exhibition (1867), [24]
- Art Faience, Copenhagen, [307]-[330]
- B and G (as a mark), [283]
- Bargains in porcelain, a regiment of dragoons exchanged for collection of porcelain, [32]
- Battle of Copenhagen, [179]
- Bowl commemorating, [184]
- Bau, N., [109]
- Baÿer, J. C., the painter of the Flora Danica service, [105]
- Signature of, [103]
- Berlin factory founded by Frederick the Great, [32]
- Bing, M., collection of Oriental art at Paris, [215]
- Bing and Gröndahl, Messrs., the factory of, at Copenhagen, [283]
- Bird life, strongly represented in figures and painted work, [270], [339]
- Biscuit figures, a high test of ceramic art, [266]
- Biscuit figures of great size (Sèvres porcelain) (1900), [224]
- Blue-and-white, early, underglaze painted, [157]-[76]
- Painters of, [104], [110]
- Table of marks, [174]-[6]
- Boisgelin, Count Louis de, visits Copenhagen factory (1790), [76], [109]
- his report quoted, [76]-[84], [150], [151]
- Bornholm clay used at early period, [63], [78], [165]
- Botanical character of Copenhagen, decoration in Flora Danica service, [148]
- Böttger, Johann Fredrich, his discovery of hard porcelain, [22], [29]
- his secret divulged throughout Europe, [30], [35]
- Bowl in memory of Battle of Copenhagen, [184]
- Brandstrup, gilding by, [195]
- Brongniart discontinues making pâte tendre at Sèvres, [24]
- Bushell, Stephen W., "Chinese Art," quoted, [23]
- C7 (incised) as a mark, illustrated, [104]
- Cadewitz, Martin, [107]
- Camrath, Johan, junior, [110]
- senior, [108]
- Caroline Matilda (Queen of Denmark), her tragic history, [47]
- Catherine II, Empress of Russia; her friendship with contemporary philosophers and scientists, [142]
- Establishes a French theatre at St. Petersburg, [142]
- Letter of Voltaire to, [143]
- Great services made for— Flora Danica, [139]
- Sèvres, [139]
- Wedgwood, [140]
- Characteristics of modern Copenhagen porcelain, [230], [233]
- Charles XV of Sweden, present of Fournier Copenhagen service to, [39]
- Child-life a feature in Copenhagen modelling, [274]
- "Chinese Art," by Stephen W. Bushell, quoted, [23]
- Chinese conventional underglaze blue-painted types, [233], [238]
- Crackled glazes, [292]
- Flambé glazes, [291]
- Influence on Copenhagen at the outset of the modern period, [211]
- Potter, the poetry of the, [95], [245]
- Prototypes in underglaze painted porcelain, [233]
- Subjects at Copenhagen, rare, [125]
- Christian VII (of Denmark), the court of, [43]-[52]
- Chronology (Queen Juliane Marie period) (1732-1780), [42]
- Chronology (1780-1820), [74]
- Classic movement the, in Europe, [191]
- Classic ornament, avoidance of, in modern Copenhagen porcelain, [234]
- used in Copenhagen decadent period, [196]
- Clement, chemist at Copenhagen factory, produces first crystalline glaze in 1886, [219]
- Clio, Hans, signature of, [101], [106]
- Colour, combinations of rich, in Copenhagen art faience, [325]
- Colours of underglaze painting, their limitation, [236], [268]
- Colours invented by Müller, [64], [78]
- Commemorative placques, [230], [243]
- Commonplace development of underglaze painting avoided at Copenhagen, [234]
- Contemporary criticism of Copenhagen factory (1790), quoted, [76]
- Copenhagen Art Faience, [309]-[31]
- Copenhagen factory compared with Meissen, [77]-[80], [126]
- Copenhagen Factory Mark, its origin and symbolic meaning, [56]
- Copenhagen porcelain, early (soft-paste), [37]
