This mountain is nearly in the line of the old trail taken by the early overland pioneers on their way to the coast by the way of Yuma. The mountain is remarkable in one respect—it scarcely ever presents the same appearance twice. Its contour is constantly changing, owing to the fact that it is bordered by gigantic sand-hills, which are carved and whittled and shaped by the fierce winds which sweep across the plain. If one notes some point or pinnacle as a landmark to-day, to-morrow he will have lost his bearings, for the outlines will have been changed.
This peculiarity of the mountain has awakened the fears of the Cocopah Indians, who inhabit that region, and who are naturally superstitious, and they shun the locality. Nothing will induce them to mount the eminence, and they even avoid that section of the plain. It is to them the abode of evil spirits.
Among other evil spirits who, they believe, inhabit the mountain, is one which bears a strange resemblance to the Gaelic "banshee."
The old folks of the Irish peasantry to this day tell of the banshee, a little, old weazened woman, who is said to appear to persons, clapping her hands and wailing, as a warning of approaching death. The Cocopahs have precisely the same superstition, save that the banshee is a little old man, "Wah Dindin," who is supposed to come down from Superstition Mountain to bring death to the one to whom he appears.
The Cocopahs are very much averse to being photographed, and the sight of a camera is a signal for them to throw themselves face downward upon the earth. They believe that their pictures, if taken, are transmitted to the evil spirits in the mountain, and that, by means of this picture, the little old man of death—the Cocopah banshee—will be able to trace them and bring them death. Some of the more enlightened and more avaricious, however, upon being bribed with silver, so far overcome their fears as to allow themselves to be photographed.
A DESERT POTTERY FACTORY