- Copenhagen porcelain, characteristics of modern style, [230], [233]
- Copyists of modern Copenhagen porcelain, [229], [295]
- Costume subjects, weakness of, in china, [266]
- Costume subjects, respective claims of overglaze and underglaze painting, [268]
- Costume subjects. Meissen vitiates Europe, [126]
- Costume subjects in Meissen and Chelsea manner avoided at Copenhagen, [126], [129], [277]
- Court scandal. Coup d'état of Crown Prince Frederik, [48]
- Court scandal. The story of Queen Caroline Matilda, [47]
- Crackled glazes, [292], [301]
- Crown, use of, as a mark, [262]
- Crystalline glazes, [289]-[303]
- Crystalline glazes invented by Hr. Clement in 1886, the chemist at the Copenhagen factory, [219]
- Dalgas, Frederik, his activity in upholding the traditions of the factory, [313]
- his development of the Art Faience, [313]
- Dannemand, Countess, presents a service of Copenhagen porcelain to Charles XV of Sweden, [39]
- Danish and Japanese ceramic art compared, [247]
- Danish heroes of the Battle of Copenhagen, [184]
- "Danish" pattern, the, in blue and white, [159]
- Dish, illustrated, [169]
- Plate, illustrated, [249]
- Decadence, the, at Copenhagen factory (1820-1880), [177]-[97]
- Decoration, fitting, a true test of high ceramic art, [238]
- Defects in firing in porcelain corrected by the painter, [265]
- Delft and its origin, [309]
- Denmark the arena of European conflicts, art impulses extinguished, [179]
- Denmark, the first porcelain made in, [35]
- Derby porcelain peacock compared with Copenhagen model, [288]
- Diderot and Catherine II of Russia, [142]
- Diversity of designs, Müller period, [81]
- Dutch potters' imitation of Chinese porcelain, [309]
- Eckersberg, Danish painter, [197]
- Eighteenth century, outburst of enthusiasm for art of potter, [28]
- Empire style, the so-called, [191]
- Encyclopædia Britannica (1911), article on Ceramics (re Copenhagen) quoted, [282]
- Engelhardt, Hr. V., chemist at Copenhagen factory, his crystalline glazes, [223], [296]
- English factories, soft-paste, list of, [27]
- Hard paste, [27]
- English factories, slavish imitation of Oriental models and marks, [11], [281]
- The short duration of the old, [202]
- English factories, soft paste mainly produced at, [27]
- English porcelain, its peculiar technique, [310]
- English potters, clever technique of, [27]
- Europe, establishment of china factories in, [21]
- Secret of hard paste discovered, [29]
- European ceramic art, a new note added by Copenhagen, [216]
- European factories, hard-paste, origin of, [30]
- F painted in forget-me-nots, [99]
- F5, mark Fournier period, [36]
- Factory marks, European, with royal and patrician cyphers, [28]
- Factory Mark, not used from 1773-1775 at Copenhagen, [42], [56]
- Factory Mark (Copenhagen), origin and meaning of the three blue lines, [56]
- Factory, the old, closed down for want of fuel, [135]
- Factory, the Royal Copenhagen, to-day, [333]-[45]
- Art Faience and its future, [330]
- Dalgas, Frederik, the modern spirit of, the artistic distinction achieved under his direction, [313]
- Facilities for study of plant and animal life, [339]
- Its artistic environment, [339]
- Its modern equipment, its hygienic improvements, [340]
- The studios (illustrated), [341]
- Faience, Copenhagen Art, [309]-[31]
- Faience, its technique, [321]
- Falck, A., buys factory in 1867, [196]
- Figure Subjects, early production of, at Copenhagen, [71]
- National character of, [126], [274]
- Figure Subjects and Groups (1780-1820), [111]-[36]
- Classification of, [122]
- Renaissance period, [263]-[88]
- Figure Subjects, Thorvaldsen period, [196]
- Fischer, Admiral, bowl in memory of, [184]
- Fish modelled from nature, [273]
- Flambé glazes of Chinese potters, [291]
- Flora Danica service, the, [137]-[56]
- Painters and modellers of, [105], [106], [108], [144], [155], [156]
- Flora Russica, by Dr. P. S. Pallas, German naturalist, [153]
- Florence, imitative porcelain made at, [23]
- Foreign porcelain prohibited in Denmark, [114]
- Foreign workmen and artists at Copenhagen—
- Baÿer, [83]
- Cadewitz, [83]
- from Meissen, [59]
- Luplau, [60], [83], [121], [122]
- Thomaschefsky, [83]
- Form versus Colour, [265], [266]
- Formal landscape, the, supplanted by modern Copenhagen, [234]
- Fortia, de, Count Alphonse, his volume, [76]
- Fournier, Louis, French potter at Copenhagen, [36]
- Fournier, Louis, and his period (1760-1766), [35]-[9]
- Mark used by, [36]
- Frederick the Great carries off Meissen workmen to Berlin, [32]
- Frederick the Great founds the Berlin factory, [32]
- his ruse to stimulate interest in porcelain, [32]
- Frederik V of Denmark, Sèvres service a present from Louis XV, [38]
- Frederik V establishes a factory at Copenhagen, [35]
- Frederik VI, his early training, [141]
- Orders the Flora Danica to be made, [140]
- Frederiksborg Castle, vases at, [125]
- Fürstenberg, artist from, at Copenhagen, [71]
- Fürstenberg, mark of, mistaken for early Copenhagen porcelain, [36]
- Future triumphs, the supernatural yet unplumbed, [253]
- Garmein, painter (1820-1825), [195]
- Garnier, M. Edouard (of Sèvres Museum), quoted, [220], [223]
- Genius independent of modern science, [67], [91]
- George III demands release of his sister on pain of war being declared, [51]
- Gilding of exquisite quality at Copenhagen, [91]
- Ginger jar, the Chinese, of commerce, its beauty, [237]
- Glaze—
- Overglaze decoration, [233]
- Underglaze decoration, [214], [224], [236], [268]
- Glazes—
- Chinese crackled, [292]
- Chinese flambé, [291]
- Crystalline (Copenhagen), [295]
- Transmutation, [291], [301]
- Gray, Thomas, student of nature, [153]
- The first note of love of nature in English literature in his "Letters," [153]
- Grimm and Catherine II of Russia, [142]
- Gubbio, ruby lustre glaze of, [318]
- Hald, Andreas, [109]
- Signature of, [102]
- Hamilton, Lady, Nelson's letters to, [187]
- Hamlet, quoted, [192]
- Hansen, Lars, painter, [106]
- Hard paste—
- first made at Meissen, [22], [29]
- Plymouth, Bristol, and New Hall, [27]
- Sèvres, manufacture of, at, [24]
- Heraldic placques designed by Arnold Krog, [230], [243]
- Hetch, G., Director of Copenhagen factory, [191]
- Highest work of Copenhagen, an attempt to indicate, [230], [233]
- Hispano-Moresque ware, [318]
- HM (incised) as a mark, illustrated, [104]
- Holm (Privy Chancellor to Queen Juliane Marie), encourages Müller, [55]
- Holm (potter), signature of, [103]
- Holmskjold, the botanist, director of Copenhagen factory, [144]
- Höyen, his lecture on the natural Scandinavian art, [196]
- I as a mark, [195]
- I. Holm, [103], [107]
- Imitativeness of European potters, [11], [215], [281], [309], [314]
- Imitators of modern Copenhagen porcelain, [229], [281]
- Initials on Copenhagen porcelain (F), [99]
- Inscription on Chinese vase, [95]
- Copenhagen (bowl), [184]
- (cup), [69], [99]
- (plate), [87]
- (cup and saucer), [99]
- Staffordshire pottery, [96]
- Italian Majolica, old masters of, [317]
- J (mark of Jensen), [195]
- Jacobsen, quoted, [251]
- Japanese and Danish ceramic art compared, [247]
- Japanese imitations of Copenhagen porcelain, [247], [281]
- Japanese influence in Copenhagen at outset of modern period, [235]
- Japanese ivory carver, his technique, [267], [329]
- Jensen, mark of, [195]
- Jews compelled by Frederick the Great to buy porcelain, [32]
- Joachim, Christian, his art faience, [322], [325]
- JS (incised) as a mark, [103]
- Juliane Marie, Dowager Queen, patron of Müller, [55]
- Part of, in overthrow of Struensee, [48]
- Juliane Marie porcelain period—
- Part I (1775-1780), [41]-[71]
- Part II (1780-1796), [73]-[110]
- Excellence of modelling an ideal for modern work, [268]
- Juliane Marie style revived, [233]
- K (incised) as a mark, [175]
- Kalleberg, G., the designer of fine subjects, [107], [118]
- Kändler of Meissen and his style, [126]
- Kaolin, definition of, [22]
- Keith, Sir Robert Murray, British Minister at Copenhagen, [51]
- Krog, Arnold, Art Director at Royal Copenhagen Factory (from 1885), [210]
- his artistic impulses, [213]
- his development of new style in underglaze painting, [214]
- Traditional ornament discarded, [234]
- Nature, the source of inspiration, [215]
- Signatures of, [255]
- Kronborg, Castle of, painted on a cup, [192]
- Kroyer, Danish painter, [197]
- L as a mark (incised), [175]
- (painted), [195]
- Landscape subjects painted in underglaze colours, [237]
- Lead glaze not used at Copenhagen, [340]
- Lead-poisoning, no cases at Copenhagen, [340]
- Lehmann, Peter Heinrich Benjamin,107
- Signature of, [101]
- Living schools of decorative art, [345]
- Lost arts, the technique of genius, [91]
- Louis XV sends a Sèvres service to Frederik V of Denmark, [38]
- Ludwigsberg factory, [31]
- Lunbye, Johan Thomas, Danish painter, [197]
- Luplau, comes to Copenhagen from Fürstenberg factory, [71], [105]
- his limitations, [117]
- Signature of, [101]
- Lyngbe, L., mark of, [195]
- M (incised) as a mark, [104]
- Madsen, Professor Karl, quoted, [105]
- Majolica, old masters of, [317]
- Mark not used at Copenhagen (1773-1775), [104]
- Marks (continental) with royal and patrician cyphers, [28]
- (Copenhagen) art faience, [330]
- Early blue-and-white porcelain, [174]-[6]
- Fournier period (illustrated), [36]
- Müller period (1775-1801), [100]-[4]
- Peculiarities in position of (blue-and-white porcelain), [171]
- Renaissance period, used by leading painters and modellers (from 1885), [255]-[62]
- Similarity between early Copenhagen and Fürstenberg, [36]
- Three blue lines, origin of the, [56]
- (English) imitation of Oriental, Sèvres, and Meissen, [11], [281]
- Mason's ironstone china, [310]
- Meehl, Hans, mark of, [104]
- Meissen—
- Establishment of factory at, [29]
- Figure subjects of, compared with Copenhagen, [77], [126]
- Marks copied by English potters, [11], [281]
- Porcelain, authoritative history of, [29]
- Secret of, divulged and spread throughout Europe, [30]
- Workmen and materials carried off by Frederick the Great to Berlin, [32]
- Workmen at Copenhagen, [59]
- Mehlhorn, a potter from Saxony, comes to Copenhagen, [36]
- Meyer, Elias, [109]
- Panel painted by, [97]
- Meyer, M., [109]
- MII (incised) as a mark, [174]
- ML (incised) as a mark, [174]
- Modellers and painters, Müller period (1773-1801), list of, [105]-[10]
- Modellers' and Painters' Marks (early blue-and-white), [174]-[6]
- (Renaissance period), [255]-[62]
- Modern ephemeral art movements unheeded at Copenhagen, [248]
- Modern equipment of Copenhagen factory, [340]
- Modern Renaissance at Copenhagen—
- Crystalline glazes, [289]-[303]
- Early days, [201]-[19]
- Figure subjects, [263]-[88]
- Golden period, [219]-[54]
- Moltke, Count, of Bregentved, Fournier porcelain in collection of (illustrated), [33]
- Moore, Mr. Bernard, his examples of glazing, [292]
- Moorish potters, arabesque designs of, [318]
- Müller, Frantz Heinrich (1773-1801)—
- Discontent and misery contemporary with establishment of his factory, [39], [48]
- his secret mission to other factories, [52], [84]
- Portrait of, [41]
- Range of his subjects and order of their production, [68]
- Recognition of, in his lifetime, [64]
- Scurvy treatment of, at factory, [80], [83]
- Statue of him that was never erected, [64]
- Successors of (1820-1880), [177]-[97]
- Technique of, [63], [64]
- Müller period, the, culminating point of, [71]
- Mussel-blue painted, the great service, [172]
- Mussel-blue painted, underglaze, the suggestive idea of modern developments, [234]
- Napoleonic wars, [202]
- National character of early Copenhagen porcelain, [130]
- of Japanese ceramic art, [247]
- National Museum (Stockholm), Copenhagen porcelain at, [38], [69], [115], [119]
- National sentiment in Müller's designs, [95]
- in modern Copenhagen porcelain, [235], [246]
- National style created at Copenhagen, [84]
- Nature, Danish, reflected in modern Copenhagen porcelain, [252], [253], [339]
- Nature-study a dominant note at Copenhagen, [150], [339]
- Nelson, Admiral Lord—
- Letters to Lady Hamilton, [187]
- sends Copenhagen porcelain to Lady Hamilton, [188]
- Nicolaj, Christian Faxoe, [108]
- Numerals (1-7), painters' marks on early blue-and-white, [176]
- Nymphenberg factory, [30]
- Oeder, the originator of the Flora Danica, [149]
- Old Copenhagen Factory described by contemporary eye-witnesses (1790), [76]-[84], [154]
- Omar Khayyám, quoted, [96]
- Ondrup (1779-1787), signature of, [102]
- Oriental prototypes of European porcelain, [215], [237], [281], [309]
- Originality at Copenhagen factory, its avoidance of ephemeral art movements, [248]
- of stereotyped styles, [234]
- Outburst of activity in 1780, [75], [113]
- Overglaze decoration, modern revival of old Copenhagen forms, [229]
- Overglaze painters, Müller period, [105]-[10]
- Painters, Müller period (1773-1818), list of, [105]-[10]
- Painters' and Modellers' Marks (early blue-and-white), [174]-[6]
- Painters, underglaze, early blue-and-white, [106], [110]
- Pallas, Dr. P. S., the protégé of Catherine II of Russia, [153]
- Paris Exhibition (1889), success of Copenhagen porcelain at, [220]
- (1900), [223]
- Pâte dure porcelain of Meissen and allied schools, [22]
- Pâte tendre porcelain of Sèvres and allied schools, [22], [24]
- Peasant life a feature in Copenhagen figures, [273]
- Peasant types and contemporary character in figure subjects, [130], [273]
- Peacock, figure of (Copenhagen), compared with Derby porcelain model, [287]
- Peculiarities in marks (blue-and-white), [171]
- Persian pottery, [318], [321]
- Petuntse, definition of, [22]
- Placques, heraldic commemorative, [230], [243]
- Poetry and imagination, expression of, in modern Copenhagen work, [246]
- Poetry of the potter's art, the, [95], [245]
- Porcelain—
- First made in Europe (Böttger), [22], [29]
- in Denmark, [34]
- Hard-paste, schools of, [21]
- Semi-porcelain, a term in English ceramics, [310]
- Soft-paste, schools of, [21]
- Portraits—
- Frederik, Crown Prince (vase), [49]
- Juliane Marie, Queen Dowager (vase), [45]
- Müller, Frantz Heinrich, (cup) [41]
- Rabener, [92]
- Pott, chemist at Berlin factory, [31]
- Potter, Chinese, the poetic terms of the, [245]
- Preus, Sören, modeller of flowers, [108]
- Processes at old Copenhagen factory described, [63], [76]-[80], [91]
- Rarity of old porcelain—
- Copenhagen (Fournier period), [36]
- Florence (sixteenth century), [23]
- Renaissance, modern, Copenhagen, [199]-[262]
- Retail depot opened at Copenhagen, [60], [113]
- Revival of overglaze painting, [229]
- Rhodian pottery, [322]
- Rhymes and mottoes on Copenhagen porcelain, [99]
- on Staffordshire pottery, [96]
- Ringler, a workman at Vienna, carries the secret of hard paste far and wide, [30]
- Roscoe and Schorlemmer, Treatise on Chemistry, quoted, [31]
- Rosenborg Castle—
- Flora Danica service at, [137]-[56]
- Fournier porcelain at (illustrated), [25], [37]
- Rousseau, Jean Jacques—
- his influence on Struensee, [47]
- his naturalistic theories, [141]
- Royal factory established at Copenhagen by Frederik V (1760), [35]
- Royal patronage of potters—
- (in general), [28]
- (in particular) Copenhagen:
- Christian VII, [104]
- Frederik V, [35]
- Juliane Marie and royal family shareholders in Müller's company, [56]
- Crown Prince Frederik and the Flora Danica service, [140]
- Berlin: Frederick the Great, [32]
- Fürstenberg: Duke of Brunswick, [31]
- Meissen: Frederick Augustus, Elector of Saxony, [29]
- acquires porcelain in exchange for a regiment of dragoons, [32]
- St. Petersburg: Emperor Paul, [28]
- Empress Catherine II, [31]
- Empress Elizabeth Petrowna, [31]
- Vienna: Empress Maria Theresa, [30]
- St. Cloud, factory (1695-1773), [21], [23]
- Scandinavian Diana biscuit group in Sèvres porcelain, [224]
- Schleswig-Holstein, war concerning the duchies of, fatal to Danish art, [205]
- Schmidt, Jacob, [102]
- Schou, Philip, pioneer of Modernity, [205]
- Makes a European tour, visiting factories of Holland, Belgium, France, and England, [214]
- Rebuilds factory at Frederiksberg—his genius, [205]
- The triumph of his foresight, [213]
- Copenhagen porcelain raised to a new plane, [216]
- Schou, Philip, comparison between, and Müller, [210]
- Schreiber, Lady Charlotte, letter from Francesco Antonibon to, [24]
- Secret of hard-paste porcelain spreads throughout Europe, [30]
- Secrets of craftsmen not dependent on scientific accuracy, [67]
- Semi-porcelain peculiarly English, [310]
- Sèvres, crystalline glazes at, [301]
- Sèvres factory, date when hard paste first made at, [24]
- Sèvres factory, marks of, copied by English potters, [11], [281]
- Sèvres porcelain, its spirit reflecting northern ideas, [224]
- Sèvres porcelain, Louis XV
- sends present of service to King of Denmark, [38]
- Service made for Catherine II of Russia, [139]
- Sèvres styles introduced at Copenhagen, [37]
- Shakesperean subjects (Copenhagen), [326]
- Signatures of artists, etc., in Copenhagen porcelain—
- Baÿer, [103]
- Clio, [101]
- Hald, [102]
- Holm, [103]
- Krog, [255]
- Lehmann, [101]
- Liisberg, [256]
- Luplau, [101]
- Meehl, [104]
- Ondrup, [102]
- Schmidt, [103]
- Skovgaad, Peter Christian, Danish painter, [197]
- Soft-paste porcelain, definition of, [23]
- English, [27]
- When made at Copenhagen, [36]
- Sören Preus, [108]
- Söroe, view of, painted on a cup, [195]
- Spiritual outlook, the, of modern Copenhagen, [252]
- Staffordshire figures stripped of their pigment, [266]
- Staffordshire potters' fondness for rhymes, [96]
- Stockholm, National Museum, specimens of porcelain at, [38], [69], [115], [119]
- Fournier period, [38]
- Juliane Marie period, [69], [119]
- Struensee, John Frederick, his fatal influence at the Court of Christian VII, [47]
- his overthrow by Queen Juliane Marie, [48]
- his execution, [51]
- Styles which modern Copenhagen wisely avoided, [234]
- Subject, the apt choice of a fitting, the truest test of the highest ceramic art, [238]
- Successors of Müller, [177]-[97]
- Supernatural, the, untouched by Copenhagen, [253]
- T (incised) as a mark, [175]
- Table of leading painters and modellers, Müller period (1773-1810), [105]-[10]
- Table of Marks, Müller period (1775-1810), [100]-[4]
- Table of Marks, old blue-and-white porcelain, [174]-[6]
- Tables of Marks, painters and modellers of Renaissance period from 1885, [255]-[62]
- Technique—
- Copenhagen art faience, [317], [325]
- Copenhagen porcelain (modern) imitated by many factories, [229], [247]
- Copenhagen porcelain (old), processes described, [63], [268]
- (Müller period) its triumph with primitive methods and impure materials, [67], [88], [91]
- English porcelain, [310]
- Figure subjects, the limitations of the potter obeyed, [267]
- Modelling and its especial, [266], [267]
- Modern schools of potters, [229], [247]
- Underglaze decorated porcelain, [236], [237]
- Underglaze painter, true ideal in, [214], [234], [242]
- Thomaschefsky, Carl Fridrich, [110]
- Thorvaldsen, figures after sculpture of, [196]
- Three blue lines (Copenhagen mark), origin of, [56]
- TI (incised) as a mark, [170]
- Times (1801), quoted, [183]
- Toby jugs stripped of their pigment, [266]
- Transmutation glazes, [291], [301]
- Tschirnhaus, Ehrenfried Walter von, [29]
- Tuscany, Grand Duke of, patron of Florence factory, [23]
- Tvede, Claus, modeller, [105]
- Underglaze painted, early blue-and-white, [157]-[76]
- Underglaze painting, new technique created, [214], [234], [242]
- Underglaze painting succeeds overglaze painting in figure subjects, [268]
- Unmarked Copenhagen porcelain (1773-1775), [42], [56]
- Verses on Copenhagen porcelain, [87], [99]
- Vincennes factory (1740), [23]
- Voltaire, letter to Catherine II of Russia, [143]
- W2 (incised) as a mark, [176]
- Wedgwood exhibition, the, by Messrs. Josiah Wedgwood & Sons, London, 1909 (including service made for Catherine II, Empress of Russia), [140]
- Wedgwood, his introduction of classicism into Staffordshire, [192], [278]
- his jasper ware, its classification, [310]
- Wedgwood service made for Catherine II of Russia, [140]
- Wedgwood workmen apply in vain at Copenhagen, [122]
- Wiedewelt, the sculptor, assists Fournier, [36]
- Wilkins, W. H., A Queen of Tears. History of Caroline Matilda, Queen of Denmark, [47]
- Winther, Christian, quoted, [251]
- Worcester, its Oriental prototypes, [215], [237], [281]
- Workmen, foreign, at Copenhagen, [59], [60], [83], [121], [122]
- Workmen, foreign. English artisans from Wedgwood's factory apply in vain at Copenhagen, [122]
- Zimmermann, Professor Ernst (Meissen porcelain), [29]
- Zurich factory, [31]
Printed in Great Britain by
UNWIN BROTHERS, LIMITED, THE GRESHAM PRESS, WOKING AND LONDON